JohnHowardReid The script is full of inconsistencies like plot holes a mile wide and characters who behave erratically and irrationally. True, the Zachary Scott character is undoubtedly supposed to be a psychotic nut — Scott plays him way over the top — but the others are certifiably sane despite their often odd behavior. It's a challenge to players to get realism as well as charisma into their performances under these circumstances, yet all succeed supremely well. Lloyd Bridges is almost too effective a villain, whilst Ruth Roman makes both a comely yet spirited heroine. (One of the screenplay's innovations for a class "A" western is that there's absolutely no romantic entanglements whatever. "Colt .45", as the name implies, is solid action all the way). We also enjoyed Alan Hale's persuasive study of a two-timing sheriff (this was his second last film appearance).Despite the script's lack of credibility, it does have the three main requirements all western fans demand: action, more action and yet more action — enough in fact to supply four or five average "B" westerns. Director Marin keeps it boiling away at an exciting pace that never lets up. Technicolor, of course, adds considerably to the picture's appeal.

jarrodmcdonald-1 The premise for this Warner Brothers westerns is certainly clever. Randolph Scott plays a gun salesman whose guns are stolen and used by a hardened criminal (Zachary Scott) during a jailbreak. This turns the first Scott into an unlikely detective trying to track down the second Scott. Along the way he meets a gal played by Ruth Roman whose husband (Lloyd Bridges) is mixed up with a gang of outlaws using the stolen forty-fives. Roman has some excellent moments in this picture, especially when she rails against her husband and his buddies after she finds out what they are up to. There's an interesting scene where she goes on horseback to tell the sheriff (Alan Hale, who's as crooked as the outlaws); as she reaches the center of town, her husband shoots her in the arm to stop her from exposing his nefarious deeds. It should be mentioned here that COLT .45 contains a surprising amount of violence for a movie bound by the production code, filmed in 1949 and released the following year. The story seems to work in two directions: that men must be responsible with their firearms, and those who aren't give us great shoot-'em-up western scenes to enjoy.

jcohen1 Colt 45 is certainly a lite western for RS but nevertheless is worth a shot. What I found most interesting are how many familiar actors from later big movies make their lesser screen appearances here. Ruth Roman is the only female in the picture and has everybody's attention. She even manages to throw some dirt at and a knockout of RS. Probably the only time this has happened to Scott on screen. She is a few years ahead of Far Country with Jimmy Stewart. Walter Coy, Aaron Edwards in The Searchers, has an uncredited role here that you'd have to Search for. Lloyd Bridges predates his paranoid role in High Noon with a complete weasel of a character here. The catch of the day is Ian McDonald playing Miller here, a member of Zachary Scott's gang; later as Frank Miller in High Noon.As for the flick, Scott looks clean shaven even after forty days of soft time in jail. Brother Zachary looks like a very light weight Clark Gable. The sexual symbolism is a little too obvious here but for young kids it was all surely missed. Just relieved that RS is clearly interested in Roman with Ruth more than his colts. This is one western where the Indians (unnnamed tribe) are the good guys. It's not The Tall T or Commanche Station but if you are a fan of RS, and I certainly am, you can't miss with a Colt 45.

classicsoncall In "Colt .45", Randolph Scott portrays military hero turned sales representative Steve Farrell who's employed by the Colt Firearm Company, a theme that will be picked up by the late 1950's classic TV Western of the same name. His nemesis in the film, Jason Brett (Zachary Scott) is a clever outlaw who manages to trick the local populace into believing that Farrell is the leader of the Colt .45 Gang, so named because of the crimes committed with a set of Farrell's own stolen handguns. The film hosts some rather big names, but somewhat fails to satisfy in it's uneven delivery and sometimes sloppy, and in at least one instance, comical editing.As Farrell pursues Brett's gang in an attempt to clear his name, he befriends Indian Chief Walking Bear (Chief Thundercloud), who now allies himself with Farrell, which is fortunate, as the Chief's tribe manages to show up just in the nick of time on a number of occasions to save Farrell's hide.Brett's gang includes Paul and Beth Donovan (Lloyd Bridges and Ruth Roman), but motivations and alliances change rather quickly in the film. Paul only plans to remain an outlaw until his big score, while Beth suffers pangs of conscience and decides she'll come clean. It won't help to seek aid from Sheriff Harris (Alan Hale), as he's one of the bad guys. Paul shoots Beth, but she's nursed back to health rather miraculously by an Indian squaw. In turn, Brett shoots Paul, who fancies himself an equal partner in the outlaw business.For his part, Steve Farrell takes his share of lumps in the film, getting framed by Brett more than once, getting knocked out with his own gun at the hand of Mrs. Donovan, and falling for the old rope across the trail trick. Perhaps he would have fared better if he hadn't changed into the all black outfit a third of the way through the movie.At one point, as Sheriff Harris' posse closes in on Farrell, the sheriff takes an arrow to the chest and goes down hard. So it seems rather odd that he makes it back into town just about as quick as Farrell and Walking Bear who are about to square off against the bad guys.Pay close attention as Farrell and Walking Bear lay in ambush behind a building for Brett's henchmen to walk by. As the last gang member walks past, Walking Bear lunges at his neck with both outstretched hands. All of a sudden, a rope appears ???, and the Indian proceeds to bring him down to the ground. I had to rewind and play the scene three times to believe what I was seeing.Having seen only a few of Randolph Scott's Westerns, I'm convinced this cannot be one of his better ones. "Ten Wanted Men", "The Stranger Wore a Gun", and "The Bounty Hunter" each appealed to me more, and even these are not among his best works.Chief Thundercloud cuts an imposing figure as Walking Bear, but he comes across as stiff and not as effective as you would expect a tribal leader to be. By 1950, he was nearing the end of his film career; my first introduction to the Chief was his rather fine portrayal of Tonto in the first two Lone Ranger serials of 1938 and 1939 (The Lone Ranger, and The Lone Ranger Rides Again). Trivia fans will either be surprised or disappointed to know that Thundercloud's real name was Victor Daniels.