Michael_Elliott An American Hippie in Israel (1972)** (out of 4)American hippie Mike (Asher Tzarfati), angered from what he saw in Vietnam, heads off to form a civilization where love and peace is everywhere. He ends up in Israel where he meets three fellow hippies and they head off to an island for fun times.Here's another film that was pretty much forgotten to time but Grindhouse Releasing managed to save it and turn it into a surprising hit in the midnight circles. AN American HIPPIE IN ISRAEL isn't as crazy as some of the others film that the company has rescued but it's certainly a weird little film that's hard to explain. I'm going to guess that writer-director-producer Amos Sefer had big ideas about peace and happiness but the film manages to be a laugh riot at times with its silly dialogue before turning into a downright bizarre nightmare.The biggest flaw with the film is certainly the screenplay, which doesn't seem to know what it wants to do because the majority of the running time just seems to be dialogue- free while the four characters walk around, smile, laugh, get naked and just wonder around without any purpose. Some of the scenes drag on to a point where you'll want to scream at the director to yell cut or for a producer to walk on camera and ask what the hell is going on. Just take a look at the sequence where the American, speaking English, and the Israeli, speaking Hebrew, argue because they can't understand one another. Several scenes just drag on to the point where they become annoying and aggravating.The performances are pretty much what they are but I must say that Tzarfati was "good" to the point where he keeps you entertained. Shmuel Wolf, Lily Avidan and Tzila Karney play the three other hippies and all of them are at least interesting enough to keep you involved in their story. The dialogue gets some of the biggest laughs because it basically sounds like a non-hippie trying to write hippie dialogue. It's quite laughable at times and perhaps this is why so much of the film is dialogue-free; because what dialogue there is is pretty bad.I'm not going to ruin the final fifteen-or-so minutes of the film but they're certainly crazy and makes very little sense. A lot of the laughs from midnight crowds probably happens to what the four "turn into" and there's no doubt that you could really rip the film a new one because of it but at the same time it's a pretty bleak vision. AN American HIPPIE IN ISRAEL isn't a masterpiece or a complete disaster. It's an interesting little film to say the least.

wes-connors Flying to Israel from New York City, American hippie and Vietnam War veteran Asher Tzarfati (as Mike) is picked up while hitchhiking, by attractive actress Lily Avidan (as Elizabeth). They almost get into an accident with two mute men in weird suits and chalk-white make-up. These men have been following Mr. Tzarfati around the world. After copulating at her place, the twosome enjoy a fun hippie lifestyle. They befriend another couple, Shmuel Wolf and Tzila Karney. The foursome end up on a deserted island paradise where they either go naked or wear tight bikinis...The island is supposed to be a paradise, with plenty of freedom. However, after sex and frolicking, the quartet eventually find their food and transportation are gone. They are stranded and begin to act like the animals. Apparently, the outside world isn't going to let Amos Sefer's hippies obtain freedom without a fight. This is an allegorical story hampered by the fact that the characters we're supposed to like are so annoying, we're often rooting for them to get shot or run over. The dubbing and repetitive soundtrack are not helpful. The location footage is most appealing.*** An American Hippie in Israel/ Ha-Trempist (1972) Amos Sefer ~ Asher Tzarfati, Lily Avidan, Shmuel Wolf, Tzila Karney

PKazee I believe that Markastzm's review gets everything right, except one very thing. Indeed, he is correct that the mimes and the sharks both represent "The Man", and also that the film does not refute hippie ideals, but rather shows the unrelenting glee "The Man" takes in squashing those embracing those ideals. Markastzm is wrong, however, when he states that "Neither the characters, the actors, nor the director take themselves too seriously". There is an interview with two of the actors on the blu-ray disc and they indicate that took all of this very seriously, and that - to some extent - they all naively thought they were making a important statement. And it is precisely this that makes this film such a jaw-droppingly WTF oddity. Tedious to no end, but also fun in the right mindset with the right group of friends.

scottjo63-644-593619 I did like this movie however I wouldn't want to see it again. There are a lot of long scenes of nothing which I remedied by going to you tube and listening to a review while the movie was playing, sort of a commentary kind of thing you see in DVDs. That did work and when they would start talking again, I paused the review.This movie kept my interest until the end and that was something. Turned into a cave man movie where they all stopped talking and grunted and growled. They didn't like war but they sure had a cat fight battle at the end.I liked the meanings of the 2 mimes as maybe the government and when they were on the island became the sharks. And the speech about "pushing buttons" reminded me a little of the "I'm as mad hell and I'm not gonna take it anymore" speech.Maybe a better movie to watch if you are doped up.