mclyndle The story of my life as a young overweight gay boy growing up in a small town 35 years ago. What a darling little boy. I also noticed how very true it was that the young man knew what he wanted. His eyes were bleeding to see what he wanted to see! And, yet, his girlfriend, who was not all too happy about being a girl, had no concept of attraction to anyone. She just knew she wanted to play sports and it was her job to take up for the "puffits" of the world. My favorite line was near the end when he said he "belonged here." That sense of belonging is what brings us all together.Sweet movie. Lynn

miss_modular The opening night film of the 2006 Melbourne Queer Film Festival, this is an overlong, aimless and rambling piece of fluff.THANKFULLY the original novel's touchy theme of emerging adolescent sexuality was tastefully handled. Larry Clark, TAKE NOTE.If you're a fan of the original novel, don't bother. While the characters and major plot points remain the same, the parts in between these make no sense or have had their context COMPLETELY changed.The young lead actors, while charming, seemed confused and crippled by the badly paced and downright bi-polar script.If I hear "fubbulous" and that g-damned muzak played again, my head shall explode Cronenberg-style.CONCLUSION: Love the book, movie BITES ARSE. Two star rating: one for the film getting made, the other for the young actors giving it their best. Expected so much more from the writer/director of the ABSOLUTELY SPANKING (read: fantastic) melodrama "Desperate Remedies" (1995) Sorry Mr. Main.

Christopher Waugh Before expressing my opinion, I must say that (while I have no personal involvement in the film project) being a school teacher, who's gay, and who grew up and lives in the area in which this film is set - I strongly identify with it."50 Ways of Saying Fabulous" has a strong ring of authenticity to it. This may not translate well to the world outside Central Otago, New Zealand - but for a local there's a lot to recognise. A 'coming of age' film it is, but it is also a lot more. It's a brave telling of the true childhood stories that we tend not to allow to see the light of adulthood. The actors achieve the perfect balance between the paradoxical naivety and knowingness characteristic of the early teenage years. They inspired me with the bravery of their (sometimes misguided) idealism and the story leads them to expose, through their inevitable frustrations, a lot of the senselessness of the restrictions of our narrow society. I loved the relative absence of developed adult roles. The children were not only the main protagonists, but with the unwavering focus on their story: their view became ours - no translation required. Those who would criticise the 'cheesy low budget space-show' scenes woven throughout the film must surely have forgotten the fantasies of their own childhood, or perhaps they never needed to resort to fantasy to escape an all-too-restrictive daily reality. These sequences really were very funny in all of their overt symbolism.The bravery and incredible sincerity of the outcast character "Roy" (played with unwavering emotional and physical conviction by Jay Collins) struck a chord with me. The tragedy of his determination was almost too much to bear.I found the shifting of accent for the character "Jamie" (played by Michael Dorman) a little jarring. Somehow "South Auckland Polynesian, circa 2005" segued into "Aussie Battler" a few too many times for me to suspend disbelief.The filming, in the stunning wilds of Central Otago, captured the vast emptiness of the place beautifully. The characters owned the terrain, there was nothing else there. The intense colour saturation reinforced the historical nature of the film (It was set in the 70's). The drought, and the constant threat of fire, added beautifully to the undertone of tension. Something might go wrong.Stories like this need to be told over and over in all their variety and colour. I loved sitting in our local cinema surrounded by teenagers from the school at which I teach and seeing them enjoying and responding to the message to "be themselves". New Zealand is perhaps coming of age too, to see a feature film of this nature to fruition.Anyone with a curiosity for the culture of this isolated southern island would do well to catch this film. It adds a new chapter to the story of where we come from as told in the likes of "The Piano", "Heavenly Creatures" and "Once Were Warriors". Fabulous.

niamtrawets The movie tackles a sensitive subject in a way that is accessible to a wide audience. The plot moves at a brisk pace, and the acting is always excellent, especially by the three lead child actors. Dialogue is true to life, and sometimes very funny. I found several of the scenes very moving, especially those where the characters try to come to terms with the complexity of their adolescent emotions. The story concentrates on the children's viewpoint, with adults mostly absent - this is a good idea as puts the focus onto the relationships of the adolescents, which are the most dramatic. The period art direction is faultless, the landscape settings are awesome, and the music adds a nice comic touch. This is a very entertaining film that also carries an important and heartfelt message - that we are all basically the same and need to show each other tolerance and understanding. That's an important message in this day and age.