robokirk We saw this film at the Horror-on-Sea festival. I think it was one of my favourite films from both weekends but it's quite hard to put into words why, but I wanted to try regardless! It's an unusual film and I've not seen anything like it before. I'm sure some would describe it as an artistic film, which it is in the positive, and that style does not take anything away from the plot line. There are many films that are creative but you are left at the end wondering what it was all about. This is not one of them; although time lines are played with and nothing is formulaic (which is always a good thing in my humble opinion) it does all come together and even in the post-apocalyptic, nonsensical world, the viewer ends up satisfied at conclusion. I would thoroughly recommend this film and full credit to all involved for amazing originality.

DVD_Connoisseur It's always a pleasure to review a film that delivers a genuinely fresh experience. It's an old cliché to say that a movie stays with you after the final credits have rolled but Beyond The Grave is a haunting tale of the occult. I entered cold, not knowing what direction this Brazilian genre movie would take. Davi de Oliveira Pinheiro's tale starts like a homage to Italian crime thrillers, every frame oozing in style. There are angles and edits in the first few minutes that made me think I was watching an old giallo film, a high compliment to pay any modern offering. Dark humour precedes the beautiful opening credits, Davi De Oliveira Pinheiro giving Tarantino a run for his money. It's clear, after a short while, that the viewer is in safe hands. This is going to be one hell of a dangerous and unpredictable road movie but you can tell that it's destined to be a memorable one. The coolest editing and stunning cinematography, combined with close-ups that rival Sergio Leone's, help deliver a sucker-punch to the audience. I like to think of myself as an "old hand". It takes a lot to surprise me. However, this film sideswiped me a number of times, moving from thriller to zombie movie, to occult horror, seamlessly. Yet all the time, Beyond the Grave exudes a genuine '70s / early '80s vibe. The Dark Rider is a fantastic creation and its entrance had the hairs on the back of my neck standing erect (the last time this happened, I was enjoying A Field In England). What I love (well, one of the many things in this tremendous indie offering) is how the movie treats the undead. These are zombies with a sprinkle of originality. We see, for example, zombies feeding each other and not always homing in for the kill. The child zombie, with its "knife face," is chilling and unique. Creepy stuff. Also worthy of a mention is Pinheiro's blind zombie. Yes, this is a film where you actually sympathise with one of the walkers! Towards the end, I felt the imagery was reminiscent of a spaghetti western. The bars on the old school reminded me of a cell from the age of the cowboy. In a way, this is part western but I don't want to reveal too much.I'm in severe danger of running out of superlatives but I love this film. The characters are solid, especially the cool centre of the movie, the umbrella-toting Franco (played by Alvaro Rosacosta) and the bespectacled but Mad Max-like hero (Rafael Tombini). This is an unmissable film and an instant cult classic.

paultreloar75 I read that this was a "perfect late night crowd pleaser" when it was shown as part of a local film festival. So off I trotted to my local emporium, expecting something interesting, quirky, weird, that kind of thing. I wish I hadn't have bothered. This was properly dreadful.I really can't even begin to deconstruct how bad this was - the person who introduced the movie said it was a "Brazilian Grindhouse" - well, the only exploitation going on here was in the £8.50 they took off the audience, all 10 or so of us. Nothing really happens, there are a couple of laughable zombies, there's some half-arsed story-line that plods along disjointedly, it was dull dull dull.This should be put IN a grave, let alone beyond one. Avoid at all costs, useless tedious tosh essentially.

don-altobello It's a strong and surprising little gem from Brazil, directed by Davi de Oliveira Pinheiro. In a unnamed land, unnamed characters struggle for their lives. Great locations, nice acting, wonderful sound and special effects made an oppressive and dreamy atmosphere for the officer's hunt for the magical serial killer. It's amazing how all the genres could be mixed so nicely and in so many reflexive, almost lyrical ways: drama, black magic, zombies, adventure, crime, western... It's all there! I'll not spoil anything. You have to see it. It's an poetical essay of death. Death and sadness. All that you can't expect from the genre cinema these days. Looking forward to new films from the creators of this one.