texshelters 13 Minutes, a ReviewIN A WORLD...OF WORN OUT SUPER HEROES, TIRED REMAKES AND SEQUELs, COMES A FILM SO SHOCKING MULTIPLEXES ALL OVER THE NATION WOULDN'T SHOW IT. FROM A COUNTRY THAT BROUGHT US THE Nazis, RELIABLE CARS AND SCHADENFREUDE COMES a film about a socialist trying to kill Hitler in 1939 in Munich?! 13 Minutes is a film so audacious that it shows that socialists were not always the bad guys. The Nazis and Socialists, along with your standard capitalist parties, were fighting for control of the hearts, minds and power in Germany, we'll say since the end of World War I because that's the point in which 13 Minutes first mentions the conflict.Spoiler alert!: the Nazis were elected to power and systematically started to remove their opponents through work camps, torture, and their favorite, murder. Mild mannered carpenter and socialist sympathizer Georg Elser, played adroitly by Christian Friedel, sees the atrocities of the Nazis. Like many Germans, he decided to resists. In his case, he planned to blow up Hitler, a fantasy many of us had in our youth. We learn all of this right in the beginning, in the trailer actually. What unfolds is the Nazis attempt to understand how this "lowly carpenter" could have done this alone. Their technique for "understanding" include various forms of torture that would have made Spanish Inquisitors sit up and take notice. What also unfolds is the cause of Elser coming to such a radical decision and his many romances, including the love of his life. I assume that more of us would have found a way to flee Germany when the Nazis started killing people in our town. I would have chosen the "flight" route myself. Not good old, crafty Elser, who patriotically, as the film plays it, decided to take action. He planted a bomb that missed his target by...some amount of minutes. I don't want to spoil it for you. The acting is one of the best things about the film. From the bit parts, to the incredibly scary Nazis (IT has nothing on these Nazis), to the love interests, to the towns people, to the socialists, they were all well played. Moreover, the portrayal of the Hitler youth was more frightening than anything I saw in IT.The costuming and settings were impeccable and the filming framed the action in a simple yet interesting manner. It is German cinema, after all, from the director who brought us the gut- wrenching "Downfall." The music was not overwrought or cloying like Hans Zimmer's "Dunkirk" soundtrack. Overall, the production values show the best of modern cinema. The parts that don't work could have been fixed with one more pass through the script. There are scenes where the leads, Elser specifically, act out of character. A line or two, five minutes more of screen time, would have solved these issues. While we know the character of Elser, his actions don't match that character in two important ways. Most people won't notice, and I wholeheartedly recommend 13 Minutes. Rating: Pay Full Price. Peace, Tex Shelters

relate-47835 Most films about Nazi war era is made about victims of any Other ethnic, social group and I have never heard of a common-man-German's resistance nor any Germanic people daring to act against the strict, strident Nazi forces. WWII was horrendous.This film makes that vision clear and scary, still today. Nazis, as they were clearly depicted in "13 minutes" film still inflicted fear in an audience who knew they were sitting in a safe movie theater…and yet the fanaticism and coldness, heartless obedience was shown, effectively.And without extra drama or fluff or exaggerations to get ratings or profits. This movie is a necessary 'correction' to the more popular WWII movies, those depicted with "victim-fighting-and-losing" or "victim-turns-hero-and-wins" – the popular, very common versions.These Nazis were mainly shown as males, as stiff, sharp, stone-immobile -faced and with rigid bodies, even in gestures, expressions & all their movements. Surprisingly, only very few Nazi females were included in film, to balance the understanding of which Germans submitted, why so many Germans obeyed, or how most Germans actually lived their lives within those actual Nazi enforced strictures. yet. these were believable. As was the man who refused them - and suffered strongly for disobedience.The movie tension was constant & visceral - felt strongly, throughout most of the long movie- even in flashbacks and scenes of the hero's attempts to explain himself after being caught. Torture was difficult to watch - and though this writer is mostly proud of "facing reality, no matter what it is" did close eyes and ears at 2 points to not indulge in horrors on screen.And to avoid having later prolonged effects from seeing real-life torture, as viewed on such a Big Screen - with loud sounds & music, with gore, extreme pains shown. The cruelty was so easily inflicted - and the helpless of this proud man, who was very brutally punished. For disagreeing, disobeying, failing.There are No Heroics in watching brutal humanity enjoying or obediently acting-out-orders. The inclusion of no-apparent-exaggerations- but here probably showing realistic depictions - were acted out dramatically, as subtly as is necessary, to make this film appear valid. "13 minutes" should be seen by all & anyone who has been alive - then and who escaped such pains. And equally by those who have never lived inside such war-gutted societies and with the people who collude in wars - do so for their safety - or they lived there for their benefits of being with those who are the "Winners and In Power & Control" - or are those who collude, and become collaborators. Or those who had to be there mainly for their body-survival - as occurs, in any war, any where else.Especially those of a younger demographic should view this film, which exposes Germans and Nazis more realistically than American or some other Japanese/European movies dare do. A Hero is one who acts on their own honorable, responsible, ethical convictions - not hurting others - but who act to prevent worse happening to others too, in their world/ town/ country.Not to "kill 'em all & sort them out later" . But a hero has to have serious convictions and to be personally courageous - to take personal actions that may put that person in serious danger . To do something on & with purpose - to prevent worse happening for others – that becomes a higher calling / purpose.Comparatively, all other -mostly American- movies that are Not nearly as realistic, pointed and directed to our heads, as is this one. This film is not just to provoke fear & easy emotions. Most others do not meet the level of truth & honesty, as is well depicted here.

