MonsterVision99 A surprisingly watchable post-apocalyptic Italian flick.I wasn't expecting much from it and I had a decent time while watching it. Its not as good as something like Escape from the Bronx or 2019 After The Fall of New York, but Rage still manages to be entertaining.Quite exploitive and mindless but really fun and somewhat interesting. I would recommend it for fans of the genre, even if I don't like that many post-apocalyptic films.

bensonmum2 In a post-apocalyptic future, people have banded together for survival. One group who would like to see the old world restored to all its glory believes they know the location where uranium was once housed. They hope to power their cities with it. Another group would like to get their hands on the uranium for their own, more destructive purposes. Who will get there first?First, what's with the character names in these post-apocalyptic movies? Rage? Slash? Trash? Ratchet? Bronx? Hammer? One? Why not Roger or Fred or even Bill? I think the Italian filmmakers tried to outdo each other with their names. Rage and Slash from A Man Called Rage are perfect examples.As far as this kind of movie goes, A Man Called Rage isn't overly original. There are only two scenes I can think of that stray from the standard playbook – the seeds at the end (nice touch) and the train. The rest is derivative filmmaking at its finest. A noticeable lack of budget doesn't help. Costuming is often as uninspired (and cheap) as tying a t-shirt around an actor's head. There's a lot of driving that serves as inexpensive padding. I can't tell you how many scenes begin with the good guys' jeep coming into frame, stopping, and someone pointing and saying, "Look". It happens over and over. Finally, the best (or worst) example of the film's budget limitations has to be earthquake. A few pebbles thrown across the surface of a larger rock while the camera shakes doesn't make for an effective natural disaster. Throw in some poorly choreographed fight scenes, iffy acting, and ridiculous special effects and you've got the makings of a real stinker. However, despite all the flaws, A Man Called Rage is still watchable. The main actors playing the good guys are likable enough. Bruno Minniti is oddly enjoyable in the role of Rage. The chief baddie is appropriately over-the-top. Even though there's padding galore, there are some nice action sequences sprinkled throughout. Like I said, I especially enjoyed the scenes on the train. Finally, the ending worked for me. The use of the seeds was something completely different from what I was expecting or what I've seen before in one of these movies. It's a nice, restrained, upbeat moment. Oh, I almost forgot another big plus for The Man Called Rage. Those painted-on jean shorts worn by lead actress, Taida Urruzola, are the real star. Wow!

