Baler

Baler

2008 "Love Is Worth Fighting For"
Baler
Baler

Baler

6.9 | 1h50m | en | Drama

In 1898, a band of Spanish soldiers heroically defended Baler against Filipino forces for 337 long and grueling days. The battle, now referred to as the Siege of Baler, is the setting of a forbidden love between a Mestizo soldier and a Filipina lass who lived at the end of the 19th century.

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6.9 | 1h50m | en | Drama , History , Romance | More Info
Released: December. 25,2008 | Released Producted By: Viva Films , Bida Productions Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In 1898, a band of Spanish soldiers heroically defended Baler against Filipino forces for 337 long and grueling days. The battle, now referred to as the Siege of Baler, is the setting of a forbidden love between a Mestizo soldier and a Filipina lass who lived at the end of the 19th century.

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Cast

Anne Curtis , Jericho Rosales , Phillip Salvador

Director

Mark Meily

Producted By

Viva Films , Bida Productions

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Reviews

sgali-51589 A historical drama based on a siege of a church occupied by Spanish soldiers. Outside, among the Filipinos looking to defeat the Spanish, a woman waits. Inside her love also waits. Both are wondering if and when they will ever be together again. This film gives us another look at life during the Philippine revolution. There are many characters in the movie that I wish to discuss. I can't see focusing on just one. Celso Resurrreccion, is a perfect example of being caught up between sides in a war. He is half Spanish and half "Indio" (as he was referred to in the movie"). He is a soldier for the Spanish army, but in love with a local Filipina girl. His loyalty for his unit and his love for his woman is at odds, as her father fights against the Spanish and is one of the leaders in the siege. Celso makes forays from the church on high risk missions to get provisions (and to see his love), but his loyalty is questions when he is caught leaving without cause. His character is conflicted, but his love remains unquestioned. He loves his woman and will stop at nothing to be with her (an admirable quality). Mr. Reyes is also of interest to me because his character is of a strong and uncompromising man. Having been victimized by the Spanish in the past, he hates them with a passion and has no qualms about destroying his enemies. I felt his angst and actually felt sorry for him when he took a hard line against the wishes of his children. He does soften up a little for his son and grandson, but he does not change his stance or his beliefs. One of the issues I want to further look at is that of love and conviction. Mr. Reyes is strong in his beliefs and will just about disown his children rather than compromise his position. In the end though, Mr. Reyes still loves his children. His son Gabriel is also strong willed, willing to join the priesthood, against his father's wishes. His love of god/religion is strong. Our couples love is also strong, neither willing to give up on love and both able to forsake all others in the name of love, even against warring parties. Another issue I wanted to mention is that of power and control in relation to religion. Some people believe that religion is a social construct designed to hold power over people. Gabriel wanted to join the priests of the church (Spanish Catholicism). His father railed against the idea, saying that his son was being used by the friars and that his son had fallen for their lies. Mr. Reyes saw the Catholic Church as many others did, as a form of social control and tool for assimilation to the Spanish empire. In conclusion, I enjoyed this period film that shows how complicated love and family dynamics can be during a war. As in all wars, families can be torn apart and destroyed by war. I wish it wasn't a romantic tragedy, and I wish that love would conquer all in the end, but unfortunately this film is based on real events and not a fairy tale with a guaranteed happy ending where everyone lives happily ever after. Del Rosario, V., Rosario-Corpus, V., Genuino, E., Go, H., Rufino, J., Del Rosario, V. (Producers), Meily, M. (Director). (2008) Baler Motion Picture. Philippines: VIVA Films
Richmond Sim I can relate the movie Baler to my favorite movie, 'Pearl Harbor.' Why? Because both movies revolve in the story of war and is related to romance.I cannot say that this movie was better than Pearl Harbor, of course, because 'Pearl Harbor' was made in Hollywood and effects were worked on very hard, while 'Baler' was made in the Philippines. However, 'Baler,' as I see it, could be something that the Philippine Film Producers can be proud of and is world-class. It is not just good nor very good. It was excellent.Beginning from the plot, the film really did impressed me; and the production like filming locations, acting, and effects were explicit and is undeniably amazing. Also, considering that actors were from the Philippines, the pronunciation of Spanish words were very good that you may not be able to notice that they just memorized their scripts.For the action-packed parts, I need not to elaborate anymore, because if you watch the movie, you will find it yourself. The drama part which was raised by the forbidden love of a Mestizo soldier (Jericho Rosales) and a Filipina lass (Anne Curtis) was also good.8 out of 10 for Baler!
earn_cclcm One of the best Filipino movies for me, I am from Maria Aurora a nearby town from Baler and i never known how great the story of the Baler Siege is until i watched the movie.I'm surprised to know that the love story of Celso and Feliza really did exist as what is mentioned on the last part of the movie.The direction is good, while the cinematography was superb.Though a lot of people keep on saying that there are character mismatches in the film, the actors and actresses particularly the lead characters really did a great job.Anne Curtis was beautiful and really effective in her portrayal. She is really commendable Well for me, the movie DEFINITELY deserves its wins especially when you are gonna compare it to some other festival entries.
badidosh "Baler" is a lavishly produced Marilou Diaz-Abaya-ish historical romantic epic that wouldn't feel out of place with Hollywood's favorite WWII-setting, except here the political situation is set in the late 19th century during the cusp between the final days of Spanish reign and the dawn of American colonization.Mark Meily's emotionally hollow saga tells the story of doe-eyed Feliza (Anne Curtis), a young Filipina from the capital of Aurora province who falls in love with Celso (Jericho Rosales), a Filipino-Spanish soldier fighting for Spain as the once mighty empire is now on a losing battle defending its overseas territories from the US. Feliza's dad (Phillip Salvador) is an adamant anti-Spanish government fighter which means their love is anything but permissible, and thus are struggling to keep their relationship secret. Outnumbered and out-gunned by the Indios they once governed and abused, the Spanish soldiers in Baler, including Celso and buddy Lope (Mark Bautista), are now forced to hole up in a church as they wait for non-existent military reinforcements to rescue them from the band of Filipinos who have now surrounded them and are waiting for their surrender.Feliza and Celso are such hackneyed portrayal lovers who are unfortunately caught in the horrors of a military conflict; Roy Iglesias' script thankfully doesn't dwell on their relationship too much, and Meily understates it in favor of focusing on the lives of the Spanish soldiers trapped by their leaders' (Baron Geisler and Ryan Eigenmann) ignorance-induced patriotism. Meily, director of acclaimed comedies "Crying Ladies" and "La Visa Loca," seems an unlikely choice for a serious war drama, but his image of the events is more comfortably reticent than historical weepies of, say, Joel Lamangan. Such restraint, however, comes at a price, as the story lacks an emotional core, where battle scenes - which are in the first place few and far between - lack a sense of urgency, and romantic scenes dutifully go through the claptrap.It's a beautiful film, though, at least in terms of aesthetics. Curtis plays her damsel-in-waiting with such innocence and beauty that it blends perfectly with Lee Meily's cinematography of a 19th-century rural Philippines, contrasted by the pensively gray monochrome Celso and his mates inhabit. It would have been a nice portrait were "Baler" simply all about the visuals; but Meily, despite his most noble intentions, fail to give the movie its requisite pathos, reducing "Baler" to a story with the emotional effect of a high-school history textbook.