preppy-3
This takes place in 1956. Imabelle (Robin Givens) gets away from her mobster boyfriend with a stash of gold he stole. She drives from Mississippi to NY and hides out totally unaware that her boyfriend and his gang are after her. She gets an overweight, naive and trusting man named Jackson (Forest Whitaker) to love her--but then her boyfriend shows up. She leaves him but Jackson gets his brother Goldy (Gregory Hines) to help him find her.That may sound a little plot heavy...but that's only the first hour! This movie is way too convoluted and far too long. Also Hines and Givens are just not good actors. They try but they can't pull this off--although Givens looks great in some of her costumes. Still I did like this.Some previous posters pointed out that this is extremely bloody and that's very true. Also it has strong doses of black humor. Still, it didn't bother me. If anything it gave the film a few nice jolts. It's well directed by Bill Duke, has great period detail (love the cars!) and (aside from Givens and Hines) has plenty of good acting. So, if you like extreme violence, black humor and gangster movies this should work for you. I give it a 7.
goatboy500
This is a pretty good, violent, gangster romp directed with definite panache by Bill Duke. Forrest Whitaker plays a decent upstanding Christian boy how gets embroiled in hokey plot involving stolen money (or something) and Robin Givens. Different groups of parties are all after the dough (including Forrest's good for nothing brother Gregory Hines), when Forrest just wants the girl. Its pretty hackneyed stuff, but the players (in particular the great Gregory Hines and the baddass Danny Glover) elevate it to a standard that just serves to entertain and no more.It also features a great recurring joke about a picture of Jesus that I won't spoil.The only problem I have with this film is that the book it's based on is actually nothing like this. The first scene in the barn is lifted from the book, but everything else has been changed. The two cops in the film, Gravedigger Jones and Coffin Ed are Chester Hime's greatest creations, but here they're just an obstacle for Whittaker (who in the book is actually a supporting character and is a coward, here he is the against all the odds hero of the piece). If you haven't read Chester Hime's novels you won't notice, but be prepared to be disappointed with the liberties taken with the story.On it's own though, this is an accomplished movie from the talented Mr Duke, who's next movie was one of the best of the nineties, Deep Cover.
alex20850
Nasty, unforgiving, unrelenting blood sport. I watch war movies and don't bat an eye except for Saving Private Ryan, but this is downright sickening. I went because I liked Forrest Whittaker, but it was so savage, so sick with violence just for violent's sake that I was shocked. I also took a date and it was lucky that we had seen other movies together because she would have had real doubts about me if this was my kind of movie. The movie reminded me of news stories about people killing puppies and torturing cats. I still have nightmares about this movie. The reviewer for the Washington Post at the time called it an urban comedy. If this is his version of a comedy, I never want to see another one.
kennethwright45
(Includes one minor spoiler, but it's unrelated to the plot and really more of a recommendation.)Surprised to see so few votes and comments for A Rage in Harlem - it was a modest commercial hit in Britain, so perhaps the all-black casting and setting just didn't play Peoria.The tone of this stylish, good-looking period crime adventure swings wildly between brutal, raunchy, tragic and comic, but a clever, funny script and likeable characters - especially Gregory Hines's big-hearted wiseguy Goldy, but also several delightfully written minor roles - maintain attention and sympathy throughout what could otherwise have been a bumpy ride. It's an emotionally engaging film, much more character-driven than the average urban thriller of the 1990s.Its purely incidental pleasures are many, topped by a splendid musical treat in the shape of cult R 'n' B hero Screamin' Jay Hawkins, giving a no-holds-barred performance of his voodoo classic I Put a Spell on You at the Harlem Undertakers' Ball. If you have a taste for the old school of black show business, this sequence will have you holding up the rest of the picture until you've given Screamin' Jay an encore.Thrills, laughs, and pathos, dished up with verve and heart, make a film that many of us still remember very affectionately.
AD
