secondtake Blackmail Is My Life (1968)Well, the bad guys (four men and one woman, all young and good looking) have a lot of fun, and carry a lot of poise. As rank amateurs they are lucky and, between racing around in their car, show a lot of cool style. It's 1968 in Japan, and it feels like maybe 1964 in the U.S., with people still wearing suits and looking good doing it.Eventually, they get in over their heads, but we don't really worry at first. They often say vague things like, "We'll go ahead with out plan," but they never say what they are planning. And then the plan happens, and it's fast and jazzy, in a kind of extended television way. The plot is kind of interesting, digging into the underworld of Japan in this sideways fashion. And visually it's fun, very nice wide screen compositions in a wide range of gritty Japanese locations. There is even a dramatic, spare electric guitar score, perfect for the period.The more serious and deadly this movie gets, the more it loses it's lighthearted flaws. There is clearly (to me) an influence from Bonnie and Clyde (the previous year) with romanticizing bad guys and extended violence. There is some real poignancy built in, as well. There are lots of night scenes and dramatic lighting, and this has a late film noir kind of quality, somehow, dark and brooding between action scenes. If you don't mind some Japanese camp aspects, this might really make your night. And just a heads up: the second half is easier to like in a conventional way, even if the first half is more original and excessive.

amerh How can a movie about low-lives using blackmail to get out of their scummy life be so much fun, and still carry a message about social corruption and racism? First, by being restlessly energetic. All the new wave film techniques are used here, jump cuts, flashbacks, moving whirling hand-held cameras, sharp angles.. The movie never slows down except for a few delicious very physical love scenes, the complex story is told through the action. A movie that seems made in a rush and is much better for it.The stylish 60s fashions, amoral but sexy protagonists, pop art photography and snappy music make this movie fun. It also makes it easier to take the extremely cynical message underlying the whole film. The antiheroes on display are like rats in a sewer (a dead rat is a recurring image). They hang on to the memory of the few happy moments they had, and keep reliving it. They think they blackmail for money, but they are really acting to get back at the Big guys, to prove that even scum can rise above their station. Their friendship and bond comes out of necessity and common experience. But their chance at the big lights is fleeting: going out with a famous actress for a moment may be thrilling, but our heroes do not belong in that world .The film portrays a Japan ruled by corruption, where mavericks and half-breeds have to scrape to survive. Nobody is good, starting with all of the seedy blackmail "victims". The film has very dark and cynical outlook, but don't let that description phase you, this is also an incredibly fun film to watch, with action, humor and overabundant style. Most critics rank this movie as one of the director's lesser films. I think it deserves much better. Definitely recommended to those who love 60s gangster movies.

Zykron G. Ghoderphest I was skeptical about Blackmail is my Life before I saw it. I saw Battle Royale and didn't like it too much. I mean, some of it I'm sure was unintentionally funny. Blackmail is a much different movie. It starts off great, alerting you to its very intentional sense of humor. The movie unfolds with a plot similar to Goodfellas, with great acting performances and quirky music. Some of it is actually quite haunting. The dialogue is almost Pulp Fiction calibur, it's believable and witty. I was impressed, and I recommend it to any fan of 60's movies or Japanese crime flicks in general. 9.5/10

zetes The story involves four people whose work is blackmail. They're successful in their "business," but their eyes eventually get too big for their stomachs when they think they've found a way to rip off the yakuza. The job proves harder than the easy money it initially seemed. While it is generally well done, its techniques reminded me a little too much of the annoying modern style with a lot of unnecessary freeze frames, chronological jumps, and shifts from black and white to color. I also felt that the characters ought to have been more well developed; the story is good, but the style overwhelms possible substance. My favorite part of the film is the fact that the characters whistle the theme tune to Suzuki Seijun's Tokyo Drifter, which means that Suzuki had to have had some popularity if his work was quoted like this. 7/10.