MartinHafer The film begins just after the US Civil War. The Colonel (Lionel Barrymore) hates Yankees and is shocked when his daughter announces she's marrying one. In fact, he disowns her and she leaves. Time passes and now after several years, the daughter returns to her hometown with her adorable child, Lloyd (Temple). As for the husband, he's a businessman and is expected to soon join them.For some time, the daughter and father ignore each other--both too proud to bend. However, Lloyd isn't afraid to talk to her grandpa when she sees him. In fact, she's VERY spunky and a bit bratty. So, when he talks down to her, she gives him what for and throws mud on him! Later, she returns and apologizes...and the pair begins a friendship. Over time, Lloyd's sweetness is able to mend fences and create a happy ending. But before this, she has to help her family, as some evil swindlers have taken her father captive! Oh my! The interplay between Temple and Barrymore is great. Partly this is due to their both begin fantastic actors. Partly it helps because in this film, Shirley does not play all sweetness but is also delightfully bratty and strong-willed. She also is MAGNIFICENT in the scenes where she dances with Bill 'Bojangles' Robinson--the best of their several movies together. All in all, a completely delightful film--one of Shirley's very best. And, at the end there is a VERY garishly colored segment--very vivid--actually TOO vivid! By the way, although you don't hear her sing much in films, Hattie McDaniel was also a professional singer and you get to hear a bit of her lovely voice as she BRIEFLY sings a song. Also, although black characters fare much better in this film than in other Shirley Temple films of the era, some might blanch at the fact that all the black people are VERY happy living in the segregated post Civil War South.

Neil Doyle I always get THE LITTLEST REBEL and THE LITTLE COLONEL mixed up when I think of SHIRLEY TEMPLE films, but while they both have the same sort of background (the Civil War and post-Civil War), the quality of entertainment is vastly different.This one gets off to a painfully dull start, with Shirley's mother (EVELYN VENABLE) running off with a Yankee (JOHN BOLES), and later returning home with her little girl only to find that the grandfather has never forgiven her for marrying a Yank. Naturally, it's up to little Shirley to melt the heart of the crusty grandfather (LIONEL BARRYMORE) and we all know how that's going to turn out.What makes the film interesting are the dance segments with BILL ROBINSON, as the tap dancing servant, most memorably in the staircase dance that is always shown whenever there are film clips from any of Shirley's Fox films. And for an added surprise, there's the finale which is photographed in three strip Technicolor and gave the world its first glimpse of the child star in color.Summing up: Racial elements are plentiful but, hey, this was 1935--a different world then--but the story is so wishy-washy that it's only suitable for die hard Temple fans.

willrams I grew up with Shirley Temple. In 1932 she made 12 movies as an adorable baby doll of four years old. In 1933 she made four films; in 1934 eleven films the best was "Stand Up & Cheer" and "Baby, Take A Bow". In 1935 four films; in 1936 Captain January", in 1937 "Heidi"; in 1938 "Rebecca of Sunnybrook Farm" and "The Little Princess". In 1940 two movies, and in 1941 her first flop. 1944 she made a comeback in "Since You Went Away" and "I'll Be Seeing You". 1947 she made three films including "Bachelor & the Bobby Soxer". 1948 "Fort Apache" when she met her first husband John Agar. In 1949 she made four good films the best of which was "A Kiss for Corliss". Nobody wanted little Shirley to grow up, so I must say my favorite film of hers was "The Little Colonel" in which she sang and danced so well with the famed Bill Robinson. In that film she played against the great Lionel Barrymore.

lora64 Crusty old Colonel Lloyd (Lionel Barrymore) is used to having his ornery way so when he finds out his daughter Elizabeth (Evelyn Venable) is determined to run off with Yankee Jack Shermon (John Lodge) to be married, he confronts her in a heated exchange and vows never to see her again if she does, and then she leaves.Several years later Elizabeth, with her husband and their young daughter Miss Lloyd (Shirley Temple), decides to return to a small house that belonged to her mother and which happens to be next door to her stubborn father's home. Obviously there are soon accidental meetings between all concerned, and a few clashes of granddaughter and the elderly Colonel just to see who is the most stubborn! Troubles descend on the Sherman family through some persuasive dishonest men who are out to rob them of their legal rights, and things start to get serious but grandpa comes to the rescue.Becky (Hattie McDaniel) and Walker (Bill Robinson) certainly add some amusing dialog during their stroll, as in spelling out "pohos"; and Robinson's tap dancing is superb. Not surprisingly, little Shirley is right in there keeping pace with him as they both tap dance up the stairs. A great moment in film.Nice family entertainment.