ksf-2 A better title would have been "Our Big Stars and Some Special Effects "... Much of it is just film run backward and sight gags... ie the train scenes at the beginning... smoke going back into the stack, and when the handcart gets out of the way at the last second at the bottom of the mountainside, watch for the big puff of sand right BEFORE the cart moves.. not after. This review would probably be more interesting for those who haven't seen the specific films highlighted here. It's a whole bunch of short clips from their big films. Written, directed, produced by Robert Youngson, who even wrote the lyrics to a lot of the accompanying (bad) songs to the clips. Melodies by Bernard Green... must have taken them about eight minutes during the lunch hour to come up with those songs. Gotta mark this one down... you can skip it if you've seen most of the films involved.

jotix100 This uneven documentary by Robert Youngson, basically showcases MGM's comic talented stars in films produced at the studio. Some performers fare better than others, as we keep hoping for more. One can guess because the limitations of the format, it could only include just so much when there were so many stars from where to choose from.There is a wonderful sequence of Oliver Hardy and Stan Laurel with Lupe Velez. The comedy team of Bud Abbott and Lou Costello are seen in scenes from "Rio Rita". The Marx Brothers classic "Going West" train routine is shown. Best of all, in our humble opinion, Greta Garbo laughing and having a good time in "Ninotchka" and "Two Faced Woman". The wonderful Dave O'Brien is also showcased doing his Pete Smith character.William Powell, Jean Harlow, Marie Dressler, Wallace Beery, and the others in the film are seen at some of the funniest moments of their MGM's heyday.

max von meyerling Youngson must have been the last real movie ghoul, making a living by cutting up old films into virtual guitar picks. Good bad or indifferent, the only reason for inclusion in this compilation seems to be he could get his hands on a print and then chop chop chop, funny or not. It reminds me of Glenn L. Martin delivering a plane to the Army in WW2 (the B-26 aka The Widowmaker) which kept killing its crews. Martin explained that it met the contractual specifications. This film meets somebody's contractual specifications and made what's called a 'nice show business dollar', but it is a pile of junk whose stink is even more loathsome considering the talent which gets ripped off. Normally I would just leave this alone except for the fact that this film contains the most perfunctory and execrable film lyric of all time. In the song, which is introducing a segment on Robert Benchely, the lyric goes- "Robert Benchley was a funny man/ A funny man was he". Certainly a new low in the lack of imagination department. Robert Youngson was a cheap-son-of-a-bitch/ a cheap-son-of-a-bitch was he. Of course Youngson didn't hire a lyricist but wrote the 'lyrics' himself, just like he wrote (oh, that narration would be rejected by Hallmark as soporific drivel, and it just goes on and inanely on), produced., directed, did the visual effects and titles, himself. His wife did the research. This was just one in a series of compilation films he did coming from the short film assembly lines which died in the early 50s. Insteed of going in to TV he did this. Now, I believe Youngson has been completely superseded by the age of film preservation and the like of Turner Classics and various DVD distributors though I guess he'll have his product in 99¢ bins for a long time to come. And not a moment too soon.

Norman Cook Many clips from the silent era through MGM's heyday. The editing could have been tighter--some sequences went on too long and others way too short--but I suspect the filmmakers wanted to make sure they didn't leave out any of the stars. Nevertheless, this is overall a funny stroll down memory lane.