MartinHafer During the 1950s, 90% of the westerns were based around two plots: the evil baddie who (often secretly) is trying to force everyone off their land as well as the town that's too cowardly to stand up and fight against evil. There have been tons of films based around these themes and "At Gunpoint" uses the second theme--the same one in "High Noon" and many other westerns. Just because things like this never actually occurred in the old west didn't seem to matter!The film begins with a gang robbing a bank in a sleepy little town. They kill a teller and the town comes out to try and stop the robbery. One of the locals gets off a lucky shot...and kills the gang leader. His hot-headed brother (Skip Homeier) is determined to come back to town and get revenge. The first one they kill is the Sheriff and eventually they're coming back for the guy who fired the lucky shot, Jack Wright (Fred MacMurray). However, one by one, the townsfolk provide to be cowardly weenies and it looks like Jack is just gonna get his head blown off sooner or later!The film is so, so familiar--so much so that even with some very nice acting and production values, it's just another western. Well done...and at least the ending itself was original.

zardoz-13 Director Alfred L. Werker's frontier drama "At Gunpoint," with Fred MacMurray, Dorothy Malone, and Walter Brennan, qualifies as one of the best post "High Noon" horse operas. Just as Gary Cooper had to defend himself against three ruthless gunmen in "High Noon" (1952), Fred MacMurray incurs the wrath of an entire outlaw gang for killing their bandit leader. In both films, the hero must stand alone because his friends had abandoned him. Although this western appears blandly routine, "At Gunpoint" emerges as a sturdy, realistic western with a first-rate cast and an imaginative storyline with a surprise ending. Compared with traditional westerns where the gun-toting hero is a lawman or an outlaw, the "At Gunpoint" hero looks definitely non-traditional. Rarely do we see storekeepers elevated to a status of heroic prominence from the obscurity of the periphery where such characters are confined."At Gunpoint" opens with the five-member Dennis gang riding into the sleepy little town of Plainview, Texas, where they rob the bank. During the robbery, an overzealous bank teller tries to thwart them and they gun him down. As they are riding out of town, the bank robbers kill elderly Marshal MacKay (Harry Shannon of "The Tall Men") before he can get off a single shot. Amid all the gunfire, storekeeper Jack Wright (Fred MacMurray of "The Texas Rangers") retrieves MacKay's six-gun and miraculously nails gang chieftain Alvin Dennis (John Pickard of "Black Horse Canyon")with a single shot. Another courageous citizen George Henderson (Frank Ferguson of "Rancho Notorious") knocks Dennis out of the saddle with a couple of extra shots. The remainder of the gang has to high tail it rather than get caught in a crossfire. Not only does the Dennis gang lose their leader, but also Alvin Dennis was carrying the bag with the bank's loot in it when Wright and Henderson plugged him. Naturally, everybody in Plainview is proud of Wright's sharp shooting and both Wright and Henderson get their faces on the front page of the local newspaper. When Alvin's hot-blooded brother Bob (Skip Homeier of "Tomorrow The World") learns the identities of the two men who shot and killed his Alvin, he vows vengeance. Meanwhile, Plainview holds a celebration at the saloon to honor their heroes. In one of the film's best lines, Wright jokes about the circumstances of his shooting: "You're looking at the man who shot the notorious Alvin Dennis from a distance of half a mile... with a slingshot." Initially, the townsfolk want Jack Wright to follow in Marshal MacKay's footsteps as their next lawman, but he refuses because he owns and operates the only general store in town, so they persuade family man George Henderson to accept the badge. On the way out of town after the celebration, George runs into Bob and his fellow gang members and they gun him down in cold blood.After Henderson's murder, the townspeople live in fear that the Dennis gang will return and kill Jack Wright. They are so afraid of this prospect that they don't want to be around Jack any more than they must so they stop shopping at this store and they forbid their children from playing with his son. Things calm down for a couple of weeks while a Federal marshal (Harry Lauter of "Three Outlaws") arrives in Plainview to write a report about the bank robbery and to see that Jack received his reward money for killing Alvin Dennis. Despite the repeated requests of the town fathers for the Federal marshal to stick around, the lawman dismisses their anxiety and suggests that the Dennis gang has probably left the state. After all, he points out that posses are scouring the countryside for them. Late one evening, Bob Dennis rides into town, knocks insistently at the door to Jack Wright's store and shoots the man who comes to the door. Unfortunately, the man who answered the door was Jack Wright's brother-in-law Wally (James O'Hara of "Death of a Gunfighter") and Jack's wife Martha (Dorothy Malone of "Basic Instinct") is traumatized because she realized that the gunman thought that Wally was Jack.What sets "At Gunpoint" apart from most westerns is its sense of realism. Nothing happens here that couldn't happen in real life. Jack Wright knows that he made a lucky shot, despite the congratulations that he receives from his fellow citizens who insist that he is a crack shot. In the end, when the Dennis gang comes after Jack and he has a gun in hand, every bullet that he fires misses them. Jack was an everyday person before the shooting and he is still the same after the shooting. Most films would have made him a crack shot with no practice after he shot the outlaw. The cowardly town citizens who begin to shun him after they realize that the gang is waiting for the opportune time to shoot him resemble the pusillanimous citizens in "High Noon" who refuse to help their lawman that requests their help after the three gunmen begin to stalk him. The ending in "At Gunpoint," however, differs considerably from "High Noon" and that is one of the film's saving graces. The Fred MacMurray character never considers himself an accurate shot, but he realizes that he cannot run from the Dennis gang. The suspense and tension that Werker generates in this modest but top-notch western between the time that Henderson is shot and the gang returns is a tribute to his talent as a director.