kosmasp Obviously this being based on an actual event (or events for that matter), this had to be made with great care. And you can feel the weight that lies upon this movie. But it never falters under it. It does stand its ground, which is a tough thing to do. Even tougher when you realize how many movies about Hitler have been made and what they all try to accomplish.While it is based on something that happened, as with almost every other movie, it takes a couple of liberties. One of them being the time-line jumps. You may be in the "present" (that's late 40s for you), but the movie always skips back and looks on things that are being discussed or generally a look on the character and what he's been through. Not as much as some others obviously, having friends and what not, but still a more than engaging story that is worth telling indeed

Horst in Translation (filmreviews@web.de) "Elser" is a German movie from this year that runs slightly under 2 hours. The director is Oliver Hirschbiegel and you may have seen his Oscar nominee "Der Untergang" or "Das Experiment". This one here is his newest work and just like "Der Untergang", it is another movie closely related to Nazi Germany. Fred and Léonie-Claire Breinersdorfer is a father-daughter pairing and we will probably see more of them in the future. The woman has worked mostly on television so far, while her father has written the Oscar nominated "Sophie Scholl" among other films.The lead actor is Christian Friedel, who you may or may not have seen in Michael Haneke's "Das weiße Band". Just like in that one, Friedel plays alongside Burghart Klaußner, who plays the biggest supporting character here. Of course, Friedel plays the title character in this one. Georg Elser was German resistance fighter who tried to assassinate Hitler long before Stauffenberg and yet the latter has many films (inclusing Tom Cruise's) made about him why Elser has almost none. I saw Klaus Maria Brandauer played him once roughly 25 years ago, but even that movie hardly anybody saw. So why isn't Elser more famous in film. I can only speculate here. Maybe there is not enough known about his life before or after the assassination attempt or maybe he simply is not an interesting character.In any case, I just checked for Katharina Schüttler's character and I cannot find anything about a woman named Elsa in Elser's life. Also I cannot see how closely Nebe really was to Elser. Yes he probably played a role in a later assassination attempt, but did he really know and directly meet Elser? I guess it may be true that we simply do not know enough about the real Elser to make this a fascinating and authentic watch. About Katharina Schüttler, I kind of like her as an actress, but somehow I feel her characters, especially the historic ones, are frequently very similar, so that it looks to me that she keeps playing the same characters. I hope she will get out of that niche soon. I'm sure she has the talent. Burghart Klaußner is easily one of my favorite actors and I was certainly curious about him in this one as he also scored another German Film Awards nomination, but as a whole I was sadly fairly underwhelmed by him. I guess the character was not written interestingly enough for Klaußner to make a lasting impression like he did with Fritz Bauer recently. Johann von Bülow plays the epitome evil Nazi official, something we have seen a hundred times already in the same manner.This is also generally the problem of the movie: The only thing somewhat innovative here is that the title character is fairly unknown today, but the story and everything they constructed around him was not innovative by any means. Of course, it's difficult to bring something new to the table with all these Nazi movies made, but Hirschbiegel has done it before, so I am a bit disappointed it became all so generic here. One interesting elaboration could have been for example why Elser wasn't killed right away after he confessed, but lived on for another 5 years. Pretty strange if you try to kill the Fuehrer isn't it? And maybe Neve should have gotten his own movie. He felt a bit wasted here. Still, all in all, not a bad watch by any means, just a mediocre script that does not do justice to the character of Georg Elser I am sure. Could have been a lot more this movie. Still worth a watch for everybody with an interest in German history of the 20th century.