Leofwine_draca Tonino Ricci follows up his cheese classic RUSH THE ASSASSIN with RAGE, a movie that is just as cheesy if not more so! Now RUSH wasn't exactly what you would call a "big budget" movie but RAGE has half of its predecessor's budget, if that! Thankfully Ricci never lets lack of money get in the way of making a crowd-pleasing movie and this is no exception. For all fans of Italian trash I would say that this pair of post-apocalyptic epics are a must-see! Once again Conrad Nicols returns in the leading role, and despite a name change, a new hairstyle and a new black vest, he's still an all-round hero and indestructible guy.After what seems like an age of stock footage showing various nuclear explosions, RAGE begins proper with what seems like a re-run of the first film's opening scene. In fact I'm sure it's the same set! A group of soldiers search through a series of abandoned buildings in search of Rage, who is of course kicking their backsides big time. Then again, it's not much of a challenge, as these soldiers must be some of the dumbest I've ever seen! Example: they break and climb through a window when a door is right next to it! Talk about making work for yourself! After seeing a dozen corpses inside the doorway, the soldier's leader says "be careful now - he's armed!". Now he's one to state the obvious.Despite his gung ho tactics, Rage once again ends up being captured and taken to the soldier's base. Along the way they stop in what looks like a quarry and are attacked by a band of roaming cut-throats, leading to a small shoot-em-up scene packed with shots of people pole-vaulting over sand dunes! After this they make their way through some dry ice which is apparently the "radioactive zone", and are forced to wear masks. You've got to laugh at the soldier who decides to take his off and chokes to death! Rage is taken to the leader, a Burt Reynolds lookalike who asks him to help mankind by travelling to the Alpha Base and locating life-restoring stores of Uranium. Being a good chap Rage complies soon enough.Assembling a rag-tag bunch, Rage makes his way by jeep into the uncharted territory. Accompanying him are the tough soldier leader, an overweight electronics expert guy who packs a mean punch and, of course, an Italian female beauty for glamour's sake. Here the fun begins. Rage and his team discover a cheesy disco (!), are menaced by a "magnetic hurricane", a no-budget landslide (which consists of a few pebbles rolling down a hill, accompanied by the camera shaking) and an attack by fur-clad primitives played out to some jolly '80s music! Of course, it wouldn't be a MAD MAX 2 rip-off without the chases, and Rage and his team are followed by a gang of bizarrely-fashioned misfits, lead by a guy who looks like an old hippy. Some guys follow on BMX bikes! After reaching the base, finding it empty apart from some seeds and a Bible, and accidentally destroying it, Rage escapes by train as the following gang close in. The finale is a direct rip-off of the chase from MAD MAX 2 as the bad guys board the train, lots of bullets are spent and loads of vehicles explode. Suffice to say it's highly entertaining and hilarious to watch.You have to admire Ricci. He doesn't have the budget to blow up moving vehicles so intersperses scenes of people throwing grenades with shots of stationery (probably hollow) vehicles exploding in the desert. Not only once does he do this once but about half a dozen times. Protective clothing has gone up in the world too; instead of the cling-film in the first film we now have plastic sheeting as a way of blocking radiation. There are lots of weird and unexplained bits in this movie, like the radioactive man who appears to gurn at the lady and then runs off into the night.Conrad Nichols shows that his acting hasn't developed at all from the first film, but hey, at least he looks good. The supporting cast is an interesting one, with the underrated German actor Werner Pochath as a fellow soldier of Rage's. Taida Urruzola also makes for a fetching female lead. What more can I say? Ricci proves that you don't need a budget to make a good film and I was mightily impressed with the unexpected train chase at the film's finale - very well executed on the cheap with lots of inter-cutting and fast editing to disguise the cheap vehicles/action, and it seems a bit of imagination was put into it as well. This movie is a cheesy delight.

Michael A. Martinez What can be said that wasn't covered by the other comment? This movie is a truly surprising delight, especially considering that it's a sequel to a quite droll and lifeless film, the previous year's cash-in RUSH with largely the same cast and crew. What RAGE has that RUSH lacks is a lot of kinetic energy - our heroes are constantly on the move encountering new obstacles and it's not too predictable, only weighed down by the episodic nature of everything.The film really is a showcase for the abilities of editor Vincenzo Tomassi, who manages to breathe a lot of life into the action scenes and a shockingly powerful pre-credits intro with some spectacular stock footage of New York, Nuclear Tests, and impoverished children of the 3rd world into a representation of World War 3. On top of that you have some solid musical work by Stelvio Cipriani who was easily one of the best composers in the world working at the time. However I have no idea what's going on with the music choice during the battle with the nuke mutants mid-movie. It sounds like music out of a Jamaican cabana. Had director Ricci lost his mind or was he going for some sort of brain-bending juxtaposition? I don't get it.Most bizarrely of all is how this film premeditates a lot of elements seen in the next year's MAD MAX BEYOND THUNDERDOME and even a little DAY OF THE DEAD (a chase involving a locomotive, whimsical old adversary out for revenge, survivors driving jeeps around underground bunkers), rather than straight-up ripping off MAD MAX 2 like so many of its peers. It reminds me of how the similarly cheaply made Italian JAWS knockoff KILLER CROCODILE feels like practically the same movie as ANACONDA which came out almost a decade later. I really doubt George Miller or George Romero saw this film, but I suppose with this material there's only so much one can do.