Amy Adler In the early 1800's, a pastoral neighborhood in a remote part of Britain has a new resident. She's Helen (Tara Fitzgerald) and assumed to be a widow, with a young son Arthur. The house she moves into has seen better days, being a rather decrepit old mansion called Wildfell Hall. In truth, its odd, but Helen seems determined to use only a small portion of the house and make it liveable. Although she wants to be left alone, neighbors come calling repeatedly, at first, wanting to meet her and be kind. They are very curious about her constant oil painting, as it seems to be her means of support. Especially taken with the widow is young, single sheep farmer, Gilbert (Toby Stephens). All too soon, rumors start to spread. Is she really a widow? Is she meeting a man named Frederick at the Hall in secret? Why is she so uncommunicative? Gilbert is the only one who is befriended by her, becoming his confident and relating information about her past, bit by bit. When it all comes out, will love stay strong and true between Helen and Gilbert? This magnificent story from the Bronte sister Anne is one to cherish. Helen is a trailblazer in that she has run away from an abusive,alcoholic husband, even though the law says she can't, and earns her living by her own hands. Therefore, the tale has some sad matters to discuss, indeed. Nevertheless, it is still a beautiful tale of redemption, second chances and love. The breathtaking English countryside delights while costumes and cast are equally fine. What, you only remember Jane Eyre by that other Bronte gal? Expand your knowledge and try this one as well.

TheLittleSongbird Anne Bronte was in the shadow of her sisters Charlotte and Emily and The Tenant of Wildfell Hall less well-known than Jane Eyre and Wuthering Heights. Charlotte and Emily Bronte are great writers and their books classic but Anne does deserve more credit than just "the other Bronte sister", and The Tenant of Wildfell Hall does deserve to be up there with Jane Eyre and Wuthering Heights as it does have all the ingredients of a classic. The book is hugely atmospheric and emotionally impactful and what further makes it a classic is how direct Anne Bronte's writing was and how she really understood her characters and people around her at that time. This dramatisation is just excellent with its only detriment being the ending feeling rather rushed. It is evocatively shot and the scenery is both beautiful and stark, the mist and rocks really giving setting the tone of the book. The costumes and the rest of the production values are incredibly well-done too. The music is haunting and unobtrusive with a real melancholic beauty to it too, some have deemed it anachronistic, I thought it blended with the mood with no problem and actually enhanced it. The script has Anne Bronte's writing style all over it and just as harrowing and heart-wrenching, and while details-wise it is not the most faithful adaptation there is the gritty and affecting spirit of the book is absolutely there and with a great passion also. Regarding other adaptations of any of the Bronte Sisters' work the 1983 Jane Eyre comes closest to evoking that feeling exactly. The direction is sensitive and lets things flow smoothly, if a little hurried at the end. The acting is without complaint, the supporting turns especially Pam Ferris turn in great work but it is the three leads that captivate. Rupert Graves has the juiciest character as Arthur Huntingdon and he is incredible, he shows an initial charming side to Arthur but later becomes brutish and tormented, making it easy for us to really hate him with an ounce of sympathy too. Tara Fitzgerald is appropriately stoic, determined and passionate, you can tell how into the role of Helen she was with what she does physically(ie. no makeup, making her perhaps less attractive than she actually is), people may be frustrated with how too saintly Helen may seem later on but considering the situation Helen was in it's understandable. Toby Stephens gives one of his better performances here too, giving a tender and magnetic performance with ruggedly handsome charm too. In conclusion, the book is a classic and while not quite as good the adaptation is excellent, recommended highly. 9/10 Bethany Cox

phd_travel This is a moving and powerful adaptation of Anne Bronte's novel. Unlike her sister's much more famous novels which are Gothic romances this is a contemporary (for it's time) novel about marriage and domestic abuse and the rights of women at the time. It is way ahead of its time and quite relevant today. The little observances of the mean spirited gossip mongers in the village are quite acutely observed. An abused wife flees her husband with their son and tries to live incognito in another village. The "old fashioned" part is when she returns to fulfill her duty to care for him when he is dying. But it's quite touching.Production is good - the 2 houses featured suit the story. The actors are good as can be expected. Rupert Graves is effective as the abusive unfaithful husband. Tara Fitzgerald isn't quite pretty enough for the role - so many men shouldn't fall so hopelessly in love with her.There are some departures from the novel but they are improvements for dramatic effect.Overall worth watching.

Eowyn1967 I bought this adaptation because I really liked Anne Brontë's novel when I read it some time ago and usually particularly enjoy BBC dramas. But I'm very disappointed, I never thought it would be as bad as that: the whole series made me laugh much more than moved me as the novel had.First of all, the music (and songs) seems totally out of place in a period drama (sounds as if it's been written for a contemporary horror film)and like another commentator, I was particularly annoyed by the way the cameras spun and spun round the actors. I've seen some scenes filmed that way in "North and South" and it seemed all right there but in The Tenant, it's definitely overdone and simply annoying. Camera movements cannot make wooden acting lively.Most of the second roles were difficult to distinguish at first and the script lacked clarity. None of the characters were properly introduced at first. The little boy gave a very good performance, he's very cute and the best feature of the film.SPOILERS Tara Fitzgerald's characterisation of Helen Graham made her appear cold and harsh, letting no emotion pass through. She doesn't seem to be able to cry at all in a realistic way. I just couldn't believe Markham could have fell for her and I'm not mentioning the awful hairdo she was given. I could not help feeling some sympathy with her husband! Fancy being married to such a virago... Besides, he was the only main actor that sounded right to me. Toby Stephens I found just OK, Helen Graham's brother not very good. Maybe it's difficult to adapt a novel that deals with such bleak subjects as alcoholism and cruelty. Besides, what is only hinted at and left to the reader's imagination in the book is dwelt upon with complaisance in the TV adaptation: making some scenes both gross and comic, (like when Huntingdon's eye starts bleeding) and others far too sexed up for a period drama! I mean, don't we get enough of those bed scenes in contemporary dramas?