ladybeanandcats Well... I usually refrain from writing movie reviews for the simple fact that most who do tend to write them in a way that denotes total arrogance as if they are Siskel or Ebert or something and that tone, alone, usually turns my stomach. Who are you movie snobs anyway? So so picky. Anyway, I was trying to find "Georgie Girl" online tonight and although I've got it on DVD I did not feel like getting up and looking for it so I found this movie, instead. Now... my love affair with the old NYC goes back to childhood when my father used to be a truck driver and we were regaled with stories about that crazy town and also my own early memories of it. Suffice to say, I'm pretty hot over old flicks that present excellent street shots of the old NY so I figured I'd watch it, NO idea what to expect. The description made me leery from the start as it already sounded so corny and unoriginal. It's funny cause I was somewhat embarrassed throughout the entire film, sensing the kind of crappy reviews people must write about it. Much to my surprise, however, not only did most more or less deem it a hidden gem, it was compared multiple times to "Romeo and Juliet"? Huh. Honestly that was the last thing I thought. I love movies and judge the pretty fairly, based on whether or not I enjoyed them, not on how popular they are, how much they grossed at the box office, special effects, or even in comparison to others made by the same person or within the same genre. I don't pretend to be some film connoisseur and use extraordinary language in an attempt to sound more sophisticated like most reviewers do. As for "sexual chemistry" for those of you who stated there was none, I guess that just means you were wanting boobs and for her to be all over him? Uh, no. This is about as real as awkward teens who barely known each other as it gets even if we only ever see them dancing together. This main theme is obscured by all the racial tension surrounding them. In fact, the first however many minutes of this movie leads one to think that it's only going to be about the gang wars across Canal St. And then back to them, oh yeah, we forgot it was about you guys. Anyway... What I can say is that this movie was OK. It fills a niche. Lots of overkill in the bloodbath department. I don't know if they realized after all their editing but in the end all they did in this film was kill each other and make sure we saw lots of blood. Did they think this is what their audience wanted more of? I thought the "in your face" effort was rather obvious. That made me roll my eyes with embarrassment. The other thing I couldn't help but notice was why are all movies about street gangs or otherwise in NYC involving some other group with or all Italian Americans? NYC is a huge. Little Italy never was. America must think NYC is nothing but little isolated and racially segregated neighborhoods when it's really not. NYC is a huge city and despite the old world culture presence in certain sections, it's still a very diverse place and people don't shoot each other in public generally for being on someone else's turf. Not in 1987 anyway. They get on the subway with ppl from ALL OVER THE WORLD and live among them. SO now this film is overkill in: 1. bloody violence 2. cultural stereotype (did I mention the old county mother in the kitchen in an apron in every scene no matter what time of day cooking from scratch like it's 1930? The movie is somewhat one- sided,leaning more towards the Italian community. We see very little of the Chinese community and the inner relationships of those characters. Not saying there is racial preference in this film but it shows what perspective the writer is more familiar with. It's taking some liberties and I'm sure the makers of this film would be impressed by comparing this movie to Romeo and Juliet. When you think of A Bronx Tale, yet another cliché Italian American mafia theme in NYC but in this story an African American chick on the wrong side of the street, not much difference there but not so much Romeo and Juliet. All through this film I'm wondering, if these two know how to take the damn subway, why aren't they just meeting out in any of the other many many places that exist out of this 20 or so block radius in which they live? Duh. Its NYC. None of them have accents so they've been in NYC and American long enough to not be stuck in their own hood. It's so embarrassing! It's very unrealistic for its time considering how much of the downtown was already being infiltrated by yuppies and artists so they were, in reality, NOT in some ethnic wasteland. In conclusion, there's a larger message here (in all seriousness, or not) Neither of the two households at the epicenter of this film seem to have fathers present. In fact, the brother and sister have NO parents, it seems. *How* old are they?? He supports them both on his wages as a waiter? Basically, if you have no father, this is how you will end up. Jk but did anyone else notice this?? This movie was made for some quick, cheap thrills and a quick buck. I'm not surprised it did not do well, outside of what little I mentioned in some half competent analysis.

