ma-cortes A stylish , complex movie driven by character , dealing with a high school teacher with no legal means left to him , as he devises a daring plan to rescue his wrongfully imprisoned wife from jail . Based on the original idea by Guillaume Lemans , this is a perfect thriller being starred by an all-star-cast as the French Vincent Lindon and German Diane Kruger . Being remade in American version (2010) by Paul Haggis with Russell Crowe and Elizabeth Banks . A teacher named Julien (Vincent Lindon , in American version played by Russell Crowe), is happily married to his sweetheart wife , Lisa (Diane Kruger , she spent several months developing the character which had a significantly smaller role in the original draft). When her despised chief is murdered, she is the main suspect . Then , a clear evidence convicts Lara Brennan of killing . Lisa is sentenced to 20 years of jail for murder charges. While she's in prison , her husband cares for their young son and plots a twisted plan , as he decides to break her out. Julien consults a successful escape artist turned author, and he starts planning and decides to carry out his scheme . He'll need to disrupt jail routine, obtain IDs and passports, know how to escape a dragnet, find a new place to live , and squirrel away cash ; as he spends the next few years trying to get her released . The essential question that lies in the film is the following : How far would you go for the one you love ?This exciting film contains action , violence , thrills , suspense and plot twists . Excellent thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways, it feels like a tribute to Alfred Hitchcock, full of attractive characters and edge-of-your-seat intrigue . The film was noteworthy for casting some of the finest actors in France including Vincent Lindon as a husband whose life is turned upside down when his wife is accused of a murder , along with Olivier Marchal , an actor/director who has directed sensational Fench thrillers , just like "36th Precinct" , ¨Mr73¨ as good as this ¨Anything for her¨ . And , of course , a gorgeous as well as good actress Diane Kruger as the woman wrongfully condemned ; in fact ,Fred Cavayé chose Diane Kruger for her radiant beauty, as it would make her character's ordeal all the more powerful .All the prison scenes and the studio interiors were shot in chronological order as Fred Cavayé felt it would be important for the actors and the evolution of their characters. Good production design , the prison seen in the film is actually a combination of three filming locations: the exteriors are that of the Meaux prison, some 40 kilometers east of Paris, the entrance corridors are part of the Bibliothèque Nationale De France in Paris and the other interiors . The picture achieved big success and was Nominated César Best First Film (2009) and considered to be the best thriller of the year in which you'll leave the cinema shaken and moved . Excellent soundtrack by Klaus Badlet , it was recorded at London's Abbey Road Studios that elevate the emotion and the intensity of the scenes to new heights .Fred Cavallé did a formidable job with Pour elle" ,France (original title or "Anything for Her" , International title and filming lasted eleven weeks. Fred was immediately impressed with writer Guillaume Lemans's passion for the story, and his vision, stating that he understood that the novel was a love story first , and a thriller second . The idea for the film came from Guillaume Lemans , once Fred Cavayé got involved, the two men started out by working on the film separately before sharing their ideas , Cavayé then wrote the first draft of the screenplay himself, and so on. Cavallé is a notorious writer/director and he formerly was a fashion and advertising photographer . He has only directed three films "The Players" with Oscar winner Jean Dujardin and another phenomenal thriller titled ¨Point blank ¨ with Gilles Lellouche , Gérard Lanvin and Elena Anaya . Eclectic and moving, Cavallé is a successful filmmaker .

mart-burton I thought this was a great European film by director Fred Cavayè. It blends male devotion to the woman he loves with thriller rugged stuff, as he plans to carry out her amazing prison rescue. Julien's a bright man who is told some pointers and soon has his wall covered with his hand-written cards, photos of people. And showing emotion, this normal teacher is drawn into high-risk, situations. And the husband has to hold a lot inside, even from his attractive wife, Lisa (Diane Kruger, German model and actor), so that the escape works to a happy reunion. More like a Bond with a regular life, with his son and his extended family, we want Julien to succeed. This great screenplay is well-acted and photographed. The film shows the ordinary, family world of the finely ageing French actor (Vincent Lindon) as he enters unfamiliar, knife-edge action to rescue the only woman he wants freed – his wrongly-imprisoned wife.

Shakkhar What do you expect out of an escape plot? That it should be convincing. This is not achieved by getting a guy to say that no system is full-proof. Contrast this film with something like 'The shawshank redemption'. With minimal physical action, the latter convinces us that it is actually possible to escape from shawshank. Nowhere in the film I felt like the hero has really outperformed the authority.The plot seemed to be confused at best. This is an escape plot shot like a rescue film. It wastes too much time trying to answer "why" and in the end fails there too. The narrative pace never fully takes off and just when I thought its pacing up, the film ended abruptly. What I want to see in a rescue film is "how", where the film falls flat on its face.Very little effort has been made to explain why would the guy want to break her out of prison, what convinces him that she is innocent? I know that she's his wife, but she's not our wife - and in the end what matters is why WE want to see her out of prison. Do we sympathize with the victim? I couldn't. She is probably going nuts in her cell, but we never get to see what she is actually going through inside the prison. Being gorgeous is not enough to relate with the audience.I gave it four points for the craftsmanship behind the film - good cinematography and great editing. I hear Hollywood is getting it's own version of the film. I believe that film will benefit from cranking up the action slightly and tension a lot.

Mick-Jordan Julien and Lisa are a happy loving couple living quiet, ordinary lives in their quiet, ordinary apartment with their baby son Oscar. Then one evening the doorbell rings, Julien opens the door and their lives are thrown into chaos. Police swarm into the apartment, pounce on Lisa and arrest her for the murder of her boss. Three years later Lisa has lost her last appeal against her 20 year jail term and is finally giving up hope – and giving up on life. She stops taking insulin trying to slowly commit suicide. Julien is a desperate man. He tracks down a notorious criminal who has written a best-selling book on his several successful escapes from prison. And so his plan begins. 'Anything For her' is a typical solid French thriller. There are no sudden twists or turns in a plot that relies on the natural tension of the situation to keep it going. The meticulous planning of the jail-break is compelling as you watch Julien turn his apartment into effectively an operations room. The walls are lined with maps and photographs, with graphs and plane schedules, and with heavily underlined questions such as "Escape Route?" He tells Lisa nothing about what he's doing and begs her to just hang on. He intends to sell her mother's house to raise the money they'll need to start a new life but then Lisa is told she is to be transferred to another prison and so Julien must speed up his plans and raise the money somewhere else. The tension and the pressure of it on Julien is almost unbearable and never lets up. The director is determined that there be no distraction from this, his main focus of the film and quickly shows, practically at the start, what actually happened to Lisa's boss so that that whole aspect of the story is quickly dismissed and forgotten about. It's not an all-out masterpiece by any means but it is a very entertaining, at times gripping film that does exactly what it says on the tin. Vincent Lindon is practically a veteran of these things and forces you to feel real empathy for Julien while Diane Kruger does well with what is really a much smaller part, fully conveying the nightmare of prison life and the physical decline it brings.