JohnHowardReid
Perennial second-lead, Ralph Bellamy, has the star part in the 4-picture "Inspector Trent" series. The first of these Columbia "B" entries, Before Midnight (1933) is heavy on atmosphere but short on credibility. True, the plot presents some fascinating permutations of the usual mystery thrillers. I like the idea of the two principals switching their identities, but writer Robert Quigley is unable to come up with any reason at all for this startling plot development. Yes, a reason is certainly given at the time, but it is later revealed to be a lie! And that's not the only plot twist by far that's just simply left hanging. Nonetheless, Claude Gillingwater battles gamely against the script and right up to the end, almost succeeds in presenting a believable characterization. George Cooper (as Bellamy's offsider), Betty Blythe and William Jeffrey also excel. (Formerly available on a fair quality VintageFilmBuff DVD).
tedg
The early thirties was a time of great experimentation with the detective narrative, leading eventually to noir.This is one of those experiments, and a rather fine one. It has a framing device where an old cop is telling a young one about the famous case from some time back and how a legendary inspector solved it. The case is a good one: an impossible murder, committed according to a centuries old schedule. Mysteries of the Orient. Confusion of roles. Some careful forensics and a bit of adventure.In this case, the mystery is more like a written story than a cinematic one. It even features a few devices associated with writing: the will of course, a fountain pen, a diary, some checks. If you were looking for a fold beyond the framing narrative, you will find it: one character has planned an elaborate "play" within the world we see.Ted's Evaluation -- 2 of 3: Has some interesting elements.
GManfred
Good, tight murder mystery that is brief and no-nonsense in its approach. It is a pre-code film but there's nothing here that might have been objectionable at the time. Also missing is the 30's habit of inserting comic relief into a story that doesn't need any, and this one doesn't need it. George Cooper plays Stubby, a dim-witted assistant detective who comes off as dim-witted but not as comic relief.Ralph Bellamy is Detective Trent, trying to solve a murder that takes place on a dark and stormy (and very noisy) night in a mansion with the usual suspects roaming around. What strikes you is the tone of all players, and especially Bellamy, as there is not a hint of the good-natured warmth or friendliness normally found in most pictures of this or any other kind - just a group grimly determined to get to the bottom of the proceedings. No jokes, no romance, just the facts.Nevertheless, it is well worth your time. It is an old-fashioned whodunnit that will challenge your own powers of deduction - and no laughing, please.
boblipton
It's a well-directed mystery with more twists than a pretzel. This movie times in at just over an hour, and had to be filled out with a prologue, epilogue and long takes of Ralph Bellamy thinking to bring it up to that. Carefully directed with full Old Dark House look and feel by long-time director Lambert Hillyer -- he had directed William S. Hart to stardom but had retreated, as had so many, to the B list when sound came in -- there's only one flaw in the mystery plot: the detective has the motive before the audience does.This was one of a short and probably unofficial series of movies starring Ralph Bellamy as Inspector Trent of the New York Detective Bureau. He is rather straightforward in his characterization, which probably explains why in another couple of years he was relegated to the role of Second Man in the movies, even if he could act up a storm when given the opportunity. Still, the story is the thing in this movie. The mystery will probably stump you and it's only an hour.
AD
