cakrit-689-749444 It never occurred to me that this film could be compared to classic gangster movies. To me, this film is about one thing and one thing only: true friendship. Chiko's friendship with a worthless piece of trash is more important to him than money, love, family and even his own life. IMHO, every other aspect of the film is there just to provide a setting for this one point. It's not a masterpiece by any means, but at least it's original.Regarding the immigrant stereotypes: I missed the first 5-10 minutes of the film, so maybe there was something there, but for most of the film I didn't even know they weren't German. Regarding the similarity to gangster films: The description of the 'good life' takes only 1-2 minutes and is necessary, so that we see what Chiko is giving up. All the other incidents are there simply to show us just how big a screw-up his friend is.Maybe you didn't notice, but Chiko even forgave his friend for stabbing him. After the initial surprise, he wasn't mad at him, he felt sorry for him.

Chris Newfield The performances are very good, as is each scene taken by itself. The story is completely predictable, including the end, which I also found frankly unbelievable. The whole hodge-podge of conflicted feelings about ethic identity reminded me of "Once Were Warriors," which was about a violent Maori community in New Zealand. At least that movie acknowledged that the male craziness had a partial source in poverty and racism (without excusing it). Chiko doesn't admit much of anything about Germany - the early parts of the film are a kind of "rebels without a cause." At least for me, steeped in the race relations of English-speaking countries plus France, this film self-pathologized Turkish-German males and sensationalized their emotions in a way I didn't find very insightful. But on the level of production and acting, it was at least an 8.

secilicel Berlinale was full of surprises this year. The festival program was read through again and again, but still the selection of films was difficult like before, randomness was the easiest way, so my pre-made film list looked quite different at the end. In the Panorama section of the festival, I came across Özgür Yildirim's feature film debut Chiko, produced by Faith Akin. His name created an urge to see the film as I am deeply interested in the Transnational German Cinema.Özgür Yildirim is a young director from Hamburg. He tells a dark story about loyalty, friendship, rage, revenge, drugs, passion and alienation in a youth gang in Hamburg. The main character Isa Cakiroglu (Denis Moschitto) is called Chiko by his friend circle in Hamburg. This circle is made up of young people with migration background, speaking the famous sociolect. They like action, excitement, fame, expensive cars and especially power. Of course, money is the key in order to get the things they dream of. Money is power, money is respect.It is quite clear that Özgür Yildirim was inspired by films like Scarface, Goodfellas and Reservoir dogs. „Chiko" has a high tempo; it proceeds too quickly without characterization of figures and ends like other films of that genre. Furthermore, the film uses too many clichés about young immigrants, which the audience from this side of the world apparently enjoys.Still, Denis Moschitto fits very well with his own charm and masculinity; Volkan Özcan as the loser one and Reyhan Sahin are very promising as new faces. Moritz Bleibtreu is fascinating as usual.In the discussion after the premiere at the Berlinale; Özgür Yildirim, Volkan Özcan and some of the crew were on the stage to answer the questions. The director is a smart, enthusiastic, witty person. The overall reaction of the audience was positive; people enjoyed the funny dialogues. A person in the second row came up with the idea that violence in the film may cause more violence among the young people. The "violence" theme and especially violence among young people with migration background is quite popular nowadays. Do such films really have a negative effect on young people? The answer came from one of the back rows: These guys are not presented as heroes to be admired; why should anyone be bothered seeing such nice, hot guys on the screen? Public premiere tickets of Chiko at the Zoo Palast were sold out quickly and the film created a lot of excitement among the audience. To my mind, it is enough reason to go and see this film.

berkanbarli Although it is the first movie of Özgür Yıldırım as a director, it reflects the desires and dreams of young people who have nothing to lose in their lives very well. Chiko reminds me Tony Montana, an emigrant and trying to be the leader of narcotic ring. Chiko, in the middle of 2 nationality, German & Turkey, shows all characteristic of both cultures. Director shows emotional and drastic scenes basically with small camera tricks like the style of another Turkish director grow up in Germany,Faith Akın. He leads and guides the other young Turkish directors on the way of showing the life style of young and unemployed people got bored of regular daily living and always looking for an extraordinary lifetime. I think it is worth to be watched. I assure that you will feel their expectations from harsh life very closely.