Act of Love

Act of Love

1953 "WANTED for desertion! WANTED for questioning!...WANTING only each other!"
Act of Love
Act of Love

Act of Love

6.5 | 1h48m | NR | en | Drama

An American soldier romances a beautiful Parisian during the final days of World War II.

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6.5 | 1h48m | NR | en | Drama , Romance , War | More Info
Released: December. 17,1953 | Released Producted By: Benagoss Productions , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

An American soldier romances a beautiful Parisian during the final days of World War II.

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Cast

Kirk Douglas , Dany Robin , Gabrielle Dorziat

Director

Armand Thirard

Producted By

Benagoss Productions ,

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Reviews

Nicholas Rhodes I discovered this one on French Television yesterday as the last of a series of Anatole Litvak films. I've probably been over-generous by giving it a 9 but admit to having some strange criteria for my annotations. It is an American film made on location in the city of Paris ( as opposed to being made in a studio ). And this is the Paris of the golden romantic age of the 1950's, not the ugly one of today - there's no comparison between the two. In addition to this we have lavish helpings of accordion playing Michel Emer's "Le Disque Usé" ( Tant qu'il y a la vie, il y a de l'espoir ....), a beautiful song made famous by Edith Piaf many years ago and indeed difficult to find on CD in an ordinary instrumental version...as they say in French .."quand j'entends cet air, je craque ....." ! Another unexpected jewel in the film was a glimpse, albeit short, of my favourite area of Paris - old Belleville and the Rue Vilin Staircase. Whilst most of the film is made in central Paris with views of the Seine etc, at one stage, Kirk Douglas is hiding out from the army authorities down a staircase. This is the famous "Escalier de la Rue Vilin" and there are various views from top and bottom of this staircase. It is exactly the same place as is used in the film 'The Red Balloon", "Les Jeux Dangereux", "Casque d'Or", " Du Rififi chez Les Hommes " and "Le Doulos". I have a book all about this area and apparently another American film was made there called "Gigot, clochard de Bellville" made by Gene Kelly and starring Jackie Gleeson as a mute. As you may imagine, there's more chance of an elephant passing through the eye of a needle than of finding that film anywhere in the world. To return to Act of Love, this is a sort of French "Waterloo Bridge", it starts out in Villefranche Sur Mer on the Côte D'Azur and flashes back to Paris in 1945. The same Michel Emer tune is heard both now and then. Kirk Douglas, as handsome as ever, wishes to stay in one particular room in a hotel, and a flashback indicates why. It is the same technique as in Waterloo Bridge with Robert Taylor and Vivien Leigh. At the same time he meets another American tourist who seems to recognize him by who he himself does not recognize. The flashback helps us on this one too. At the end of the film, all fits into place but you have that same sickening and lugubrious feeling you had at the end of Waterloo Bridge. Plot-wise, the film is a little slow to get off the ground, and the love affair between Kirk Douglas and Dany RObin takes time to gather steal. That is my principal criticism. Also we see Serge Reggiani in a very aggressive role which annoyed me no end ! I didn't like the man at the best of times but in this film he was frankly a pain in the neck ! No doubt the film is unavailable anywhere on DVD - but I am at least glad to have a taped copy and will keep an eye out for any future issue. Missed "rendez-vous", be they in Act of Love, Waterloo Bridge or even Charles Boyer's "Back Street" are very difficult for me to bear whilst watching a film and leave an everlasting and indelible memory within me. The film is definitely to be recommended for nostalgics of old Paris, Kirk Douglas fans, and rare gems from the 1950's.
