A Decade Under the Influence

A Decade Under the Influence

2003 ""
A Decade Under the Influence
A Decade Under the Influence

A Decade Under the Influence

7.6 | 3h0m | R | en | Documentary

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

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7.6 | 3h0m | R | en | Documentary | More Info
Released: April. 25,2003 | Released Producted By: Constant Communications , Written in Stone Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

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Cast

Julie Christie , Sydney Pollack , Francis Ford Coppola

Director

Kirsten Johnson

Producted By

Constant Communications , Written in Stone

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Reviews

Red-Barracuda This documentary is based on the idea that the 70's was the most influential decade in American cinema history; seeing as this is an opinion that I have always agreed with I am essentially on-board right away. The subject matter more specifically is about the emergence of the New Hollywood. Strictly speaking this was a period that began about 1967; it was in full bloom until the early 70's but didn't properly die out until round about the dawn of the 80's. The period was characterised by personal director-led films. These were quite a lot less commercial and a lot more left-field than Hollywood had produced previously. They were effectively a response to the box-office disasters of several big budget studio pictures that had failed to find an audience in the counter-cultural times of the late 60's. Once Bonnie and Clyde, The Graduate and Easy Rider were released to huge success, the studios figured that these types of films were the new way forward and would make them a lot of money. It turned out they were only partially right, as while many of the New Hollywood movies were successful in critical terms, not many made a lot of money. And once Steven Spielberg and George Lucas released Jaws and Star Wars, respectively, the age of the blockbuster arrived and it has been thus ever since.As a fan of this period of films I naturally thoroughly enjoyed A Decade Under the Influence. It does have to be admitted though that it is hardly an even handed examination. The view clearly stated is that this was a great time for movies and there is very little in the way of critical counter-views. I don't consider this to be a major problem as this is about shining a torch positively on an interesting period of cinema but it is at least worth acknowledging it. It might have strengthened the documentary overall if there had been some examples of the failures of the movement.Pleasingly, there are clips from many films. It made me realise how many of these films I haven't even seen yet and the segments are certainly well chosen, which is not a given in these types of docs. The structure is of the talking heads format. We hear the views of directors, actors and writers from the period. We learn a lot about their motivations and about the historical context that informed them like Vietnam and Watergate. These were turbulent times in the United States, the upshot is that a lot of great contemporary art was produced, not just in movies of course but also in books and music too. I think all these things came together at one time and the results are there for all to see. If you are interested in the subject then may I suggest also reading Peter Biskind's excellent book on the subject 'Easy Riders, Raging Bulls' – there was a documentary made of that too and while it was good, for my money this one is better.
MartinHafer This three-part documentary was produced for the Independent Film Channel and is about the American film industry during the late 60s to about 1980--give or take. It's clearly much more than a single decade despite the title. The first part is about the context for change in American films with the rise of international cinema and its influence on young filmmakers. The second about the freedom of the 70s and the gritty social dramas. And, the final portion is about the changes that brought about the death of this sort of filmmaking and a rise to giant corporately produced blockbusters. It's all very interesting and features not only directors but writers, producers and actors and I marveled at the large number of interviewees used in making the documentary. In fact, it really excels in an area in which most film documentaries fail--it gives plenty of time to the subject and you don't feel short-changed. My only real complaint is that although the people and films are OFTEN identified, this is not always the case--and unless you are very familiar with these people, you may forget who is who. This is not a problem for advanced film students and cinemaniacs like myself, but for the more casual viewer it might pose a minor inconvenience. Still, it's like sitting in an advanced film class where you learn at the feet of the masters. Fascinating throughout.By the way, although this film was clearly not intended for kids, I should warn the viewer that there are LOTS and LOTS of obscenities in the film---LOTS. So, for the very sensitive sorts, perhaps this isn't the film for you. Also, there are no close captions or DVD captions--which is a shame, as my deaf daughter could not enjoy this documentary.
PORTCITYPOET31407 The Presentation is VERY shabby. (to my notion) as documentaries often are. Michael Moore's "documenatry" - Farenheit 911 is FAR more convincing but has FAR too much media and political influence. Cant wait till Saturday when I get to see the docudrama "The Game of their Lives" . IFC goes right of center. I have started a collection of IFC movies from off the internet due to "TGOTL" *** out of ********** on "Decade". Wanna see good documentaries? Stick to the History Channel.. Or try docudrama. You cant go wrong with them my friend. Cant go wrong. The seventies were ten years of reruns. Or so the old times would have you to believe. Disco died and it is gone forever. When Elvis died o yes we all did grieve
MisterWhiplash ...and my reasons for which are simple- there are so many great films presented and discussed here (most of them by their own directors and stars), so many clips of infamous moments in 70's movie history, and in fact a number of films I have yet to see, that it wouldn't be fair to grade this work. By this logic I shouldn't have given grades to other movie documentaries like Martin Scorsese's Personal Journey through American Movies and My Voyage to Italy. But while those films were on the basis of one man's view of cinema, narrating through most of the way, Richard LaGravanese and (the late) Ted Demmes' A Decade Under the Influence lets the films and the creators speak entirely for themselves. What makes 'Decade' worth at least one watch for film buffs, or just anyone who likes the films of the late 60's-70's in America, are the levels that it goes to, that in the uncut version (three hours, not the theatrical version, which I have no comment on) plenty of ground is covered. Interviews include the likes of Scorsese, Robert Altman, Sidney Lumet, Julie Christie, Jon Voight, Francis Ford Coppola, Paul Schrader, Pam Grier, Bruce Dern, Peter Bogdanovich, Roger Corman, Dennis Hopper, Robert Towne, etc, and there's a constant flow of insight from start to finish. The way the clips and directors/actors pop up, edited together in a flashy and quick style, is also fascinating. The one down comment I have on the documentary is that most of the information presented has been reported on in various books, like Easy Riders, Raging Bulls, and though I haven't seen the movie version of that book yet I'm sure it would have covered many of the films and directors and incidents as here (in fact, the book of that is one of the best I've ever read. HOWEVER, this documentary serves as something special for film buffs and occasional movie goers of the future- they can look at this and learn not only about such well known pictures as Easy Rider, The Last Picture Show, Annie Hall, Coming Home, and lessor knowns like Scarecrow, Panic in Needle Park, The Landlord, Joe, They Shoot Horses Don't They. They can also learn about who influenced them (new waves of Europe and Asia), who they served as influences for, and how the subject matter that created controversy after controversy still serves as intriguing and chancy material for the contemporary crowd. Seek this out!