davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning This fundamentally pointless gangster flick (the story has been done twice before) gives Tamer Hassan the chance to do his typical gurning, foul mouthed cockney gangster thing as Pat Tate, whilst Terry Stone inexplicably plays the same character he did before, with the likes of Neil Maskell and Adam Deacon for support in this latest attempt to bring the true life story of the 1995 Rottenden Range Rover murders to the screen. It lacks the sappy melodrama of the dismal Rise of the Foot Soldier, but the same problem I had with that film seems to be present here: there seems to be a lack of depth, and the very interesting story just feels really hard to get in to. It just would not appear to translate well to film, surely one it would be better to read about. Great soundtrack, though. **

ajay699 A real well put together movie, i have enjoyed it thoroughly. Some great scenes as well as humorous in parts.A must see movie, not one to be missed. All I can say is watch it and judge for yourself.This is the true story of the essex boys the whole truth and nothing but the truth.you will have to wait until 26th December 2010 for the DVD release so go on and treat yourselfyou deserve it, definitely one for the collection , one you can watch over and over again

GrowMagicBeans I'm not too sure what to make of this movie to be honest. Let me just start by saying, I have a bias for low budget and Independent movie making. I want to see them do well as I enjoy a fresh perspective from the usual Hollywood viewpoint. Unlike some other reviewers of this title, i'm not all too concerned about how accurately the picture may or may not have represented true events. In fact, I really couldn't care less if a script takes massive liberties so long as it delivers a movie that is enjoyable to watch. So what I review here is purely a movie based on its aesthetic qualities and craft. For all its weaknesses, this movie did deliver one or two good points which would make me say it is worth looking up if you enjoy your Brit gangster. Firstly, some of the villains were very well depicted, particularly the brutish characters played by Tamer Hassan and Terry Stone.Secondly, although the movie has a weak start and a poor ending, it really managed to draw me in mid-movie. The build up between the two factions as they prep to go at each other was very engaging and really manages to heighten tension. I enjoyed the fact that the movie centred around just one killing incident. Rather then trivialising gangster life with multiple murders, it highlights what one 'hit' can equate to.Where the movie fails for me, is with the character Darren Nicholls (Adam Deacon). I don't get why they found it necessary to have such a weak character narrate events. I actually felt I could empathise stronger with some of the more brutal characters who were at least honest about who they were, rather then this shaky character who really seems to do nothing but complain for the entire movie. Nor did I get the point of using flash back to drive the movie. I didn't think it added anything to plot or structure other then it seems to me the director was trying to emanate a 'Goodfellas' vibe. A weak script in parts really lets the movie down also, which is a shame because the movie did hold promise. There seemed to be a feeling that characters needed to be portrayed in extremely soft regard when the audience was expected to hold sway with them. Again, this is why I ended up resenting the Nicholls character rather then feeling the intended empathy. It's also seen with the character Mickey Steele (Vincent Regan) where he is played as a compassionate man who takes in the lover and not really a drug dealer as he is just the 'delivery man'. In the first half he is overtly portrayed as the 'honest decent criminal'. Then, his character suddenly flips from being 'Mr. Nice Guy' into 'Mr. Hard Ass'. I can perhaps understand the intent -the deepening into criminal life forces itself upon his personality- but the execution of which was by no means subtle. A more honest portrayal from the beginning -showing aspects of the good and the bad throughout- of each character's traits, would have engaged the audience better and created whole rounded characters. There were also some really hammy lines thrown into the love scene on the pier and else where throughout the movie. But taking the good with the bad, this movie does still throw up some great scenes. It fails by patronising the audience by forcing empathy instead of allowing the audience make up their own minds, but really engages them with some terrific build up. It manages to capture beautifully the exhilaration of criminal life, because as high and as quick as the criminal may rise, their moment at the top may well just be as brief.

beatleblack NOT as good as ROTFS! However... If you are interested in the now notorious story of the so-called Essex Boys, you will want to see this for completist reasons.This film presents the relationship between Mickey Steele & Pat Tate/Tony Tucker with the ultimate build-up to the Range Rover killing in a way that ROTFS missed. That's because the narrative comes from the perspective of the 3rd member of Mickey's gang. This is a perspective which you can't help but doubt having watched Rise & which even this film admits with a post-script is a dubious account.Documentary evidence aside, two questions arise: do we have some more great anecdotal evidence of their out-of-control behaviour? And, is this anywhere near as good a film as Rise?Firstly, yes AND no. Despite the lack of Craig Fairbass there are moments showing Pat's traits which are memorable but NOTHING like the Pizza scene. Secondly, yes AND no. This film felt like a more artistically professional job but left me feeling less satisfied and entertained than by the gloriously over-the-top Rise.