Ed-Shullivan A Song is Born may be seventy (70) years old now but the song remains the same. This is a romance disguised as a mobster movie, The sexy nightclub singer Honey Swanson (Virginia Mayo) finds her very own Prince Charming in the form of Professor Hobart Frisbee (Danny Kaye) when she takes the Professor up on his offer to assist him in documenting the history of this new musical discovery from the United Sates called "jazz music". So Honey Swanson needs to find a place to lay low to avoid the federal investigators from subpoenaing her so she hides out at Professor Hobart Frisbee's academic school of music where the two lovebirds fall madly in love. The wicked witch is played by mobster Tony Crow (Steve Cochran) who sends for his dame Honey Swanson so that he can marry her so as his wife, she can't squeal to the Feds on a murder rap that they have targeted Tony Crow for committing.Virginia Mayo's beauty as Honey Swanson is not animated as in the Disney classic as she is a true beauty of the silver screen age. Danny Kaye who can't help but fall in love with Honey hears the music playing constantly in his head once he sets eyes first on Honey. The film has great jazz music, the comedy of Danny Kaye and his seven (7) stooges who are all his fellow music professors who have to find a way to save their princess Honey Swanson, and a barrage of cameo appearances by many of the great jazz legends of the time.This comedy/romance/musical is sure to rock your world! I give it a solid 9 out of 10 rating.

jailbyrd I fell in love with this movie first viewing it as a kid several years ago. I am surprised TCM does not air it more often. Danny Kaye plays a stuffed shirt music professor who lives with 5 other elder professors.Kaye sets out to document the history of Jazz music visiting clubs and inviting the musicians he has heard to several daily "jam" sessions to record music for a jazz library. He invites a lounge singer he meets,who is involved with a mob boss, and she winds up hiding out from the law at the professors house jamming with these musicians. This film is excellent for one good reason: the musicians invited are some of the best jazz players that ever lived. Clarinet player BennyGoodman, trombonist Tommy Dorsey, Vibraphonist Lionel Hampton, Pianist Mel Powell, and the great Louis Armstrong. There are also two vocal groups, guitarists and percussionists. If you ever had a dream group of musicians you wanted to see play together, you won't be disappointed with this film.One of the remarkable features of this film is not just that so many jazz greats were in it but that they were able to play together in the first place. This movie was made in 1948 when segregation was very much in force. Many of the great white jazz musicians of this time could not play on stage with the black musicians. The clubs white musicians played at did not allow blacks in them or they had to enter through the back door. Most of the time it simply was not allowed. So many great white jazz players who admired Armstrong and Hampton could never play with them because of this. Watch this film though, every jam session you see all the musicians present, black and white, are so engulfed in the music, no one even notices black, white or whatever. Just great music and a lot of fun! The back story is a little silly with Mayo on the lamb from the DA and hiding out at Kaye's residence. Kaye falls for her , playing naive and clueless to her motives. But of course they will wind up together in the end. Mayo looked beautiful in this film,great body! But the real draw is all the musicians. If you're a lover of jazz or even just music, this is a true gem to watch.

ilprofessore-1 Gregg Toland, the great director of photography of CITIZEN KANE, WUTHERING HEIGHTS and THE GRAPES OF WRATH was said to be the highest paid D.P. in America, as well as perhaps the finest B&W lighting cameraman the major Hollywood studio system ever produced. Under long- term contract to producer Sam Goldwyn, he died at the early age of forty-four in 1948, the same year this film was made for his boss. A SONG IS BORN is one of his few Technicolor films. For a man of visual genius, the photography here is surprisingly routine—flatly lit and uninspired compared to the more adventurous color work being done about the same time by Harold Rosson and Joe Rutenberg at the MGM studios. Perhaps Toland was too ill at the time to pay much attention to this project, no more motivated to do his best than was the film's director, the usually brilliant Howard Hawks who had directed BALL OF FIRE, an earlier version of the same story. The film is also flawed by garish makeup for the gorgeous Virginia Mayo. On the plus side, jazz lovers get a few brief moments of pleasure: a rare chance to hear America's prime band leaders of the time—Armstrong, Dorsey, Goodman, Hampton, Louis Armstrong—jamming together with sidemen Mel Powell and Louie Bellson. (Fletcher Henderson probably did the band arrangements) There is absolutely no comparison between this insipidly silly remake and the charming earlier B&W version which starred the incomparable Barbara Stanwyck as the bad/good girl and Gary Cooper in the role Danny Kaye assays with only moderate success.

Nicholas Rhodes I have this on a vhs and watch it from time to time. Apart from the musical sequences, the story pleases me because Danny Kaye is taken for an idiot by the young lady but in the end she falls in love with him ! It is a pleasure to watch the way her attitude changes. There are not many films with this kind of story, so when I see one I like to treasure it ! In addition to this the musical sequences are memorable with well-known stars. Hopefully they will put it onto Dvd but unfortunately the DVD industry seems to have forgotten about Danny Kaye !