wuxmup A low-key film with a fine cast. Unfortunately, it's so low-key as to seem nearly aimless for the first half. The pace and interest do pick up, however, toward the end.As World war II grinds slowly to a halt in Europe, an innocent French girl on the brink of prostitution and a cynical but lonely GI fall in love in the City of Lights - where, due to the war, the lights don't always work, A flaw, at least as the film plays on television, is that the French accents are sometimes hard to understand. And there are plenty of them.Though ten years too old for the role, not unusual for actors in war movies before the '70s, Douglas turns in a solid performance as Pfc. Teller, the wounded American soldier now stationed at an army headquarters in Paris. But it is the lovely Dany Robin, rarely seen in America, who deserves most of the acting credit for keeping the rather unfocused story interesting. Fernand Ledoux is adequately brooding and resentful. The eighteen-year-old Brigitte Bardot is already beautiful, but look sharp or you may miss her.The real scene-stealer here, though, is the slinky Barbara Laage, who shows herself to be a fine actress in very nearly her only American film. Too bad she breezes out of the picture a third of the way through.The on-location shots of Paris are also a plus in a film that sometimes flirts dangerously with soap opera. Not a classic or even a forgotten classic, but worth your time if bittersweet love is your cup of tea.
bing-13 Act of Love (1953) is a bittersweet love story about the star-crossed relationship between a World War II GI and a young Parisian during the Allied liberation of Paris. KIRK DOUGLAS plays Robert Teller, an Army PFC who, while stationed in France toward the end of World War II, meets and falls in love with a destitute French woman, Lise Gudayec (DANY ROBIN). When Teller seeks permission to marry Lise, his condescending commanding officer (GEORGE MATHEWS) has Teller transferred because he considers the young woman to be an opportunist. The transfer has tragic consequences. The film's ending is highly emotional when Teller visits the small French Riviera hotel that Lise told him about. At the hotel he has a bitter encounter with his former commanding officer. And it is in one of the hotel rooms that Teller, while recalling the descriptive words of Lise, fully realizes how truly beautiful was their brief love affair. Get out the hankies for this ending. The film marked the debut of French-born Robin in an English-speaking film. Robin, who began her career as a ballerina with the Paris Opera, made her screen debut in 1946 at the age of 19 in the French film Les Portes de la Nuit (Gates of the Night). Filmed in Paris and on the French Riviera, Act of Love was one of three films that Douglas made abroad during 1952 and '53. The other two were The Juggler (1953), which was filmed in Israel, and Ulysses (1954), which was filmed in Italy. During the three-picture, near-two-year filming schedule, Douglas spent a total of just one month in the United States.Act of Love also marked the first appearance in an English-speaking film by BRIGITTE BARDOT, who would subsequently gain fame with her pouting good looks and curvaceous figure as France's "sex kitten." In Act of Love, Bardot portrays Mimi, a friend of Lise. Act of Love was based on the 1949 novel The Girl on the Via Flaminia by ALFRED HAYES. The film's screenplay was by German writer Joseph KESSEL and American novelist-screenwriter IRWIN SHAW. Shaw's other well-known film credits included Fire Down Below (1957) and The Young Lions (1958). Kessel also wrote the French dialogue for the version released in France, titled Un acte d'amour. For the record: Robin retired from film-making in 1969, after completing the ALFRED HITCHCOCK spy thriller Topaz. She and her husband, British producer MICHAEL SULLIVAN, died in a fire in 1995. She was 68. Robin was known for her dislike of journalists even during the height of her career. Because of this, journalists in 1953 and '54 presented her with the annual Lemon Prize, which is given to the nastiest French actress.
gerritschroder More than any other movie I've seen, this one draws a dark picture of what the statistical enormity and bureaucratic obscenity of WWII did to individuals during (and after) the Second World War. This is a love story set against the new way of dealing with the logistics of millions of people on the move in wartime Europe -- on either side. The big point is that it's difficult to draw a line between the sides in the brutal impersonality of the events that crush people like the characters in this story.Kirk Douglas is great, of course, and the direction in the film is always intersting. Hard to believe this was made as late as 53. See this if you can -- I saw it on TCM recently in a Kirk Douglas festival. For that matter, watch all the Kirk Douglas flicks you can -- the guy had either great taste or great luck.