drystyx The movie is about a biker chick who wants revenge for the murder of her brother. She goes on a quest with two guys, which is good, because they're somewhat more interesting than she is. Not that they're "angels", or even "mature", but they're "kids", so it is understandable that they're immature.The movie seems to be full of "slices" of little parts of the journey. It's supposed to show character, and it does to some extent.In 1972, there were some characters that you see here, but there are some stereotypes, especially at the school where adults cower to the bikers.It's obvious that the film maker wanted to have a mix of "stereotypes scenes" like the bar room brawl and the pool hustling, but those are the weaknesses of the movie. However, the powerful punch of the film makes this weakness fit in a bit.Using a "witch", although a very modern witch, to show the "wisdom" also makes this weak, and smacks of propaganda. The "witch" is the "mouthpiece" of the work.However, the "witch" is the sane character in this mix.Though it is obvious the lead woman is a maniac, the movie does a good job of leading the more naive viewer into the final outcome, where that becomes blatant.There are many saving graces to the movie. The ending reveals much that some more sophisticated viewers will suspect much earlier, but it probably isn't obvious to the more naive. The ending will be sure to disappoint the kids who think vengeance is "cool". And the ending will even be a pleasant surprise, though a sad one, for the sophisticated viewer.The two sidekicks are more interesting than the lead, as are some of the people she meets along the way. In a way, these two are the film, as they represent what "somewhat saner" people do when their friend is a psychopath.This could have been a memorable film. In fact, the climactic scene does make it worthwhile. A good turnabout. Look for this film to some day be one of the classics of this era, for the very reasons it is unpopular with IMDb today. It dares. It is the ultimate in the iconoclastic.

GrandpaBunche Despite its much-discussed feminist slant, this film is a slow-moving, amateurishly-made bore whose trailer is all you need to see of it. Nearly everything worth watching in the full-length movie is found in the trailer, and its punctuated by some of the most hilariously overripe narration in history. BURY ME AN ANGEL sucks out loud, but I give it a 3 out of 10 solely for its idiotic and horrendously-staged bar fight that's less exciting that watching two eight-week-old kittens slapping each other around with their paws. That fight may be pitiful, but it inspires a certain awe when one considers the balls it took to put something so pathetic onto the screen and actually expect people to shell out good money to see it. And let us not forget the incredible turn by star Dixie Peabody; her loony expressions and acting when she gets crazy while reminiscing about her murdered brother are amazing in a way that calls to mind a fusion of Edy Williams and Susan George at their most over-the-top.

jbar19 Only interesting from a historical standpoint as it is written and directed by a women and has a strong woman as the central character.There is more padding in this movie than in box of cotton.There are long sweeping shots of three people riding motorcycles through beautiful vistas... over and over again. I was able to fast forward through 40% of this movie without missing any dialogue. In fact, we were making fun of it. It was like the actors drove about 2 miles, stopped, changed their clothing and drove another 2 miles, etc to make it look like the movie took place over a longer period of time.The chick is pretty and she does a passable job, but there's just not that much there. Almost no action. Even the ending is vague and silly.I LOVE bad movies. I love biker flicks and flicks from the 70s. I can usually find something positive about any movie... But this one... Ooooffff.... Just avoid it if you can.Keep Moving... Nothing to see here.

kennywest1 Dixie Peabody stars as "Dag" in this hypnotic biker film. Dag and her two male biker friends search for the murderer of Dag's brother, who was shot during a party. The film marches the trio into constant trouble,and a friendly encounter with Dan"Grizzly Adams"Haggerty as a young hippie. The music in the film reflects the times of free love and peacenik joy, but the background score in the flashback scenes invoke a witchy pride to the story that itself is dreamy and illusionary.