smits59 The story of Bernie Madoff is well known; the biggest Ponzie-scheme ever! Less well known is how Madoff was de-cloaked. Chasing Madoff tells this story, but not in a very well executed way. The speed of the movie is more like a MTV-clip than a documentary. And I found this distracting. Also quit a lot of the time the movie constitutes of people telling how good they themselves were in catching Madoff. With all due respect for the people who brought Madoff to justice; I would have enjoyed it much more if the story was told at a slower pace and if at had been a story about the hunters. All The Presidents Men is an great example what could have been....

Jane Flagery Absolute debauchery with a totally dated perspective. One of the biggest scandals that dictated part of the zeitgeist of the early 2000's and the director saw it through an amateur 1990's lens. Corny, overdone and trying way too hard - a 16 year old with an iphone could've made a better film. Jeff Prosserman's choices in everything from the cliché camera angles, over-dramatized music composition, corny stock footage (obviously used to fill in missing holes) are clear indicators that yet again, we have another overgrown kid playing with daddy's money. I can only imagine the grueling process the EP's & crew had to bear to get this thing made. It's amazing how these movies get made without anybody saying, "Wait, really? We're putting this out there??" and how much money goes down the drain while doing so. Mainly though, I wish Prosserman could give me my wasted 90 minutes back.

Chris_Pandolfi "Chasing Madoff" is a documentary that plays like a tightly wound political thriller. There's no action or major special effects, which is fine because they're not necessary – the facts alone are liable to get your heart pounding in sheer suspense. It presents to us the story of former securities industry executive Harry Markopolos, who, along with a team of trusted investigators, would embark on a ten-year odyssey to expose Bernie Madoff's Ponzi scheme, the largest act of financial fraud in history. As he risked everything following a trail of complicit white-collar henchmen, he found himself at odds with the press, who would mysteriously undermine his efforts to tell the public the truth, and with the U.S. Securities and Exchange Commission (SEC), who failed to act despite being repeatedly tipped off. He would eventually go on to author the book "No One Would Listen: A True Financial Thriller."It began back in 1999, when Markopolos still worked for Rampart Investment Management. One of his company's trading partners was working with Madoff, a hedge fund manager who could consistently deliver net returns of one-to-two percent a month. Hoping to get the trading partner to diversify away from Madoff, Markopolos was asked to design a product very similar his split-strike conversion. But within five minutes of looking at Madoff's revenue stream, Markopolos knew something was drastically wrong; the chart showed a stream that continued to rise at an almost perfect forty-five-degree angle, which would be impossible given how badly Madoff's strategy was structured on paper. Markopolos also knew that, even in the best of conditions, markets are always too volatile to allow for such returns. There were only two possible explanations, neither of which was legal: Either Madoff was front running, or he was the mastermind of a Ponzi scheme.Several attempts at deconstructing and replicating Madoff's strategy, made possible through information on his trades in stocks and options, proved that his returns could not be simulated. At this point, Markopolos and several colleagues at Rampart took it upon themselves to investigate Madoff. A formal complaint was filed with the SEC, but they took no action whatsoever. After travelling to Europe, where he discovered that fourteen funds were invested with Madoff, Markopolos had gathered enough conclusive data to draft a twenty-one-page memo – "The World's Largest Hedge Fund is a Fraud" – and send it to the SEC. This was in November of 2005, at which point he was consumed by the need to bring Madoff down. His efforts proved threatening to his own safety; many of the funds invested with Madoff were operated offshore, which could only mean ties to the Russian Mafia and drug cartels from Latin America.At what point is an investigation no longer worth the risk? Writer/producer/director Jeff Prosserman examines Markopolos just as closely as he does the Madoff scandal. We see a very humble military man who has dedicated seventeen years of his life to part-time service in the Maryland Army National Guard and Army Reserve. We see a devoted husband and father. Most importantly, we see a financial expert whose almost obsessive need to blow the whistle on Madoff lead to paranoia. Highly effective dramatic reenactments, starring Markopolos and his family, show the lengths he went to ensure not just his safety, but also the safety of his family. He would check every inch of his car each morning to make sure there were no explosive devices. He became a sniper. He instructed his wife on what to do should anyone ever break into the house, namely stand at the top of the stairs with a gun and keep firing until all the bullets ran out. While walking in the woods, he taught his sons to avoid stepping on twigs; if anyone wanted to hurt them, the snapping noises would give their positions away.Intertwined with the Madoff case are brief interviews with a few of Madoff's victims, who lost absolutely everything they had. They're not identified by their names, but rather by their case numbers. This was, I believe, an intentional move on Prosserman's part; despite the impersonal labels, which reflect how someone like Madoff would view them, reasonable, compassionate audiences will see them as damaged human beings. Their heartbreaking stories of financial ruin are second only to the tragedy of Thierry de la Villehuchet, a French businessman who, because of his involvement with Madoff, committed suicide in 2008. If you think about, it was actually a rather noble act on his part. When you damage something beyond repair, even inadvertently, the decent thing to do is take responsibility for your actions.The true villain of this story is the SEC, which missed numerous red flags and ignored all of Markopolos' early tips. Key figures of the organization – most notably Linda Thomsen, its top enforcement official – were not fired from their positions. Instead, they were allowed to resign. As for Madoff, yes, he was ultimately arrested and sentenced to 150 years in prison. But for Markopolos, it's a bittersweet victory. He believes Madoff was caught not because of actual investigative work, but simply because he could no longer carry on under the weight of his own lies. In effect, he gave himself up and jail was the only option he had left. He also believes that Madoff personally kept less than one percent of the $65 million he stole, and that he'll be cheated out of whatever remains by money launderers. "Madoff will wind up in a special prison designed as much to keep the crook's victims out as Madoff in," he said in a "Boston Herald" interview. "He's a guy who can't afford not to be in prison." So you tell me: If by being in prison he's under the protection of the American government, has justice really been served?-- Chris Pandolfi (www.atatheaternearyou.net)

Joan Wringle Never have I seen a film misdirected so well. Director Jeff Prosserman's comedy staring buffoon Harry Markopolos draws influence from Tommy Wiseau's THE ROOM. Why was Prosserman's vision not assessed by functioning adults? This film is indicative of everything wrong in documentary filmmaking today. Personally I was sad to have witnessed such a cinematic holocaust. Don't waste your time! Prosserman clearly has no idea what he's doing. If you look at Prosserman's previous work you'll find similar reviews. Emblematic of Canadian cinema, Chasing Madoff fails to meet the sufficient requirements to entertain an audience. If you're into watching films where the director has no clue where he is, what's going on or what he's doing, this film is right up your alley.