lisamarier Don't get me wrong, I liked this film. Interesting characters, interesting plot. When we find out that Effy is 14, it's rather shocking, but then, not shocking. She's so young in her way of dealing with William. So we see them drinking, in clubs, etc., and this girl is only 14. She also seems quite comfortable, and I use that word loosely here, getting involved with William, emotionally of course, but also physically. So what is going on with her? The introduction of Henrik in the middle of the movie pretty much cemented it for me. His "protection" of her seemed a bit intense. And then, when she goes home and he's there, the last thing she says to Henrik is "I'm telling mom." Hello?!?!? It was fairly obvious that this poor girl has been abused by this man. yes, she's looking for an older man figure in William, but she's a confused 14 year old treated badly by none other than her mother's boyfriend. LIke I said, I liked this movie. But I'm a bit chagrined that many of the other reviews were mostly enthralled by this lovely young woman-as they should be-but did not see the dark underside of it as well.

oconnors2nz As an actor myself, you see films where you just don't care about the obstacles and challenges of the characters'. With Copenhagen, one of those little gems you find every so often on Netflix (NZ in this case), I was emotionally invested in all the main characters'. Self discovery in abundance here, particularly with Will (Gethin Anthony), who succumbs to the charms of 14 year old 'Effy', touchingly portrayed by Frederikke Dahl Hansen. I'm sure she has a bright career ahead of her. Poignant moments' of familial connection (or lack of) draws the viewer in against the picturesque backdrop of Denmark. A real discovery to find the principal males', Will and Jeremy (Sebastian Armesto) are both English. I am so glad I stumbled across this beautiful piece of film-making. It is a piece of hope, regret and ultimately, a reminder of how life is too short and that sometimes, it takes someone else to open our eyes to the possibilities.

Claudiu497 William.... a total douchebag.... but getting to learn more about his life changed the way I felt about him. Gethin Anthony plays his character like he is the same person in real life, so obviously a plus for this movie. When your friend proposes his girlfriend, what's the first thing you think of? (Oh, well... good for you mate, I am really happy for you). William directly disapproves his decision, mainly because he doesn't like her, however he doesn't know her really well. The point of William's visit to Copenhagen was finding his only family... his grandfather who turns out to be a douchebag too. Actually, his father was one too. The visit turns upside down because Jeremy thought it would be a good place to propose, then he left his bestfriend all alone in a foreign city. This is where the journey of the douchebag (who turns out to be a really good guy, but without affection from his family) starts. I always wanted to visit a city all alone and I thought William just had the chance to discover if (quote from the movie) "you are the kind of person you can lean on when you are all alone, with no friends, no family to lean" I think the moment he met Effy, he started to realise what kind of person he is. It is funny how a total stranger can change your point of view in just a day. William is not the kind of man to talk about his life or feelings, but then again, a stranger, a 14 year old girl changed him. Maybe not so much, but just to start him on the right track. Also, (Frederikke Dahl Hansen) found herself, or started to see life a lot more beautiful when she met William. She knew that being a teenager could affect their relationship, still she created a bond with him that I think will last for ages even if they don't meet again. A thing I loved about this movie was the way Copenhagen was filmed. The scenery of the beautiful city which was shown in the movie made me instantly want to visit it (you know the feeling of starting to fall in love with places you have never been). Mark Raso and Alan Poon did an impressive job with this film. You actually feel like getting lost in the city (I can assure you that the feeling gets real when you will watch this movie). The relationship between two strangers also helps with the scenery. I had no subtitles when they talked in danish, so for a few minutes I was in William's pants. Especially the part when he talked to his uncle and I can say that it is awful not knowing what they are talking. I liked the ending a lot (maybe just because of my interpretation of it). William went to Skagen to meet his grandfather, where he realised that his relative is exactly like his father. There he went to the beach. The place where the North Sea and the Baltic Sea meet. I think that, metaphorically, that place depicted his days in Copenhagen, where the doucheness met his kindness. The scene was mixed with Effy being at school because she is the one that managed to get his kindness out of him. And the important thing, I think that William knew that. He knew that it was time to grow up, even though falling in love with a girl half your age clearly means it is time to grow up. He knew that a new start is the best for him. Why this is not a typical review? Just because this movie is not typical (you will see why when you will watch the movie).

Wellenstock Unbelievably arrogant, rude, offensive, irresponsible, self-centered, American dick-bag goes to Copenhagen expecting everyone to fall over themselves to help him find his estranged grandpa as he throws tantrums, litters the streets and canal. The writer/director seem to want to normalize this obscene behavior while encouraging pedophilia. This is an embarrassment to independent filmmakers and shows what happens when talent-less spoiled brats get funding. The actors and cinematic crew are the only talent here. It's hard to imagine why this film was made and what possible message they were going for. Five minutes into the film and I was hoping the main character would be hit by a bus. By the end of the film my feelings hadn't changed.