duner_
This is a terrible movie. i have seen many documentaries and other films that talks about the same subject, so i'm not just saying this from out of nowhere. the stories, in the movie, don't really add up, the editing is bad, character aren't convincing, the actors clearly aren't trained in cinema acting: their reactions were always seemed false. Some scenes were clearly added just for shocking purpose, but all the other factors of the film contributed to diminish them. being so, the whole point on this story (about middle-class, and the lack of a good social structure in Brazil society etc.) goes to waste.Poor image quality, poor sound. my vote was for 2, just because i can imagine some work people must have had to put this together. overall a terrible work. Sorry Sergion Bianchi.
Renato Bach
"Cronicamente Inviável/Chronically Unfeasible" is Bianchi's strongest movie. Also his best work. From script to cut, from actors to photographing, Bianchi brilliantly directs a drainage of old and open wounds of Brazilian recent History. Somewhat like in "Anna: Ot shesti do vosemnadtsati" (1993) -- classical Nikita Mikhalkov's documentary that deeply relates the end of the Soviet Empire -- Bianchi's movie performs a deep panel of his country society. Unlike "Anna", instead, it is a transversal rather than a longitudinal (timeline) cut. Both of them give the public a wonderful job of information AND opinion. If you are interested in the problems of Third World, specially Brazil, you MUST see this movie.
Struggler
It's been only eight days since I finally had the chance to go to the cinema and watch this movie, about which I'd already read A LOT.'Cronicamente Inviável' ('Chronically Unfeasible' in English) is a harsh punch on the face of Brazilian middle-class. The way reality is displayed in the film suggests that the role of cynicism in our society is more important that one would think.The great achievement of 'Chronically...' is showing to the world the amount of corruption, violence, racism and hatred every Brazilian citizen carries within WITHOUT trying to formulate a 'feasible' way to reconstruct the country.The film is not suitable for everyone, but if you've been through pictures like, for instance, the 'Dogma 95' series, you'll find no problem. Foreign audiences would never be able to grasp the real meaning of it, though, without the aid of some basic notions of Brazilian geography and sociology. The way Sérgio Bianchi (the director) relates cities from the Northeast (Salvador), Southeast (Rio and São Paulo, where the story takes place) and South (Curitiba), is vital for a thorough comprehension of the plot. In the same way, the knowledge of Brazilian history proves to be useful when the picture deals with the Indian and Negro issues.The ending of the film, open and symbolic, stuffs the viewer's brain with intriguing questions worth being thought about.
dbonis
This movie is a cruel satire of the Brazilian middle-class. Is shows how distant are the rich from the poor in this country, and how this situation generates violence and hypocrisy. There's no subtlety - just the reality as it really is, making one consider a final surrender to cynicism. Worth watching and thinking about.
AD
