Michael O'Keefe
Monika Mitchell's showbiz satire has some laughs and some premeditated violence. I wouldn't say blood-soaked; but there is insult and injury. Max Matteo(John Cassini)is a character actor that has a quirky adaptable presence on screen, but he has a terrible track record of being chosen for the parts he goes after. There is always a producer's nephew or seemingly trivial reason for his not being awarded the role he seeks. Well, the best thing to do is get rid of the competition...Max becomes obsessed with such thoughts. The rewarding career is just a swing, push and shot away. Other cast members: Rene Rivera, Molly Parker, Jennifer Beals, Frank Cassini and cameos by Eric Roberts and Sandra Oh. Well, that's show business...or is it?
jm-66
The story was written well, and it kept my attention. There were some great shots and sequences in the film. There is a sequence where the main character (played by John Cassini) is acting out his part as a priest...delivering his lines to black x's on a green screen. The camera clips back and forth between Cassini's priest and the x's as his lines are spoken. A shot that particularly stood out was a 30-second shot of Cassini inserting a blue contact lens over his brown eye, the lens doesn't quite want to stay in place, over and over Cassini blinks, and finally the lens slides into place. Fantastic shot. Enjoyable film, I would recommend it.
elaborate_burn
Just saw this at the Phoenix Film Festival where it won the coveted Best Film Award. Suffice to say, I'm not quite sure why it won this award. I saw much better films at the festival. This was nothing special. Basically, about a struggling Italian character actor who decides to take matters into his own enraged hands to achieve his big break after pilfering in the rediculous film industry for too long. I was impressed with the cast they managed to get, esp. all the celebrity cameos. However, I felt this film felt like an old episode of "Tales From the Crypt" where the actor kills his competition more than anything else. I loved the climatic scene with the actor and and undercover cop who, for some rediculous reason, also happens to be very talented, but that's about it. I found the humour and plot to be very predictable and lame. The symbolism was truly putrid (Jennifer Beals gets her big casting break, then breaks her leg, how quaint!) There have been plenty of great films about the rage of rejection in the film business, murder in the entertainment industry, and paranoid psychotics, but this ain't one of them. It's amusing enough with great acting, cinematography and editing. But nothing truly memorable. Mainstream-pandering if anything else. 6/10.
taegel
A struggling actor finds the best way to break into Hollywood is to start knocking off the competition. But what makes Break a Leg a real gem is the sardonic look into the existence of the struggling (and not so) LA actor. It brings us into that world with effortless irony and wit. It's also got a polished look and very adept direction under Monika Mitchell. Break a Leg is one of those rare independent films that doesn't compromise its production values at any level. The writing is tight, the dialogue first rate. Cassini is an actor's actor, and the role really shows off his talents. The climactic scene between him and Rene Garcia is an instant classic, and may go down as one of the funniest Hollywood scenes of all time. I saw it at an advanced screening, and everyone in the audience laughed uncontrollably and raved about it afterwards.
AD
