MissSimonetta This Oscar-nominated short is among the best of the Mickey Mouse cartoons. Not only is it abundant in gags and excellent animation, but it sports several strong character moments.It is a remake of the Oswald silent "Sky Scrappers", featuring the same set-up: Mickey is a construction worker, Pete's his boss, and Minnie a seller of boxed lunches. While the original was cute, this manages to improve upon it in many ways. The relationship between Mickey and Minnie is stronger and sweeter than that of Oswald and his gal, and the memorable tunes really make it stick with you. The ending is uplifting, and certainly must have resonated with Depression audiences who needed some hope in that dreary time.

J. Spurlin Mickey Mouse operates a steam shovel; Pegleg Pete is his foreman; Minnie Mouse sells box lunches. Mickey must save the day when Pete makes advances to Minnie."Building a Building" is a marvelously inventive film that takes full advantage of its construction-site setting for gags and thrills. Heroic little Mickey is utterly sympathetic as the adversary of the brutish Pete, even though the mouse's careless work habits (he's so focused on Minnie that he accidentally throws dirt and bricks on Pete) give his boss good reason to be angry with him.Pete's attempts to kiss an unwilling Minnie remind us of how Mickey has changed in a few short years. In "Plane Crazy" (1928), it was Mickey trying to force himself on her. She even had to jump out of his plane to escape him.

MartinHafer BUILDING A BUILDING is a Mickey and Minnie Mouse cartoon and is one of the few Mickey cartoons to have been Oscar nominated. The earliest cartoons in the series were not eligible for the award, as it wasn't created until the 1932 Oscars--several years after the first Mickey cartoon, PLANE CRAZY (1928). And, oddly, the wonderful full-color Mickey cartoons of the mid to late 30s were ignored by the committee in favor of Silly Symponies cartoons by Disney. It's a shame as he was a great character, as were Goofy and Donald. I guess this sort of cartoon for the masses wasn't deemed artsy enough to merit nomination.BUILDING A BUILDING finds Mickey working at a construction site. When Minnie comes to the place selling box lunches, Mickey goes ga-ga and pays little attention to what he's doing, but being a cartoon he naturally isn't killed. A bit later, the boss, Pegleg Pete, sees Minnie and kidnaps her. So it's up to Mickey to rescue his sweetie. I liked how as Mickey fought this huge bully, Minnie didn't just stand there passively (like you see in so many films)--no wonder Mickey was in love! The cartoon has a bit more singing than usual and because of this, the humor is a bit less pronounced than a typical Mickey Mouse cartoon. Overall, it's pretty ordinary for the franchise--with the typical finely drawn animation and backgrounds as well as very charming characters.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Mickey is busy BUILDING A BUILDING...until he's distracted by Miss Minnie, who has arrived to sell her box lunches.With a definite nod to Harold Lloyd, this very funny little black & white film had enough laughs and thrills to earn it an Academy Award nomination. Pegleg Pete is suitably black-hearted as Mickey's boss; Pluto has a cameo as the means of locomotion for Minnie's lunch cart. For the record, Minnie's box lunches contain baloney, macaroni and a huckleberry pie, plus corn on the cob, all for only 15¢. Walt Disney provided Mickey with his squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.