theowinthrop This is not the greatest comedy of it's period, but it is not one that fails to amuse the audience. In fact parts of it, by their sweetness, remind one of a better film of the future. But more of that later.COME LIVE WITH ME deals with a man with a "modern" view of marriage. Mr. Barton Kendrick (Ian Hunter) is a wealthy in New York, whose wife is his chief friend and critic and assistant in the firm. The wife Diane(Veree Teasdale), goes out at night with a family friend admirer. But that's okay, as she allows Barton to likewise enjoy himself. Barton girlfriend is Johnnie Jones (Hedy Lamarr), and their relationship is fine, but soon an immigration officer (Barton MacLane, playing a rare nice guy role) comes to inform her that she has to go to the Immigration Office in New York City because her visa has run out - and she is facing deportation. But MacLane learns from Hunter that Lamarr will be killed if deported back to Austria as her father was an opponent of Hitler and the Nazis who was killed for his opposition. MacLane tells Lamarr to go and find someone to marry within one week, and the deportation problem will disappear. Of course, MacLane figures that Hunter will be the one to marry her. After MacLane leaves Hunter explains he can't divorce Teasdale in a week to marry Lamarr. So Hedy goes out for a walk to think things through clearly.(It is funny to recall that this film was made a year after Mitchell Leisin's film HOLD BACK THE DAWN, about immigrants trying to enter our country from Mexico within our impossible post 1924 immigration quotas. Walter Abel unsuccessfully tries to prevent Olivia De Haviland and Charles Boyer from marrying. Ironically, the marriage accept ion is not as easy anymore - you have to prove it is a marriage of love and affection and not of convenience now. See the modern Gerald Depardieu comedy GREEN CARD to see the change in the rule.)Lamarr, in walking past Central Park, runs across a man named Bill Smith (Jimmy Steward) that she thinks is a bum. But she ends up rescuing him from a fight, and takes him back to his apartment in lower Manhattan after she hears that he is poor, facing bankruptcy, and not married. She offers him a marriage arrangement wherein she will marry him but it is only for formality - no sex or closeness involved. He accepts the deal, though he insists he will reimburse her when he can sell one of the novels or short stories he writes. As a result of the odd situation, Steward starts writing a novel based on it. Interestingly he calls the novel WITHOUT LOVE (a title that would one day be that of an MGM film with Tracy and Hepburn having another of convenience). He sends out manuscripts to several publishers, and one ends up with Hunter. Teasdale reads it and finds it damn well written (even if the plot seems odd). When she describes the plot to Hunter, he realizes it is his relationship with Lamarr that is at the basis of the novel. He confronts an unaware Steward at his own office supposedly to discuss publishing the novel. Steward ends up the winner, as Teasdale convinces a reluctant Hunter to pay Steward an advance of $500.00. Teasdale also notices that Hunter's protests of the novel's plot are too deep to be sheer literary criticism, and realizes that it must be about her husband.Steward uses the money to reimburse Lamarr for her weekly payment of his use as a make-shift husband. Then he forces her (politely) to accompany him to his country home (she wants him to sign the divorce papers, and he won't unless she accompanies him), and slowly wins her over by the beauties of the countryside, and his grandmother's (Adeline De Walt Reynolds) lovable and strong character. We watch Lamarr gradually note Steward's strong points, and even hear him recite Christopher Marlowe's poem "Come Live With Me and Be My Bride...." which is the basis of the film. But Hunter is aware of where they have gone, and is after them. Will Hedy stick with Ian or go with Jimmy.The film is certainly quite charming, but what I find most interesting at the end is the business of the Grandmother. The visit of Steward with Lamarr to meet the grandmother in the countryside, and her firm but gentle personality resembles that of Catherine Nesbit as Cary Grant's grandmother in the film AN AFFAIR TO REMEMBER. One wonders if Leo McCarey had seen this Clarence Brown film and remembered it in 1955. It would not be impossible if that was the case. But if so or not COME LIVE WITH ME is good enough to be liked on it's own merits as an entertaining movie.

philadelphiastorygirl Love and marriage are two of the most prevalent topics in our society today. It seems every novel, movie, and song has something to say about it. When marriage is discussed, it is usually followed by the most recent divorce statistic. Virginia Van Upp and Patterson McNutt have written one of the best theories on this subject.Bill Smith (James Stewart) is an unsuccessful writer who is literally down to his last dime. Johnny Jones, played by the gorgeous Hedy Lamarr, has just found out some devastating news. She is an illegal immigrant from "what used to be Austria." Immigration has finally tracked her down and is giving her a week to find a husband or she will be deported and face certain death. But their lives change for the better one night when Bill and Johnny both enter a little restaurant to get out of the rain. One thing leads to another and Bill gets into a fight. Johnny, having witnessed the whole thing comes to his defense and they are both thrown out. She is delighted to hear that he has no money and decides to propose a marriage of convenience. Johnny asks Bill to marry her in exchange for the cost of living. Bill is very much opposed to the idea but in the end she talks him into it with the understanding that when he sells his novel, he will pay back everything.Johnny visits Bill once a week to give him the check and Bill begins to write about their situation. Bill falls for Johnny, and soon finds out that there is another man in her life. When Bill learns he's sold his manuscript he visits Johnny to sign the divorce papers but under one condition. "In my opinion it's perfectly alright for two strangers to get married but you've got to know each other before you get a divorce," he says.The title of the movie comes from the first line in Christopher Marlowe's The Passionate Shepherd to His Love. James Stewart is marvelous as the country boy who is willing to fight for what he wants. Hedy Lamarr is excellent as the Viennese refugee trying to make the best life she can for herself. Come Live With Me is more than just another typical romantic comedy. It is intelligent and heart-warming, and discusses things like modern marriage, reality being stranger than fiction, and a happy ending versus a realistic ending.

bkoganbing Hedy Lamarr is a foreign born showgirl and kept mistress of publisher Ian Hunter. Immigration has gotten on her case and before Hunter can get his influence peddling machine in gear, Hedy's having some anxious moments.But as Hollywood fate must have it she meets up with aspiring writer James Stewart and they agree to a marriage of convenience to keep her in the country. And to seal the bargain Lamarr actually agrees to pay Stewart a "salary" so that romance won't creep into things.Well wouldn't you know it, Stewart writes about the arrangement in a prospective new novel that he takes to publisher Hunter. The rest of this film is rather obvious.What I find curious about this film is that the plot I described could easily be the basis for some sophisticated screwball comedy or a tender romance, given the writers, director, and players. But the combination in Come Live With Me opted for the tender romance. Stewart and Lamarr are just fine in their roles as is Hunter. MGM and director Clarence Brown gave them a nice supporting cast. Please note the performances of Verree Teasdale as Hunter's wife, Adeline DeWalt Reynolds as Stewart's grandmother and the whimsical Donald Meek, just being Donald Meek in a Donald Meek part.The title Come Live With Me is the first line of a Christopher Marlowe sonnet, a romantic piece that fits the tone of the whole film. But it does end on a Shakespearean note.

switthaus This is a wonderful Jimmy Stewart and Hedy Lamarr movie. Very romantic and sentimental. Jimmy Stewart's grandma in the movie is priceless. A must for your collection - not available to buy; however, sometimes comes on American Movie Classics. I have had a recording of it for years. It's one of my favorites.