grantss Three truckers are setting off across country when they are harassed by a local Sheriff. The Sheriff is happy to use his power to extort money from anyone who he runs into, and he has a particular dislike for truckers. He and one of the truckers, "Rubber Duck", have a long-standing feud. This boils over when the truckers refuse to give in to one of his extortion attempts and get into a fight with the Sheriff and the local police. This results in a cross-state, even inter- state chase, and grows in magnitude as more and more trucks join the rebels, forming a convoy.Pretty weak movie. Generally just one long car/truck chase scene, with little escapades along the way. Had some potential to make a statement about freedom and taking a stand against fascism (maybe a Vanishing Point with trucks) but hardly touches either subject. Instead it's one of those mindless elongated cross country car chase movies. Most perplexing of all, this is directed by Sam Peckinpah, the man who gave us The Wild Bunch, Cross of Iron, Straw Dogs and Pat Garrett and Billy the Kid. His movies usually have solid plots, good themes and are quite gritty and violent. This has none of those traits. Why he chose to direct this, I don't know. He must have needed the money.

Uriah43 This movie begins with three truckers driving under the handles of "the Rubber Duck" (Kris Kristofferson), "Pig Pen" (Burt Young) and "Spider Mike" (Franklin Ajaye) minding their own business and cruising down the highway. Suddenly, from out of nowhere they get a message that the highway is totally clear and advising them to speed up. Naturally, they eagerly follow this advice only to find out that the person on the other end of the CB radio is actually an Arizona sheriff named "Lyle Wallace" (Ernest Borgnine) and he has tricked them into violating the speed limit. Not only that, but he then proceeds to pocket their money in exchange for letting them go on their way. Needless to say, this doesn't make them very happy and when one of the Sheriff's deputies tries to harass Spider Mike at a nearby truck stop things quickly go south from there. Now rather than reveal any more I will just say that this movie is based on a song that came out a year or two earlier and helped to further a new American fad involving CB radios and films based on highway truck drivers. Although these films seemed quite new and exciting at the time, the luster has essentially vanished from most of these movies and this particular picture is no exception as it now seems rather dull and outdated. Slightly below average.

virek213 I cannot think of any other film in history that did so well at the box office (even with such universally bad reviews) but which had such a bad reputation during its making that its director, the admittedly cantankerous Sam Peckinpah, was basically exiled one more time from an industry that he had so shaken up just a few short years before. But that's what was to be had from his 1978 film CONVOY. And unfortunately, it was a cocaine problem Peckinpah had that was so extreme during its making that when word got around, he could find absolutely no work again in Hollywood until 1982, when he got a shot at a comeback by doing THE OSTERMAN WEEKEND.Scripted by B.W.L. Norton (of CISCO PIKE fame) and based very loosely on the 1975-76 C.W. McCall C&W/pop crossover hit of the same name, CONVOY, though originally intended as a congenial truck-driving comedy along the lines of SMOKEY AND THE BANDIT, somehow evolved into what might be called a modern-day version of THE WILD BUNCH, only on wheels, and with a lot less violence. Kris Kristofferson, who did a great turn as Billy The Kid in the director's 1973 Western masterpiece PAT GARRETT AND BILLY THE KID, stars as Rubber Duck, an interstate truck driver who is trying to make a living off of his profession but feels he is being hemmed in by the 55 MPH speed limit. And when he gets a lot of his fellow truck drivers, and a curious journalist (Ali MacGraw), involved, it is really quite reluctantly, until he runs afoul of a very nasty New Mexico sheriff (Ernest Borgnine) who's not only got a thing against truck drivers of Kristofferson's ilk, but even a latent streak of racism as well, when he and some fellow lawman tangle with a black trucker, Spider Mike (Franklin Ajaye). Kristofferson and MacGraw get involved, but Kristofferson knows it is not meant to be, especially with Borgnine constantly breathing down his neck. Various huge action and chase scenes involving what seem to be a thousand big rigs and hundreds of cars, plus a couple of choppers thrown into the mix, lead up to Kristofferson challenging Borgnine at the crossing between Texas and Mexico, in which Borgnine and his cronies open fire of Kristofferson's big rig, causing it and him to fall with explosive results into the Rio Grande. But Kristofferson isn't quite as dead as everyone thinks….CONVOY ran well over budget and schedule during its making through much of the spring and summer of 1977, principally because of the director's aforementioned cocaine addiction, which almost led to his firing at a few points. And even as he was editing the film, with Garth Craven, the English editor who still knew Peckinpah's action/editing style the best, when it was released in the summer of 1978, the director, unlike on previous films, didn't even bother to contend with the recutting that producer Michael Deeley did on it. The subsequent exile from Hollywood that Peckinpah suffered because of CONVOY wasn't without incident, either; in May 1979, while living in Montana, he had a heart attack that nearly killed him then and there. By the time he got back to work on THE OSTERMAN WEEKEND, he was a very depleted man; and though he made a concerted effort to quit his bad habits, it turned out to be too little, too late.To CONVOY itself, now: For a very long time, hearing the stories about Peckinpah's "white powder" madness during its making, I was very hard on this film, considering it his worst. After a few times watching it again, even though its flaws are still there (the attempts at SMOKEY AND THE BANDIT-type comedy don't really work), the fact is that, under whatever substances or pressures, he was able to work as well with big rigs and all other things automotive in CONVOY as he had ever been with horses on his innovative Westerns. The action scenes, structured around the admittedly flimsy premise of a novelty record, are still shockingly well done, with the requisite multiple POV editing style and intercutting of slow motion and regular action that are part-and-parcel of his style. And he did get some good performances from the three principals, along with a cast that included Madge Sinclair (from the epic TV miniseries "Roots"), Cassie Yates, Burt Young (who had been in ROCKY, and Peckinpah's 1975 action film THE KILLER ELITE), Seymour Cassel (as the New Mexico governor), and Jorge Russek (as the racist Tex-Mex sheriff Tiny Alvarez).Grievously flawed as this film was, and as "coked out" as Peckinpah was during its production, there are still things about CONVOY that make it a film well worth seeing. It's not THE WILD BUNCH or STRAW DOGS, to be sure; but just for the sheer ability of Peckinpah to conjure up a lot from what was very little to start with, it does more than most CGI-choked action films today. Just on that basis alone, it deserves the '7' rating I'm giving it here.

Wilder Movie Reviews A trio of truck drivers get stopped by unscrupulous Sheriff Lyle Wallace (Ernest Borgnine). After they stop for food the Sheriff turns up and a fight ensues, the truckers make a run for it and head for Mexico pursued by the police and with more and more truckers joining them along the way, the convoy attracts national attention. The film stars Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair, Franklyn Ajaye, Brian Davies, Seymour Cassel & Bill Coontz. But Ernest Borgnine truly steals the film in every scene he is in. playing a sheriff in a similar way that Jackie Gleason stole the show in the Smokey and the Bandit films as Sheriff Buford T. Justice. Two classic law enforcement officers who take their jobs a little too far. The film was based on the lyrics to Convoy by C.W. McCall, however after the film was made he changed some of the lyrics to directly reference the film. Fortunately the song is catchy as it plays over most of the film. Surprisingly, the film is very good. Especially when you consider that the plot is just a lot of trucks driving along a road! There is great action, great one liners and one of the best bar fights to hit the screen. It does turn in to a bit of a propaganda film with the truckers using the convoy to vent their frustrations about their working conditions, but over all this it a solid and entertaining film. It does look a little dated now, but this doesn't detract from the entertainment value. This is a fun film and definitely worth your time to watch it.