sergelamarche
Pas trop mauvais. Bonne re-création de l'histoire de l'enlèvement du bébé de Lindberg et de faire payer un innocent pour le crime. Le crime du siècle est en fait l'histoire du mec qu'on voulait coupable. Les vrais coupables ne sont pas inquiétés, évidemment. On est aux États-Unis!
laughneyez6
This film, upon seeing the first few minutes, made me feel that it would be just like every other movie portraying a different perspective of the Lindbergh Kidnapping Case. But as the minutes dragged on I realized this was a touching story that makes the viewer really question the true outcome of the case over 50 years ago. This film made me look into the facts of the case, and 'Crime of the Century' portrays a popular and very possible outcome of the true case. For anyone who is an avid follower of the case, this movie is a must see. Rea's performance stirs the viewer to care for the accused Hauptmann and intends to set Bruno Hauptmann's side of the story straight.
Doctor_Bombay
Crime of the Century fails much in the same way the system of justice failed in the prosecution of for the kidnapping and murder of Charles Lindbergh's baby in the 1930s, not enough evidence.I know Mark Rydell (On Golden Pond) to be an extremely sensitive filmmaker and stage director, his motivation here, I'm sure was to present an alternative to Hauptmann's guilt, to entertain ideas that the prosecution may have erred. The evidence was only circumstantial, of the course the crime was horrible, but Hauptmann's execution may have been more a result of public outrage than guilt beyond a reasonable doubt.And he may be right, based on everything I've read, he probably is right. Unfortunately all the probabilities in the world add up to nothing on screen. After only a couple of suppositions the viewer gets so lost in the ultimate goal of the story that he loses interest. I've watched this film 3 times, and lost interest every time.What a waste of terrific actors, including Stephen Rea, J.T. Walsh, Michael Moriarty, Vyto Ruginis, Barry Primus, and Allen Garfield.Without closure, as long we as know as little as we do about what actually happened, maybe this story is best left to the true-crime section of the local bookstore, or Investigative Reports, Dateline, or 20/20. Told this way, in this medium it's a sad waste of time.
Sean Gallagher
Call me a bleeding-heart liberal, but I guess I'm a sucker for movies about people who are wrongly accused. This movie, however, failed to move me, even though I've read books on the subject and the case itself moves me. Rydell and Nicholson do a good job setting up the circumstances that led Hauptmann to become a suspect, and to even arouse suspicions in us, but the dialogue and individual scenes fall completely flat, because they're obvious and heavy-handed. To make matters worse, some of the actors, like David Paymer and Allen Garfield, seem to have been told they were in an over-acting contest. Walsh is good, as is the ever dependable Moriarty, but Rea seems lacking as Hauptmann.
AD
