Movie Buff You have just finished watching Breakin' - and feel like you want to go out onto the streets and find a group of people to dance with, then you realise that your about 20 years too late and the only gangs hanging around your neighbourhood are not interested in dancing.Your spirits drop, realising that you can never get back your youth...But then you remember, you also own Breakin' 2: Electric Boogaloo and you get back on your sofa and spend another couple of hours with a friendly group of Break Dancers who only want to support their local amenities... They don't use violence (apart from perhaps some suggestive popping' and lockin' moves), they don't use guns or drugs and they even get their rival street gang to kiss and make up with them in order to protect their hood from the City Suits.Where else could you get a story line like that? Take it for what it is - great music, great dancing, great fun!

Michael Horseman I remember 4 years ago while in the air force working night shift, I and another 12 or so soldiers sitting in the crew room watching channel bravo at about 2 am We were treated to this movie and I have never ever laughed so much in my entire life, we put national security in jeopardy because there were people actually crying with laughter and rolling around on the floor.To remember now, the very beginning scene where all those dildo's are dancing around in the street spinning on car bonnets etc.Most funny movie ever, will never be triumphed.Hey, a friend of mine said that Jean-Claude Van Damme appeared in this movie, is that right ?

lordjin Breakin' 2: Electric Boogaloo serves as a perfect example of the more often than not erroneous 'bigger is better' philosophy that pervades American society. This movie, if nothing else, reminds us that more is not always more. This stinker of stinkers succeeds only in cheapening the impact of the dancing in the first movie by reducing it to an ornament for an absurd non-story.In its predecessor one can detect a tiny drop of integrity where the precepts of story forming are concerned. The conflict set up between 'street culture' and society's 'upper-crust' was less than realistic, but break dancing, as a form of urban art, was presented interestingly enough to capture my interest (I'm willing to forgive a lot for the sake of entertainment). The dynamic dance moves were just enough to suspend not disbelief, but dismissal of the ridiculous. In Boogaloo, that hint, that tiny drop of integrity became a drop of spittle on a hot iron. More thought and attention is generally given to the flushing of giant smelly turds than were given to the creation of characters, dialog, and scenarios in Boogaloo. Sam Firstenberg is no Joel Silberg. What? I'm not sure what that means myself. In fact I'm ashamed I said it.It's not difficult to see why this movie was made. It was the decade of cashing in on flashes-in-the-pan. If a teet squirts milk, then squeeze it for all it's worth, right? Breakin' 2 is nothing more than a poorly conceived advertisement for the flavor of the month. Sadly, this confusion of marketing and entertainment is not only alive and well today, it's grown into a gigantic retarded baby that's painting everything with a thick coat of mediocrity if not out and out stupidity. This is the devolution of popular culture. Art is no longer a part of the everyday.

DarylKMiddlebrook Let me start by acknowledging that Breakin 2 (the sequel to 1984's Breakin, which was a box office hit) IS NOT a great movie. The acting is weak, the plot very "Andy Hardy," and the dialog, well let just say, it wouldn't have been any better if Golan/Globus would have gotten Denzel Washington and Meryl Streep to star in this film. That being said, let me now state that Breakin 2 IS NOT a "bad movie" either. It is what it is, mindless entertainment. The dancing, while not as riveting as it's predecessor, is enjoyable. The clothes (remember this is the 80's), well they're a laugh in themselves. The cast are all attractive (Lucinda Dickey looks hot as hell in this one, and check out Sonny Bono's sexy ex-wife Susie Coelho playing Kelly's rival).The thinly written plot of Breakin 2: Electric Boogaloo takes up where Breakin left off. Kelly (Dickey), Ozone (Aldolfo "Shabba Doo" Quinones) and Turbo (the phenomenal Michael "Boogalo Shrimp" Chambers have finished up what appears to have been a short run of their musical "Street People." Having gone their separate ways, Kelly is finding life in the chorus line a dead end. Unlike Ozone and Turbo, Kelly is not a product of the streets, and must also deal with her stereotypically written "rich parents," who want her to stop wasting her life dancing and go to Princeton. Needing a break from the lifestyle of the rich and famous, she goes to visit her "boyz in the hood" buds Ozone and Turbo, who seem to have found a better niche in life, teaching kids at a community center in East Los Angeles.Enter bad guy real estate developer Mr. Douglas (character actor Peter MacLean), who wants to buy the land where the rec center sits and build a shopping mall. Kelly rejoins her ghetto comrades to stand against Douglas, and the city, who holds the lease on the building. The city does gives the trio one month to raise $150,000 to get the old center up to building standards or lose it to Douglas. How will they do it? How else, by putting on a street carnival (I told you this wasn't Pulp Fiction). Sub-plots include Kelly's racist parent attempting to bribe her by offering to bail out the center(only if she denounces her street friends and goes to college), and Kelly and Ozone's phantom romance (they never seriously kiss or get romantic in either film, which was the norm for interracial affairs in the 80's).As stated earlier, where this movie shines is in the dancing. Ozone's rooftop number and Turbo's dancing on the ceiling are very enjoyable. The soundtrack wasn't as ripping as the original, but it's listenable without being annoying. The one other redeemable trait of Breakin 2, is it's attempt (no matter how lame an attempt) to portray a part of American culture that few people outside of major cities such as Los Angeles and New York knew anything about. In the eighties, you could count the number of minority themed films on one hand, so given it's very low budget, Breakin 2 at least served up a decent laugh and some head bobbin "make you smile" hoofin'.Bottom line, if you're looking for Academy Award performances, solid acting, excellent writing and a thought provoking storyline, AVOID THIS FILM. However, if you want a look (albeit a somewhat watered down, white bread look) at a phenomenal eighties American fad called Break Dancing, check it out and enjoy the music and the dancing. That's all Golan/Globus was trying to make, and that's all this movie has to offer.