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2011 "Who Lives? Who Dies? Are You Ready to Choose?"
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4.7 | 1h23m | R | en | Drama

Fiona Wagner, a journalism student, tracks a cold-blooded killer with the help of her detective father and a therapist.

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4.7 | 1h23m | R | en | Drama , Horror , Thriller | More Info
Released: March. 18,2011 | Released Producted By: The 7th Floor , SC Films Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Fiona Wagner, a journalism student, tracks a cold-blooded killer with the help of her detective father and a therapist.

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Cast

Katheryn Winnick , Nicholas Tucci , Kevin Pollak

Director

Craig Hench

Producted By

The 7th Floor , SC Films

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Reviews

torstensonjohn This film takes you on a ride that keeps you vested throughout. Although the acting is sub-par at best the plot is well enough to round out the film. Definitely not one of Kevin Pollacks films. A suspense filled terror ride that shows the audience a riveting sense of what lies ahead.What makes the human psyche tick, what defines us as what we are? Choice in it's own wording is something we do on a daily basis. If you had to choose between someone's life and your own, what would you do.I would recommend this film and if you choose to watch it it will be a solid investment.
Andy Steel It's pretty well made, although on a budget. I did find it pretty creepy in a few places and I liked that it didn't slip too far into 'cliché territory'. The performances were all good and it was nice to see Bruce Dern still working, although he only had a small part to play in this one. OK, so why didn't I dislike it as much as everyone else seems to? Well, first of all it doesn't try to be too clever; I did try to second guess the identity of the killer but was way off because there are very few breadcrumbs to follow. Second, although it takes you to the edge of the cliché, e.g. the idiot friends who get our heroine into trouble routine; but never quite gets there. There has to be the scene where at least one stupid person walks into a darkened room with just a torch and ends up being trapped (it's one of the hard and fast of the horror genre isn't it?). Finally, I liked the way the ending was left open to interpretation and the fact that, at 86 minutes, it wasn't too long! Over all, although not the very best horror I've ever seen it's certainly one that stands out because it doesn't always follow the rules.SteelMonster's verdict: RECOMMENDEDMy score: 6.4/10You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.
Tony Heck "Do what I say and you live. I'm going to kill your mother or your father. You have 60 seconds to decide, choose, or I kill them both." Journalism student Fiona (Winnick) becomes obsessed with the case of a serial killer. Her father (Pollak) tries to keep her away from the case he is working on, but the further she delves the more she thinks that her mother's death is somehow connected to this case. This is a movie that was pretty good, but had potential to be better. This movie seemed like it tried to copy "Silence Of The Lambs" and "Untraceble" with "Saw" mixed in. It didn't really get close to the standards of these movies, but it is still a good attempt. The acting was pretty good though and that helped. I think the main problem with this movie is that it didn't grab you with tension like a thriller should. It was OK, but had enough chances to be great and just never quite got there. Overall, "Saw" meets "Untraceable" with out the tension of either. An OK movie, nothing that hasn't been tried before though. That said, I did like it enough to say...I give it a B-.Would I watch again? - I don't think I would.*Also try - Scar & Untraceable
therefdotcom as a screen writer i am able to enjoy movies for multiple reasons, apart from the entertainment aspect alone. i admire great ideas, so i am able to overlook major flaws, just as long as the script is halfway tight and the idea to flaw ratio does not get out of hand.MAJOR spoilers ahead!my motivation to see this movie was ignited by the basic idea of the killer that forces you to "chose", which seems like a brilliant basic idea to start a script. actually even further i was convinced that it would be almost impossible to mess this up. oh, how wrong i was... for the second time even. the very last time i got tricked by a great basic idea was the movie "die (2010)" (as in dice, not as in death), which has a similarity interesting "chose someones destiny" theme and interestingly falls apart just as early into it's runtime, as this movie."choose" manages to put off it's audience within the very first 2 minutes into the runtime, which is incredible. it is almost an achievement of some kind, as i rarely lose my interest so quickly. very few movies have managed to do that before. even the ridiculously euro- trashy "das komabrutale duell" kept me interested (laughing) for the first 30 minutes.the problem with this movie as well as with "die" is, that the writers completely ignored all human factor AT ALL. since both movies kind of come off as cheap "saw" knockoffs i am kinda curious if they even saw (no pun intended) the original "saw" movie. OK, long talk short: dear fellow screenwriters, if you feel the need to include into your story that one or more person is/are forced into choosing their own or someone else's fate, then for Christ's sake, write it in a way that the person you are writing about is forced into some kind of machine or chair or whatever force/tool that leaves them no inch of other movements than the ones that are needed to make said choice. even worse, don't write that the killer reaches them a deadly weapon. no, it does not matter if you write a gun or whatever into the killers hand. it does not matter, because every living person will discard the killers game and take his chance instantly.this is why the "saw" movies worked for the most part and the named movies did not.die/choose scenario: killer holds gun to characters head, hands over weapon, tells other character to hurt third character. all three people are in close range of each other. that does not work, people. e.g. in this movie they really expect someone to rather kill her father, while her mother watches with a knife, instead of attacking the killer? seriously? that does not make the script stupid, it also makes the killer an insanely stupid character. saw scenario: voice of "killer" (who is not even in the room) coming from a tape tells character to hurt second character, who is immobile, to free third character, that is shown on a TV (person is also not in the room). additionally the room is sealed for the time of the game. this works, because there is nothing left to chance. the second big mistake they made with this particular movie is, that they would not stick to their guns, which would be that the killers game is solely a choice of letting someone chose one or the other loved ones death, which is a very good basic idea, as i already pointed out, but they could not even do THAT. it switches to "chose your eye sight or your fame/career", which was the moment where i lost all remaining hope in this flick. it is double jeopardy since that also destroys any plausibility. serial killers don't change their ways such significantly from hit to hit. the unabomber did not suddenly switched to knife stabbing out of a sudden. know what i mean?.... and it gets worse.anyway, i really liked the cinematography, soundtrack, cuts, lighting and the acting was OK as well. nevertheless, the script killed it for me.