But Not for Me

But Not for Me

1959 "It's a scream!"
But Not for Me
But Not for Me

But Not for Me

6.3 | 1h51m | NR | en | Comedy

Out of hit ideas and seemingly in the twilight of his career, Broadway producer Russ Ward decides to give up the game. But when Russ lays off his nubile secretary, Ellie Brown, she shocks him with a declaration of love. Inspired, Ward commands playwright MacDonald to rewrite his latest show as a May-December romance starring Brown herself. Ward struggles to make a comeback as his ex-wife, Kathryn, plots to end his new relationship.

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6.3 | 1h51m | NR | en | Comedy , Romance | More Info
Released: August. 19,1959 | Released Producted By: Paramount , Perlsea Company Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Out of hit ideas and seemingly in the twilight of his career, Broadway producer Russ Ward decides to give up the game. But when Russ lays off his nubile secretary, Ellie Brown, she shocks him with a declaration of love. Inspired, Ward commands playwright MacDonald to rewrite his latest show as a May-December romance starring Brown herself. Ward struggles to make a comeback as his ex-wife, Kathryn, plots to end his new relationship.

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Cast

Clark Gable , Carroll Baker , Lilli Palmer

Director

A. Earl Hedrick

Producted By

Paramount , Perlsea Company

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Reviews

jjnxn-1 Charmer finds Gable at near the end of his career still fully in command of his star power as a somewhat roguish producer who is juggling both personal and professional issues. Lilli Palmer is an excellent match for him, her continental charm playing off his brusk exasperation with surprising ease. She's so good it's a shame her role is rather small but she makes every moment she's on screen memorable and you miss her when she's out of the picture.Lee J. Cobb likewise makes his modest role seem more than it is by filling it with his magnetic presence.Carroll is sexy in a refined way, this was before she cast her lot in the sex symbol derby with junk like Harlow and The Carpetbaggers and wrecked her reputation as a serious actress for several years until she came back as a respected character actress.The kind of breezy star vehicle that is rarely if ever made today, spotlighting the star but loaded with talent in almost every role. Competently directed and as an added bonus Ella Fitzgerald sings the title tune over the credits. For Gable fans this is a must!
lowenahouse Along with "Teacher's Pet," "But Not For Me" is a topnotch showcase for Gable's talent for deft self-deprecation. Following heroic service in World War II (for which he was decorated), and the tragedy of wife Carole Lombard's death while entertaining with a USO troupe, he has matured as both a person and an actor. The personality remains appealing, unique even, but he is now a former superstar charmingly twitting his image as mega-heartthrob in decades of earlier film roles. Lilli Palmer plays his ironic and amused ex-wife in this sophisticated, intelligent romance. It's light comedy but (as with Powell & Loy's "The Thin Man") good writing and masterly acting elevate froth to satisfying entertainment.
kyle_furr A poor attempt at comedy. The plot has Gable as an over the hill producer who is about to quit when he has a new idea for a play that came from his secretary, who is in love with him, even though she is 22 and he is past 50. There still is more to the plot, but who cares, it's not in the least bit funny and Gable does a pretty poor job. Lee J. Cobb is the only one who is good in here and there's not much else to say about it.
Robert D. Ruplenas (Possible spoiler) A disappointing movie. The romantic relationship between Ward/ Gable and Brown/Baker is never really believable, due as much to the script as to the performances. Also, watching Gable closely in this flick it is hard for me to understand his near-legendary status as an actor ; although he projects a certain insouciant charm, his style is very mannered and artificial, the very antithesis of Method. Having someone like Claudette Colbert to play against, as in "It Happened One Night", helps him, but the presence of the truly awful Carrol Baker as his inamorata only brings out the worst in both of them. The best performances in the movie are unquestionably those of the second-billers - Lee J. Cobb as the has-been playwright and Lilli Palmer as Ward's ex. The running theme of Gable/Ward dealing with his advancing years - the alarm clock for his pills, the way his age keeps changing each time he announces it - is entertainingly done. And let's face it, you just knew from the start he was going to get back with Kathyryn/Lilli, didn't you??? (An interesting insight into the change in social mores in forty years is provided by Gable/Ward's observation that it was illegal for an unmarried couple to book a single cabin on a liner)