AC/DC: Live At Donington

AC/DC: Live At Donington

1992 "Monsters of Rock festival, 17 August 1991"
AC/DC: Live At Donington
AC/DC: Live At Donington

AC/DC: Live At Donington

8.5 | 1h58m | en | Music

In August of 1991, AC/DC headlined their third "Monsters Of Rock" festival at Castle Donington. One for the ages, the two hour set is loaded with classics and awesome visuals including firing cannons, the hells bell and a giant inflatable Rosie.

View More
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now
8.5 | 1h58m | en | Music | More Info
Released: October. 27,1992 | Released Producted By: Leidseplein Presse , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In August of 1991, AC/DC headlined their third "Monsters Of Rock" festival at Castle Donington. One for the ages, the two hour set is loaded with classics and awesome visuals including firing cannons, the hells bell and a giant inflatable Rosie.

...... View More
Stream Online

The movie is currently not available onine

Cast

Angus Young , Malcolm Young , Brian Johnson

Director

Todd Kurnat

Producted By

Leidseplein Presse ,

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Reviews

roulexe This is good snapshot of the band in that era, but definitely not the best example of ACDC live.It's entertaining and the band still had plenty of energy, with Brian becoming more of a stage performer - later on of course he became even more comfortable up there.Slade was a fine drummer but regularly played the songs too fast, spoiling the stomping feel somewhat.On that tour Angus deviated strangely to a more distorted sound which was not typical of his previous sound. Subsequently the twin guitars are not quite the classic sound which you can hear on Youtube before or after this era. Brian sounds great, even though his voice sounded quite churned up and ragged in that era, it suited the raw power of the music, and in reality it was his last tour as a real balls-out power singer, though he has certainly showed flashes of that here and there in each tour since. His best live work and quality of voice can be found in the 80s stuff - there's no shame in admitting that.Overall it's great stuff, but the most representative Brian-eras are with Rudd on drums. It's a '7' by their standards but an '8' or '9' compared to what else is out there.
crazymanmichael Although nearly half a million fans turned out at Downsview in Toronto in 2003 to see the headlining act -- The Rolling Stones -- all anyone talked about after the show was AC/DC, and how they pretty much blew all the other acts off the stage. That's got to tell you SOMETHING, and this DVD goes a long way toward explaining why that was so: it certainly shows the Thunder From Down Under at their hard-rocking best. Angus Young is (as always) a treat to watch. Not only is his guitar technique almost supernaturally skillful, his whole "slightly whacko" schick (e.g. his "seizure" during that extended guitar solo) is just so entertaining! And the sound... ohmygoodness. You crank up the Dolby 5.1 on a good sound system and you'll FEEL it in your gut, that's a personal guarantee. Oh yes, this is the way concerts SHOULD be recorded. (And isn't it great they performed Jailbreak? That's a kick-ass AC/DC classic that doesn't get anywhere NEAR enough air-play, in my opinion.) I think my only complaint about this concert is that a lot of Brian Johnson's between-song banter seems to me to be awfully forced and insincere. But hey, a guy that can sing like that doesn't NEED to do a lot of talking...
teejay17 This is a great portrayal of what a good rock concert should be like. Full of energy, lots of good tunes, and filmed on 35mm film, it is truly inspiring. I wish all shows could be this good. Long live AC/DC!
Son_of_Mansfield That is the best explanation for this video and the band themselves. The camera goes back and forth. It zooms in and out. This is not very exciting, except for that classic cannon fire, but the band makes up for it. AC/DC plays a variety of older material and tracks from their newer album, The Razor's Edge. Brian Johnson prowls the stage doing his best to make up for the absence of Bon Scott, while Angus Young works his Chuck Berry homage as only he can. All nineteen songs fly by, played with the power that makes several of them classics and the rest giddy confections. This is either a fine treat for lovers of this recent inductee into the Rock and Roll Hall of Fame or a fine introduction to one of the greatest of the last quarter century.