C.O.G.

C.O.G.

2013 ""
C.O.G.
C.O.G.

C.O.G.

5.6 | 1h32m | R | en | Drama

A gay cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path.

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5.6 | 1h32m | R | en | Drama , Comedy | More Info
Released: September. 20,2013 | Released Producted By: Rhino Films , Forty Second Productions Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A gay cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path.

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Cast

Jonathan Groff , Denis O'Hare , Corey Stoll

Director

Jas Shelton

Producted By

Rhino Films , Forty Second Productions

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Reviews

SnoopyStyle David (Jonathan Groff) takes a break from his ivy league world for an apple picking job. He's a spoiled, self-assured bookworm. His Mexican co-workers don't understand him. His boss Hobbs (Dean Stockwell) barely tolerates his lack of work ethics. Jon (Denis O'Hare) is handing out religious flyers titled COG. His friend Jennifer is suppose to join him but she leaves the job for a new boyfriend. Curly (Corey Stoll) drives the forklift at the apple plant. After an awkward night with Curly, he abandons his job, somebody steals his money, and he only has Jon to help. He stays with Martha (Casey Wilson) and her family. His atheism, his lack of a love life, his sexuality, and his attitude are all challenged.I think the story is meant to be quirky comical. However that is not the prevailing sense from director Kyle Patrick Alvarez. Groff's character is too much of an annoying know-it-all. After all, that is the character as written but it would be more effective if he does what he does because of clueless kindness. The one great character is played by Corey Stoll. He does a fun disturbing performance. It's too bad that he's only a supporting character, but he's a good one. This never got funny. Sometimes it got disturbing. It may have even gotten profound although that could argued either way. The ending is somewhat truncated which is problematic for some people. I'm not one of them. Movies don't have to be about resolving something. I just didn't get involved in David's journey.
Alfie Aliligay This shouldn't be called really a Gay themed movie (the lead isn't gay at all) but for the sake of few gay scene it does called like it. This movie runs a story like in the Bible "The Prodigal Son" sort of like that. An arrogant, over confident, humble, smart ass, boastful, full of pride person that as he step into trying new in his life he found a lot of contradiction of what he believes in himself. As he met new people, he experience a lot of mixes, on thoughts, characteristics, etc; that not all people around him is just how he pictured, for example is his own mother( his mother also cares for him but its not as what he believe).The movie is just a mix scenes of experiences of a person though you might learn in life but acting were not so good played.
dansview I expected to last 10 minutes and then click off. I thought it would be a comedy. I wound up mesmerized. I approach all films with extreme caution, because I expect either a liberal message, or a Christian one, and I don't want to be manipulated.This one offered neither. One reviewer mentioned a "nihilist" viewpoint, but I'm not sure about that either, because there were some good people depicted in this film. Hence the world is not hopeless.The young actor and his older "mentor" were equally great. I rarely say that about anyone. No one could have played their parts any better.The Oregon scenery was breathtaking, and the music was effective in creating a sense of bewilderment. The decay of the human soul was set amidst the purity of pristine farms, pines, and fog.The world is a dark place. That doesn't mean everyone is dark and everything is hopeless and doomed. I guarantee you that some factory workers are decent normal people who take pride in their work ethic.Having said that, the types depicted here were real and do exist in abundance in the real world. That comes as a tough pill to swallow for idealists. We want to believe that the poor are humble and sweet. Actually, many are trash, which is why they stay poor.And yet we need their labor and their bravery in battle. It's twisted and ironic, but so is the world.I was expecting this film to trash Christians and Christianity and call them all hypocrites, but that's not what happened. The couple that housed the boy were lovely people, and the church congregants appeared genuinely peaceful and loving.I could have done without the gay thing, but I think I get it. His mom probably shunned him when he came out, and he felt guilty about who he was, so maybe he thought going out west would change him. Especially with his female friend.But the gay thing just added a layer of awkwardness to an already awkward situation. Even straight, he would have been a fish out of water.The final scene was brilliant. His mentor had good and bad within his soul, but ultimately arrogance took over. Christianity often attracts lost souls and sinners, and it's very hard to keep their true nature from rearing its ugly head.It was a terrific movie. Check it out if you have the patience for character/dialog-driven plots and can tolerate the bleakest view of human nature.
gradyharp For those who admire the writings of David Sedaris (essays and short stories - Barrel Fever, Naked (1997), Holidays on Ice (1997), Me Talk Pretty One Day (2000), Dress Your Family in Corduroy and Denim (2004), and When You Are Engulfed in Flames (2008, Squirrel Seeks Chipmunk: A Modest Bestiary, and Let's Explore Diabetes with Owls (2013) and thus know that much of Sedaris's humor is autobiographical and self-deprecating, and often concerns his family life, his middle-class upbringing in the suburbs of Raleigh, North Carolina, Greek heritage, being out as a gay man, jobs, education, drug use, obsessive behaviors and his life in France, London, and the English South Downs) will be pleased to see his humor translated to the screen by writer/director Kyle Patrick Alvarez. The other aspect of this at times controversial film that makes it important is the choice of casting Jonathan Groff, the gay actor who begins the television series 'Looking' this spring. The choices make the film even more enjoyable because the emphasis is not on the gay aspect but instead on the trials of coming of age and struggling with all the bulwarks society places in our way.David (meant to be David Sedaris) is a cocky young man who graduates from Yale, yet to escape his dysfunctional family and see the world as it really is, travels to Oregon to work on an apple farm run by Hobbs (Dean Stockwell). Struggling as a non-Hispanic worker he is befriended by a driver named Curly (Corey Stoll) who picks up on David's sexual ambiguity and attempts to seal his fate. David escapes, falls under the wing Jon (Denis O'Hare), a evangelistic Christian who has a history of alcohol addition and anger management all of which he hides under the cloak of being a C.O.G. (Child of God). David joins Jon in making jade clocks in the shape of Oregon to sell at the fair. He 'sees the light' and decides to become a C.O.G. and from there the story plays out in very strange ways. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. And his final coming out realization is gently subtle.The cast is uniformly excellent, but the major kudos go to Jonathan Groff who demonstrates his fine acting skills and magnetic screen presence. The film is after all just a story about a boy of our times. It resonates well. Grady Harp