sims2j About 30 years ago, I was on vacation in Florida with my family. One rainy night in our motel we settled down to watch this movie, and it stuck with me forever. Even today, I can watch a movie, and a month later, I can't remember it - usually because it had terrible acting, an awful (or non-existent) plot, or both. But I will never forget, "At Gunpoint." I suppose another reason I remember this movie is because I was so young, and the movie had adult themes. But I understood the themes. I liked how MacMurray, the common man, became an unlikely hero. To me, this was a movie about heroism being thrust upon a person, and how MacMurray's character awkwardly dealt with the responsibilities that came with that heroism. In kind of a backwards way, the heroism came first, then the courage, but only after a long, drawn-out, sweaty palms, interim battle with his own fears. I also liked the way the movie juxtaposed accidental heroism with the real, earned heroism in the same character--it defined heroism. This was also a movie about how a hero sometimes has to stand alone amidst a community of cowards, even if it means certain death, and that, sometimes, honor is more important than life itself. The suspense in this movie was gripping. When watching it, I felt MacMurray's nearly incapacitating fear as he waited for the dead bandit's friends to return and get their vengeance. Everyone should be able to easily relate to the universal themes in "At Gunpoint." I didn't comment on the details of the scenes of this movie for fear of getting them wrong - it has been over 30 years since I saw it.

exclusive541 Acting and production (including music) are top notch. Screenplay is well written. Entire cast is made up of major stars and great character actors which made this an entirely worthwhile "Saturday Matinée" in its day. Although not noted, this is a color film of about 81 minutes in length. There are some on-screen shootings & deaths ... but no blood; it could easily have received a "General Audience" rating.A pirated VHS tape version of this film was distributed in the USA in 1992/1993 by "Dominican Releasing, Puerto Rico" under the title "SMOKIN' BARREL"; This version (shamefully) cut-out all original titles and credits and simply replaced them with the two-worded opening title "SMOKIN BARREL" and a two-worded closing title "THE END"; there was no other information. The quality of this tape, recorded in the EP mode, was extremely poor visually with blurred images and in high contrast; it was almost unviewable (although the sound was acceptable). The tape's box had numerous errors in the credits ... crediting Vaughn Monroe & child actor Billy Gray (I) as being in the film (they were not) ... and leaving off one of the two main stars ... Fred MacMurray ... as well as the actual child star Tommy Rettig. It also states the film is rated "R" (believe me, AT GUNPOINT is NOT an "R" film). Avoid "Smokin Barrel" ... but definitely see any other good quality legitimate versions of this very good film.