MisterWhiplash It should be given that Abel Ferrara and his writer Nicholas St. John knew what they were doing with China Girl. The influence of Romeo & Juliet would be first to come to mind, but I think it was even more-so West Side Story that must have loomed in their minds. Some of the influence is so painfully obvious as to seem like a rip-off (the main male character in love is even named Tony), and on a more immediate level of the period- the good ol' mid 1980's- things like hip-hop, synth-dance music, and of course Michael Jackson's 'Beat It' are inter-connected with the film. I almost expected in some of these gang-fight scenes to hear Eddie Van Halen's wicked guitar solo to come up on the soundtrack.Oh, Ferrara does have his moments with the material, which is very basically about turf war between the Chinese in Chinatown and the Italians in Little Italy, with Canal street as the dividing line. There is some interest in how the conflict comes up when a Chinese restaurant pops up on the side of Little Italy - and yet the owner doesn't want to pay the usual protection fee to the Chinese gang just because he's Chinese. This spurs on some major problems, violence, and of course Tony and Tyan-Hwa at the center.A flaw in the film is that we're never really sure why the two lovebirds are even in love with each other. Again, like Robbins/Wise's film, they spot each other from across the dance hall and have a dance, and their curiosity in each other, the ol' 'love-at-first-sight' thing. But it doesn't really gel as well with the gritty realism and street toughness of the rest of the picture; when Tony and Tyan-Hwa give each other sweet nothings ("How do you say 'I love you in Italian?" "How do you say it in Chinese?") it's some of the corniest material you've never seen. It's not that the actors are bad in their parts- the actress playing Tyan-Hwa has some tenderness to her that is nice for the production.But there's some inconsistency with how the story flows, sometimes scene to scene. Here and there a memorable moment happens (RUN DMC's Walk This Way is the only thing to never get dated, for a great dance number), and the fighting scenes are well staged and intense. There's a few fascinating supporting or minor roles, like James Hong as Gung Tu, the head of the Chinese crime family who, most wisely, wants just peace and quiet between the rivals. And yet there's also some acting and writing that just doesn't work, period (what, for example, is David Caruso, a red-haired Irish guy, doing with a bunch of Italianos in this story, good as he might be), and the ending, while appropriately tragic and well-staged, doesn't fit the rest of the time Ferrara's after.It's as if, basically, Ferrara decided to make his comment on West Side Story, give it some importance in a present-time setting of 1987, and the little-seen angle of Chinese-vs-Italian gangs, and make it rougher, less cheesy than its influences. But really, who wants realism when you've got love-at-first-sight? It's an interesting experiment that is a very mixed bag.

bkoganbing William Shakespeare's eternal tale of young love gets yet another version in China Girl. Despite the racial tensions between the Chinese of Chinatown and the shrinking Italian population of Little Italy, Sari Chang and Richard Panebianco find each other and find love. Now if only those who might become their prospective in-laws will stop the hate.China Girl was filmed completely on location in New York's neighborhoods of Little Italy and Chinatown. As the film says Little Italy where the fabled fictional Godfather had the Genco Olive Oil company is shrinking block by block as the Italians move out and a huge influx of Orientals move in and expand Chinatown. China Girl was done in 1987 so in twenty years the trend is exacerbated.Players like James Russo, Russell Wong, and David Caruso have all gone on to bigger and better things, they're certainly more known than the leads are now. Still Panebianco and Chang are an attractive pair of kids.The soundtrack is typical music from the Eighties in keeping with the times. Don't expect any songs for the ages like there were in West Side Story.China Girl is a nice retelling of Romeo and Juliet a story that as long as there's life on planet Earth will never go out of style.

ylive Shakespeare's 'Romeo & Juliet' has been made on screen so many times and 'China Girl' is my favorite one. I agree that this is not a greate movie or even romantic one. However, I like this movie for it's truthful depiction of love and hate.In 'China Girl', the bosses of Italian and Chinese gang make endless tension between their gangs to maintain their power in families. Unlike orginal play, these two poor lovers' death couldn't solve their fmilies' hatred but made it worse. Se la vie!