Walt Disney

Walt Disney

2015 "He Made Believe"
Walt Disney
Walt Disney

Walt Disney

8.1 | 3h46m | G | en | Documentary

Walt Disney was uniquely adept at art as well as commerce, a master filmmaker who harnessed the power of technology and storytelling. This new film examines Disney's complex life and enduring legacy. Features rare archival footage from the Disney vaults, scenes from some of his greatest films, interviews with biographers and animators, and the designers who helped turn his dream of Disneyland into reality.

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8.1 | 3h46m | G | en | Documentary | More Info
Released: September. 15,2015 | Released Producted By: ARTE , Sarah Colt Productions Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Walt Disney was uniquely adept at art as well as commerce, a master filmmaker who harnessed the power of technology and storytelling. This new film examines Disney's complex life and enduring legacy. Features rare archival footage from the Disney vaults, scenes from some of his greatest films, interviews with biographers and animators, and the designers who helped turn his dream of Disneyland into reality.

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Cast

Walt Disney , Roy Edward Disney , Oliver Platt

Director

John Baynard

Producted By

ARTE , Sarah Colt Productions

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Reviews

MisterWhiplash The Walt Disney American Experience PBS documentary is a good profile of a box of contradictions: a wholesome 'family' man and a rabid anti-communist conservative who was one of the heads of the Alliance that made things horrible for people in Hollywood for years (and what a speech he gives to his workers that made them organize *more* to strike in 1941); someone who claimed he wanted things simple and wasn't "literary" while creating one of the great abstract experimental films (Fantasia) and changing an artistic medium through his "fairy tales" and silly symphonies and Disneyland and so on.This is a very fair document of a man who created many of the films that made children around the world cry and laugh and (occasionally, as in part of the forest sequence in Snow White) pee themselves, while also being "hard-driving" while being inspirational for his workers (or those who stuck around).It's chock-a-block of great clips and somewhat obvious but nevertheless enlightening analyses of the "Big Five" first films (Snow White, Pinocchio, Dumbo, Bambi and Fantasia), and on to things from television like Walt Disneyland TV and the park itself. Here's a man who could do anything and for the better part of his later life got obsessed with trains and led on to making THE amusement park of the world (or as one interviewee calls it "a living animation"). From a portrait like this it's somewhat easy to call him difficult (he likely was), but it's rare to get someone in America who was a genuine entertainer - whether it connected with everyone, as he aimed for whether it was a Donald Duck cartoon or the blades of grass in the park, he had to make it just so - while being so, uh, 'wholesome' (depending on who you talk to of course).He's a wonderful bunch of contradictions, which is something we can relate to even as we're not all "visionaries" and such.
mberliner1 This biographical study of Disney certainly captured the man as a brilliant innovator and dedicated producer of wonderful things. But it was not honest in its treatment of the strikes that almost brought down his studio. It suggested that the strikes were merely the honest reactions to a company that callously underpaid its employees and wanted power over them and that Disney, along with other studio owners blamed their troubles on Communists ("imaginary antagonists"). The viewer is left with the belief that Communists didn't have the slightest influence in Hollywood, when in fact there is significant evidence from Soviet archives (released after the fall of the USSR) that many union leaders (including Herbert Sorrell, who led the strike against Disney) were Party members and that the strikes were financed by the Kremlin. Even if the show's producers didn't accept these claims, it was unconscionable not to even to mention the possibility.
Michael Johnston (ambrose) I was anxious to see a two-part program on the life of Walt Disney. This one shown on American Experience was a disappointment. Bits of his early life were tossed in as though you knew about them. Elias was presented as a one-dimensional authoritarian figure without much love for his sons. Both Walt and Roy have disabused us of this. There are so many hundreds of hours of interviews from people who knew Walt from the early days, and these were not chosen to be included. Instead, we got the "talking heads" approach from those who have read about Walt's life.Now, I was not expecting the Bob Thomas approach, but the first program wasted so much time with analyzing things that the facts of his life were jumbled and difficult to follow. Did Walt ever draw? When and why did he leave this and go to Laugh-O-grams? What was Elias 's attitude about this? Was Flora, his mother, supportive or critical? These things are knowable. Instead, we got more and more analysis. Then, Part One ended at a good dividing spot, but we were not prepared for the remainder of his life in the second program.It's true, as has written another writer, that one might tell the story of Walt's life in a five part Ken Burns style mini-series and get all the interesting and necessary facts included. Given a bit less than four hours, things must be omitted. We didn't see and hear any of the Nine Old Men, or Roy E or Roy O Disney, or Diane or Sharon, or Lillian. Lillian was responsible, pretty much by herself, for *Walt* Disney Concert Hall, and Roy was responsible for the name *Walt* Disney World and not Disney World. Why was Walt interested in creating EPCOT? Did he suddenly become preoccupied with future building? We heard that Hazel was with Walt at the end but we never heard from the person who spent more time with Walt than anyone else. Of course, many of the primary sources are long dead, but video of them exists, and some of it should have been included in order to tell Walt's life story, at the expense of the some of the commentary and analysis.
Michael_Elliott American Experience: Walt Disney (2015)**** (out of 4)This two-part look at the life and career of Walt Disney certainly has some flaws. I will openly admit that but at the same time there's so much great knowledge and footage here that it's almost silly to complain too much about it.The first part of the documentary covers Walt's early days and how he got interested in going into show business. We learn about his earliest animated movies and how he ended up broke before finally getting money with the Alice shorts. From here we learn about various issues that happened with his family and how a little mouse would end up saving his career. From here we see the building of Disney Studios as well as him dreaming of doing feature films.The second portion of the film deals with some of the darker and more controversial moments including various strikes by his workers who felt they were being mistreated. The studio's disappointing box office returns to movies like BAMBI and DUMBO are also discussed but the main focus is Disney Land and how television would help bring Walt's vision to life. We also take a look at some of his latest pictures, which were attacked during a time when people didn't see peace and happiness instead they were seeing shocking images of violence.The biggest problem with this documentary is that its four hour running time simply isn't long enough to fully get into this man. I will admit that I didn't know too much about his personal story so I found this documentary to be full of wonderful knowledge and there's no question that all the footage from his movies as well as the personal movies were terrific. Even more entertaining was seeing Disney Land being built and just looking at the footage makes it a wonder that the vision ending up coming true. The film certainly is extremely long but it's never boring and it's definitely worth seeing.