Vonia Boy and the World (Brazilian Portuguese: O Menino e o Mundo) (2013) Director: Alê Abreu Watched: December 2017 Rating: 6/10 Colorful/playful, Children's drawings come alive, Kaleidoscope fun. Lively Brazilian soundtrack, Learn Latin America. Baffling/disordered, Only backwards Portuguese. Social change soapbox- Characters/plot take back seat; Rather see stills in art show. Somonka is a form of poetry that is essentially two tanka poems (the 5-7-5-7-7 syllable format), the second stanza a response to the first. Traditionally, each is a love letter and it requires two authors, but sometimes a poet takes on two personas. My somonka will be a love/hate letter to this film? #Somonka #PoemReview #Animation #LatinAmerca #NoDialogue #Propoganda

annejimkes The simplistic and almost childish animation style of this film still manages to convince an adult viewer to believe in the existence of and get involved in the world that it is depicting. How is this made possible? The world we see on the screen is given life by the colorful and creative use of sound and music. Despite the fact that the little amount of dialogue in the movie is unintelligible, it does not mean that it bears no significance. The utterances of reversed Portuguese can still be interpreted in combination with the images and what we know of the story. Interestingly enough, these pieces of dialogue were not recorded in normal order and then reversed. In that case it would not sound as natural as it does now. This approach to the lack of real dialogue is supported by an interview with the director Alê Abreu in the Brazilian magazine Revista da Cultura. In this interview he explains that The Boy and the World actually emerged from the idea of an animated documentary called Canto Latino about the formation of Latin America until the period of dictatorships. This documentary would use music, such as the songs of protest from the 1960s and '70s, to guide the story. Instead, Abreu was inspired to make an animated fiction film which still used the principle of music as a guiding force behind the story. However, another motivation for the original use of dialogue is that the film is following the boy's perspective which causes the dialogue and other linguistic utterances to be a scrambled mass of (familiar) sounds. The boy experiences the world as a child who does not yet understand the harsh reality which his parents are well aware of. The intention to show the movie and the world through the boy's eyes is explicitly brought to the attention of the audience through the title of one of the film's theme songs Aos olhos de uma criança (In the eyes of a child) sung by the rapper Emicida. The entire story is connected by one single leitmotif in the score which is first played as source music by the father and then repeated to remind the spectator of the boy's goal during his adventure. This song also connects sound to image and creates an organic unity between the two sides of the medium. Whenever someone plays the song, colored bubbles appear and float into the sky. This visualization of music supports the story by forming a metaphor for the battle between the civilians and the military. One of the characteristics of the soundtrack, which attracted me to the discussion of this particular film, is the mixture of sound effects and musical elements. Some clear examples of this mixture of sound effects and music are the sounds of various animals, such as chickens, a butterfly, and a horse, but also the sounds of traffic which are mixed with the percussion and special sound installations, or even the sound of picking a flower which is replaced by the pluck of a violin string. This unexpected use of musical instruments gives more color and character to the images on the screen and also emphasizes the child's perspective on the world. The soundtrack was constructed with contributions from Naná Vasconcelos, Emicida, Barbatuques, and GEM (Grupo Experimental de Música). Especially Naná Vascocelos, Barbatuques, and GEM played an important role in the creation of music that could be either part of the score or part of the Foley, SFX, and ambiance, and even function as a musical kind of wallah, which adds a threatening undertone to the scenes of the military in the big city. All three bring their own style and expertise to the mix which creates an extremely original and creative sound. Naná Vasconcelos is a vocal artist and percussionist who even uses pots and pans to find the perfect sound for a scene. Both Barbatuques and GEM are groups of musically talented people. However, there is a big difference between the methods of both groups. While the Barbatuques musicians use body percussion and create rhythms with voice effects and different kinds of claps, snaps, and feet stamps, the GEM musicians use fantastical instruments and sound installations which are invented and created by themselves to create a perfectly customized and original sound. Thanks to the wide range bastidores (backstage) material displayed on the film's website, it is possible to see short clips of the production process of all these different artists and their individual music styles.

James Noriega Boy & The World is a film about a young boy who goes on a journey to find his father in the big city. Along the way, he sees many things, and meets many people. This is the most basic description of what I consider to be one of the best animated films ever made. Let's dig in.First of all, for a film marketed towards children, it can be quite challenging in different ways. One way is in what it is as a film. The fact that it has absolutely no dialogue and is driven by music and visuals alone is very daring. Another way is in some of the subjects it tackles. This includes things such as the negative influence of industry, the oppression of art and creativity, and the underwhelming reality of adulthood. I mentioned that the film ditches all talking, instead going for visual and musical storytelling. So does it achieve this goal? Yes. Oh my god yes. Every image that this film throws at you is absolutely gorgeous and full of things to look at. The music is absolutely beautiful, and I'm not lying when I say that I found myself getting chills well an often due to the music. These two factors are what propels the movie and turns it into the great experience it is.Now let's talk about the overall effect. It was unbelievably effective for me. This is the only film that ever made me weep. I urge any movie fan, or any fan of animated films, to watch this. It is a brilliant experience, and it touches on every emotion I can think of. Happiness, sadness, humor, love, and many more that aren't coming to mind. Go. GO. WATCH IT NOW.

Red_Identity It's such a lovely film. Both visually and emotionally rich, one of the most colorful and imaginative animated films I've ever seen. Nearly dialogue-free, one of those films that best portrays the power of the relationship between image and sound. Quite literally perfect, not a thing I would change about it. I don't think it's a stretch to call it perhaps one of the best animated films ever made, surely one of the best I've ever seen. I really hope it gets seen by more people because it would be a shame if it went unnoticed as a whole, truly. Just wonderful in every way. The score deserves even more mentions as well, together with its sound editing.