calvinnme This film stays mainly on the ground rather than in the air, probably because it was originally a stage play. The action focuses on the Newark, New Jersey branch of fictitious Federal Airlines and its employees, who are exclusively involved in delivering the mail.Pat O'Brien plays Jake Lee, the fast talking hard-nosed operations manager of the Newark branch. The industry is one in transition as the WWI flying aces and barnstormers that once dominated as air mail pilots are being slowly replaced with "college men" - engineers. Enter James Cagney as Dizzy Davis who is one of those old aces - if you can possibly imagine the energetic James Cagney as somebody who's on the verge of being all washed up at anything in 1935. Jake, Dizzy's old WWI flying buddy, has gotten him a job at the Newark office as Dizzy is on the verge of losing his pilot's license as he has a bad ticker and a bad attitude when it comes to following all of the new rules that did not exist when he first started out in the business.There are romantic complications too. Touchiest of these is the fact that Jake's wife of two years, Mary, was serious about Dizzy right before she met Jake. This is information Dizzy and Mary desperately want to keep from Jake in order to spare his feelings. There's also a new female pilot at the Newark branch, Tommy, all of 19, who catches Dizzy's eye. Tommy has a steady boyfriend, but she's fascinated by this older experienced WWI ace and his exciting stories and lifestyle.Dizzy is a fellow on the move with him chasing Tommy and age and the odds chasing him, and then there's Mike, an old ace Dizzy's age who cracked up in a wreck. His bones healed but his mind didn't, and Dizzy is horrified to see his old mirror image turned simpleton and janitor. It's unspoken, but you just know that Dizzy sees his own possible future when he looks at the guy.The film is a real edge-of-your-seat experience, even though almost all of the action is on the ground as pilots fly in "ceiling zero" weather, and some make it back alive and some don't. It's an exciting little movie with a look at the state of flight technology in 1935. Highly recommended.

zolaaar Mail pilot Dizzy Davis (James Cagney) is a daredevil and a womanizer like a textbook example. After he dropped a scheduled flight because of a rendezvous, his friend and colleague Texas Clarke (Stuart Erwin) stands in for him. Due to bad sight, the plane meets with an accident while landing, and Texas dies. Dizzy puts the blame on himself. To fix up that fatal error, he starts a bad weather kamikaze flight.Hawks' preliminary study to "Only Angels Have Wings" is an absorbing aviator film which does not surprise very much though. A troup of airmen, intrepidly looking in death's eye, between the flight sequences, it's a drama of interiors. Duty and honor, lust and loyalty of professionals, a question of fast-paced flow of words and swifter movements. Hawks' (typical) flawed hero, played by the master of nimble gestures, James Cagney, is small and every handling an expression of his being. Although he flirts with June Travis and tries to impose his room keys on her, his love applies to his understanding chief and friend, the plagued Pat O'Brien.Unfortunately, all this comes along as pretty conventional (particularly for a Hawks film), but is entertaining nonetheless with a great James Cagney in the lead.

bkoganbing Ceiling Zero is a story about airmail pilots back when flying was itself an occupational hazard. It was written by Frank W. Wead, better known as Spig Wead whose life was later brought to the screen by John Ford in Wings of Eagles.For those who've seen Wings of Eagles, they know that Spig Wead was a navy pilot who set all kinds of aviation records before becoming paralyzed with a broken neck due to a fall down some stairs in his home. After that Wead turned to writing and published all kinds of articles, stories, and screenplays mostly relating to aviation.Ceiling Zero was Wead's one attempt at a Broadway play. It ran for three months on Broadway in 1935 with John Litel and Osgood Perkins in the roles played by James Cagney and Pat O'Brien respectively. It got good critical acclaim, but a short Broadway run as did a lot of plays during the Depression. O'Brien is the operations manager of an airline and Cagney is an old friend who is an irresponsible but talented flyer. Superficially those seem like parts tailor made for Cagney and O'Brien, but this is in fact a serious drama so their usual hijinks are not present in this film as well they shouldn't have been.Cagney and O'Brien had done another film about aviation, Devil Dogs of the Air which is far more lighthearted, but which Warner Brothers invested far more production values. For the most part, Ceiling Zero is a photographed stage play with some scenes that are clearly done on the backlot. I'm surprised that Wead who did in fact write more for the screen didn't push for a bigger budget and some location shooting for his play. On the plus side Director Howard Hawks handles his cast real well and you can see some influences for the later and better Only Angels Have Wings.

Sorsimus Howard Hawks is undoubtedly one of the great Hollywood directors, but unfortunately not even his track record is 100%. Ceiling Zero is not a bad film, it just isn't a good one either. Apart from a brilliant performance from Jimmy Cagney there is nothing much to remember: the script is a cliche, supporting cast are "hammy" and worst of all the set decoration is awful. The airport control room looks like something out of an Ed Wood movie. Watch this if you do not have anything better to do but do not invest any money!