bjarias Most films are make believe, not documentaries.. so when you view them, you are doing it with a great leap of imagination and a blind eye at times. Americano is an interesting film, well scripted and acted. At forty-six Selma Hayek.. bit.ly/18K8d2A ..is still undoubtedly an exceptionally beautiful woman, and here once again she performs well in what is a fairly basic role... one that might easily have not been taken as serious by many actors of her stature. She's well know, but in truth is under-appreciated for just how good and dedicated an actor she really is. She's a very smart and interesting woman, continuing to please audiences with her ever expanding body of work.

specialuse117 I wanted to like this film, it started nice with good characters but then it just went nowhere. The director did nothing with the most interesting characters (the father, Linda the friend, and the owner of the bar. No sense of believability or rational thought. Parts of the film really ask you to suspend all belief.SPOILER the Frenchman just happens to run into a kid who has a connection to the bar where Lola works - c'mon.Selma walked through her part and was totally unbelievable as the whore. I wish I could talk of the plot holes but there really was not plot to pull together.

jblacktree Mathieu Demy has made a vanity piece about nothing, except what a charmless pompous and humorless man looks like brooding and boring an audience for hours. This guy leaves his beautiful girlfriend, about whom he is oddly, babyishly equivocal, for a mindless senseless and deeply ugly excursion into SoCal and Mexico, where he makes all the wrong solipsistic empty-headed moves of a spoiled rich reckless and cowardly dope. The director is obviously a rich kid, spoiled, with cinema bloodlines that allow him to shoot self-indulgent nonsense with truly great co-stars. I was embarrassed for them. The film is to self-serious to be hilariously bad, it is just inept and annoying. Sad.

Ion Gabriel Stoica I saw AMERICANO to the International Film Festival 2012 La Rochelle, France. I had the opportunity to speak directly to the author, the marvelous MATHIEU DEMY. I asked him about the idea to make this film... His answer fascinated me! In fact the film is talking about how a man must go in a different ( and ugly ) country as USA, taking a false route and finishing by understand that memory, the real life, is not but an illusion, like the Cinema... Using old recording with himself and his wonderful and great artist, mother AGNES VARDA!!!, it was really fantastic! I love this film and "c'est tout" ! Mathieu Demy started as a child actor in Agnès Varda's films : One sings, the other doesn't, Documenteur, Murs, murs, then Kung-fu Master. Demy's work as an actor ranges from romantic comedy to drama. His breakthrough came in1998, when he was cast as Olivier, a young man with AIDS, in the musical Jeanne and the perfect guy, directed by Olivier Ducastel and Jacques Martineau. In 1999, he started company Les Films de l'Autre to produce his own short films. He produced and directed in 2000 his first film Le Plafond (35'), adapted from a short story by Tonino Benacquista. The film received the audience award at the Angers film festival Festival Premiers Plans and the Uppsala International short film Festival, and additional awards in Pantin, Rennes, Dignes, Mamers. In 2001, Mathieu Demy worked for director Benoît Cohen for the first time, in the film Les Acteurs anonymous. They reunited for Our precious children, in which he plays Martin, a thirty-year-old man who meets his great love again as he's about to become a father. Mathieu Demy received in 2001 the award for best actor at the Festival de Paris, for Quand on sera grand directed by Renaud Cohen. The Festival Européen Cinessone awarded him twice for acting: in 2003 for Mister V. by Émilie Deleuze and in 2004 for Le Silence by Orso Miret. In 2005, Les Films de l'Autre produced Mathieu Demy's second short film, La Bourde (20'), an experimental comedy. Mathieu Demy reprised his role as Martin for the TV adaptation of Nos infants chéris, which aired on Canal+ in 2007 and 2008. He was cast by Pascal Bonitzer for Le Grand Alibi, and worked twice for Philippe Barassat, in films Folle de Rachid en transit sur Mars and Lisa et le pilot d'avion. In 2009, he also starred in André Téchiné's La Fille du RER and in TV drama Mes chères études directed by Emmanuelle Bercot and dealing with a students' prostitution. In 2011, Mathieu Demy appeared in Céline Sciamma's Tomboy, and was cast as the lead in the romantic comedy L'Art de seducer by Guy Mazarguil. The same year, Mathieu Demy wrote, directed and produced his first feature film, Americano. Demy also stars in the film, along with Salma Hayek.