A Hard Day's Night

A Hard Day's Night

1964 "The Beatles, starring in their first full-length, hilarious, action-packed film!"
A Hard Day's Night
A Hard Day's Night

A Hard Day's Night

7.5 | 1h28m | G | en | Comedy

Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

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7.5 | 1h28m | G | en | Comedy , Music | More Info
Released: August. 11,1964 | Released Producted By: United Artists , Proscenium Films Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

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Cast

John Lennon , Paul McCartney , George Harrison

Director

Ray Simm

Producted By

United Artists , Proscenium Films

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Reviews

Woodyanders The Beatles take England by storm as they travel from Liverpool to London so they can do a live performance on a television show. What makes this movie so special and enjoyable is the way it vividly captures the Fab Four when they were still pretty fresh, dynamic, and even fairly innocent; by having the Beatles wisely just be themselves this film manages to astutely nail the charming effervescent quality that made them stand out as a group. John Lennon, Paul McCartney, George Harrison, and Ringo Starr all display a winningly natural rapport and a tight camaraderie that's a joy to behold. Moreover, they all deliver a slew of sharp snappy one-liners with cheeky aplomb. Wilfrid Brambell nearly steals the whole show as Paul's mischievous grandfather. In addition, there are amusing supporting contributions from Norman Rossington as long-suffering manager Norm, John Junkin as hapless lackey Shake, Victor Spinetti as a pompous TV director, and Kenneth Haigh as a pretentious advertising executive. Alun Owen's sly script pokes wickedly hilarious fun at everything from the media -- the press conference sequence is a riot! -- to television to the Beatles themselves. Directed with tremendous gusto by Richard Lester, exploding with infectiously anarchic energy, and further galvanized by a bunch of wonderful songs, there's a vibrancy and spontaneity evident throughout that's downright impossible to either dislike or resist. A total treat.
avik-basu1889 Directed by Richard Lester and written by Alun Owen, 'A Hard Day's Night' is a comedy musical film starring John Lennon, Paul McCartney, George Harrison and Ringo Starr playing themselves. The plot although is fictional, however the life of the 'fab four' depicted in this film couldn't have been too far away from the reality at the time which was the height of 'Beatlemania'.The concept of popular musicians starring in films is certainly not uncommon. But on most occasions, those outings turn out to be a shoddy attempt to make money by exploiting the popularity of the stars. This could have been a similar case considering the low budget assigned for the production of the film. But Alun Owen's great screenplay and specially Richard Lester's tour-de-force direction elevates the film from just being a showcase for The Beatles' music to levels of greatness.As far as I am concerned the basic theme of Owen's screenplay is the exuberance of youth and the yearning for freedom/liberty. Instead of making the 'fab four' play righteous heroes, the script makes them play themselves in order to make a social commentary in a subtle way. Like in real life, the Beatles in the film also exist in Britain at a very significant time when the old somewhat Victorian-esque ways of authority and customs were starting to be gradually obliterated by the youth of the 'swinging sixties'. This rift between the old and the new gets portrayed extensively in the film like the encounter between older posh gentleman and the beatles in the train compartment or the moment when an older man asks the gang to get off his private property after their wild craziness. The members of the band in the film are youngsters who want to do what they want to do without having to be answerable to anybody. Their manager almost gets driven mad by the lack of discipline of the group which is another metaphor for defying the restrictions and refusing to get dictated by the elders. The wild girls going crazy for the Beatles and trying to get close to them by escaping the police and the security is their way to become non-conformists by embracing the boys who represented their idea of self liberation. An interesting aspect of the film is the character of Paul's grandfather. Although based on his age, he belongs to the older generation, but he actually is a young naughty troublemaker in an old man's body. He represents the kind of character that the 'fab four' would be like in their old days if they don't change.For me, what makes this film a classic is Richard Lester's direction. He really adds the energy to the film. Some of the scenes have become very famous due to the directing techniques that were used to capture them. Lester's direction in the film is certainly heavily influenced by the style of the French New Wave. We see a whole array of intricate directorial tools like repeated jump cuts, Cinéma vérité style of cinematography in the street scenes to give a documentary feel, we see extended overhead shots, sequences with speeded up motion, etc. There are also some shots in the film where the characters wink at the camera a bit which is also a slight homage to the French New Wave. All these intricacies get put together and used brilliantly by Richard Lester to tell the story in a manner which goes with the themes and the nature of the characters. I think Lester's direction makes the film transcend genres. It has elements of a documentary, a musical, and a slapstick comedy all together. This must have to some extent influenced 'This is Spinal Tap'.Although John, Paul, George and Ringo are clearly not the best of actors but they certainly add the wild charm and likability that is needed. What can never be denied is that they are funny together. Paul making fun of Ringo's dancing or John having funny arguments with their manager or George's weird encounter with the fashion moguls are examples of scenes where the easy-going but effective comedy comes to the forefront. I have nothing to say about their music. It is absolutely fantastic, both the slower tracks as well as the faster ones, but one will expect that.Apart from the social commentary in the script and the uninhibited direction, I really want to drive home the fact that this film is bloody funny. I can watch it over and over again due to its vibrant energy and its easily likable comedy. This really is a Rock n' Roll Musical of the highest order and it does cinematic justice to the legacy of the Beatles instead of just exploiting their fame.
TheDragonDane The Beatles have made a huge impact in music history. This was basically a film capitalizing on their success. Sadly aside from the classic songs played throughout....This is one annoying movie. First thing is…. The Beatles can't act at all. They phone in every line of dialogue and don't care whatsoever. Oh and the entire point of the movie is them not caring about their career and goofing off. The Beatles end up coming off as unlikable, egotistical, and annoying while being jerks to the people around them.... that's the movie.Its okay to have little plot for a music movie. And to be honest I never really cared that much for their music. But when the songs play in the movie…The "story" doesn't progress… It's like the movie is on pause. But the thing is without the music this wouldn't have been successful in the slightest. The movie then goes into a pattern of them goofing off then performing a song........They just preform then goof off, preform, then goof off... And...That's pretty much it!!The goofing off scenes happen with vandalism and harassment they even have the cops chase them at the end of the movie. Sure some good role models!And at the end there's a good 10 minutes of them performing the songs they ALREADY sung earlier in the film. And after that, it ends, making me feel incredibly cheated.I really didn't like this one. Go watch Yellow Submarine instead… or just listen to the album…. Then you don't have to wait though the annoying goofing off bits in between....The fans in the movie were annoying too.
Hitchcoc I was a male teenager in the 1960's. To me and my friends, the Beatles and the British invasion was so important. We were normal kids with all kinds of other things going on, but whenever a new album came out we were there. There was so little footage of the guys because other than the news when they came to a new city, it was non-existent. Videotape was minimal. There was some film of their concerts but the screaming drowned out most of the music. When "A Hard Day's Night" came along it was gift. We had the "Ed Sullivan Show" and that was it, so to see all those songs being performed and hearing them talk and act. Fantastic. I couldn't afford to go to the one concert at the old Metropolitan Stadium (home of the Twins in Bloomington, MN) because we were a very poor family, but my friends told me they were unable to hear anyway. Still, it would have been a great experience. The wonderful thing about this film is that it is funny and intelligent and works so well. It is about the Beatles as it should be, and yet there is a surreal element that is so precious. So much has been written about Richard Lester and what he did, but he deserves it. A film that changed the world when it came to taking pop music to another level.