mark.waltz Movie actors, directors, studio heads, producers, composers, technicians. So many famous names, even more obscure names, but our cinema would not have been the same without them. The European expressionism of the 1920's and '30s took Hollywood by storm just as Nazism had taken Germany and later a good deal of Europe by storm. The personal experiences of the writers, directors and producers influenced their American works, so through hideous inhumane experiences, these filmmakers created some of the greatest examples of art that cinema has known.With sincere narration by Sigourney Weaver, this documentary shows that art and history intertwined. Many left before the rise of Hitler, while others made it to Hollywood as refugees, most Jewish, some married to Jews, and others simply against the fascism taking over their homeland. It's sad yet at the same time triumphant, because it's about survival. Vintage photos and filmed personal footage, newsreels and movie clips, plus interviews with witnesses who were there. Lupita Tovar Kohner, who just passed away at the age of 106, risked her own safety and tells her side of the story, bringing cash out of Germany to aide her friends who had already left. Marlene Dietrich, already an American star, aided refugees and was branded a German traitor. The documentary shows the rise of the German cinema after their loss of World War I, yet the creators of these classics ended up as targets simply for being Jewish. The influence on post Nazism Hollywood through the triumph of these refugees is then documented, as is how they used their passion for freedom to tell so many classics during the second world war. Lines in the scripts of their films do not deny their hatred of fascism. German actors, once the great stars of screen and cinema there, were not afraid of villainizing the Nazi. Other films using anti-Nazi allegories are explained, enlightening the audience to something they may not have picked up at the time. They do not go into the anti-Semitic backlash of the post year wars, but in 2 hours, there's enough material to give an idea of how these artists made an impact on the films of the time. Made in 2009 70-80 years after this all occurred, this is especially potent today in the changing times the world is facing every day. This is still in the lifetime of many people still living, so there's a lot of important lessons to be had. Cinema entertains, certainly, but it also educates and humanizes an often cruel world. It reminds us through our humanity, creativity and spirituality to never let any single leader in our world dictate who will be top dog in society and who will be degraded and turned over to evil lawmakers to be tortured and killed. They say art imitates life, and with the passion of freedom, life as many had to suffer through will simply remain as pages in a history book.

blanche-2 Cinema's Exiles: From Hitler to Hollywood is a 2009 documentary about the wave of Germans and Austrians who came to America during the time of Hitler and attempted to establish new lives and careers here: Billy Wilder, Fritz Lang, Henry Koster, Robert and Curt Siodmak, Joe May, Frederick Hollander, S.Z. Sakall, Peter Lorre, Paul Henried, Ernst Lubitsch, Fred Zinnemann, Conrad Veit, and hundreds of others.The documentary talks about the work of Paul and Lupita Kohner, Marlene Dietrich and several others who helped people leave by sending money, sneaking money (Lupita wrapped it in her knitting), giving them a place to stay, and writing sponsorship letters. A special fund that was set up where those who were working contributed so that those who were not could survive. Kohner, in the meantime, went to the studios and begged them to hire the immigrants.Erich Korngold was asked to orchestrate Robin Hood and refused; he returned to Germany, realized what was going on, and returned, Robin Hood looking very good to him. It was said, "What Warners couldn't do, Hitler did."It's a fascinating story of how some people could adjust and others could not; some were successful and some weren't. Some returned to Germany after the war; some returned and went back to Hollywood, as Peter Lorre did.Some of these people, like S.Z. Sakall, had been huge stars in Germany; Fritz Lang made some wonderful films in Hollywood but never topped Metropolis. Joe May was relegated to horror films after being at the top of his field in Germany.Karen Thomas has written a fascinating documentary about this group of people banding together and being helped by new Hollywood friends to assimilate. They gave the American film industry the gift of film noir and some of the techniques they brought with them, and made a big contribution -- something none of them could have dreamed of when they landed here with very little.Really wonderful and a must for film buffs.

MartinHafer This program was first broadcast on PBS and was shown tonight for the first time on Turner Classic Movies. It's a film about the exodus of German filmmakers and stars as a result of Nazi persecution and their subsequent careers and experiences abroad...particularly in Hollywood. It begins by discussing how powerful and successful the German film company, UFA, was and the various stars who were to become equally famous in America. Then it talks about the experiences many of these folks and other European nationals living in Nazi occupied Europe had in films--some very positive, some not so. In general I really liked the program and thought it nearly perfect. However, a few times the program SAID things which were interesting theories but were presented as established facts...and that bothered me. The film "The Wolf Man" (1941) was, according to this documentary, "an allegory for Hitler and Germany"...and I, stupidly, thought it was about a guy who got bitten by a werewolf and who then became a werewolf! One of the folks interviewed also said that the monster films made during this era "weren't very good"...well, that also smacks of opinion...and one I strongly disagree with because I think they are wonderful films. So, take a bit of what they say in this one...and just enjoy which they get right which is most everything.

BNonchalant The story of the leading talents of the German film industry of the 1920s has been told before. How the writers, composers,directors, actors, producers and cinematographers, (many, if not most, of whom were Jewish) were forced to leave by the rise of Hitler and how their arrival in Hollywood introduced new styles and new ideas to the world's largest movie factories is a part of every American cinema history book.This documentary is different. It covers the participants' individual stories in greater depth. While some exiles achieved fame (Marlene Dietrich, Erich Wolfgang Korngold, Billy Wilder, Franz Waxman) others, such as Joe May and Erich Pommer were less adaptable and thus left their best efforts behind them."Cinema's Exiles" is a visual feast. The film clips are first rate and the home movies are remarkable. There are stills and excerpts and interviews that I had never seen before. The roll call of émigrés from the film "Casablanca" was especially revealing.