Edgar Soberon Torchia From the reading of Gustavo Adolfo Bécquer's legends in my adolescence, I have the memory of subtle and romantic stories about death, with apparitions, monks and strong presence of the Spanish landscape. Three of these stories served as the basis for «The Cross of the Devil» which was the last film directed by John Gilling, British filmmaker remembered for his low budget films of all genres: adventures, police, pirates and, above all, terror. Of these, I fondly remember two Hammer Films productions, in which he made the most of his plots and budget: «The Reptile» and «The Plague of Zombies.» By the early 1970s Gilling was in retreat and had not shot a feature since 1967. However, when he visited Spain to film some material, his friend Paul Naschy, the well-known Spanish horror film actor, asked him to direct his adaptation of three short stories by Bécquer, probable reserving for himself the role of the villain. At the end, the actor did not make the film, but Gilling filmed Naschy's screenplay (or Jacinto Molina's as he is credited), an adaptation that takes equal parts from «El miserere», «El monte de las ánimas» and «The Cross of the Devil» , which gives title to the film. Here the simplicity of Bécquer's direct prose is replaced by an intrigue full of subplots, red herrings and recurrent dreams, to achieve a product of hour and a half. Ramiro Oliveros plays Alfred Dawson, a British writer addicted to kif who is undergoing a literary block. The young man will be able to write the article of his life when he travels to Spain, called by his sister Justine, married to a wealthy bourgeois from Bilbao. When Dawson arrives in Spain, Justine has been murdered and the writer initiates an investigation that puts him in contact with stories of knights Templars, a bewitched armour, gallantry between cousins that leads to death and insinuations about the low morality of his sister. The script has several endings that lengthen the film a little, closing what was taken from each of the three stories. The result is a correct film, but little else, while Gilling continued to happily enjoy his holidays until the year of his death.

HEFILM This is largely a word and exposition driven film. It's slickly made and well acted, it's as slick or slicker than Gilling's Hammer films which suffer when compared to the perfectly crafted films of Terence Fisher done at the same time. He has his own style of writing and directing that does separate his work from the rest of Hammer in a unique way. So I was always wanting to see this final film.There are few appearances of the Templars in this film and they are few and far between. The journey of the hero is to get to the spot his sister died where there is a Cross of the Devil. But it takes almost the entire length of the film to get there and people just talk and talk endlessly and when you are watching subtitles it's hard to even "watch" the nice scenery they travel through. The talk mostly is exposition about the interesting history of the Templars. But those stories all sound like they'd make better more action filled films than this one. It's not the pace of the film that's slow it's the overly talking script and lack of much real "incident" in the film. There is some nice camera movement and the few wordless moments are effective. Few scares though there is a memorable sequence with a solitary eye emerging from the shadows. Frankly that's about as exciting as the middle part of this film gets. Again as you watch just expect very few Templars and that will help some. Nice music score but there isn't much sinister or scary action of score. One assumes Naschy's original script had less talk and more action. This isn't Gilling's worst film but it's not his best. Too bad he didn't get to make more films, but you have to hope if he had they'd be more exciting than this one.

lastliberal There is some controversy surrounding this film. It was/is a Paul Naschy horror film, but in a strange turnaround, he is not in it.He asked his friend Hammer director John Gilling to direct. It was Gilling's last film. He did it while he was on vacation in Spain.Naschy was supposed to star, but Gilling fired him and hired someone else to do rewrites. Naschy still gets writing credits as he wrote the screenplay.So much for friendship.Writer Alfred Dawson (Ramiro Oliveros, who was brought in to replace Naschy) is having horrible dreams after smoking hashish. I've had those same dreams after drinking Starbucks Thanksgiving Blend very late at night.For a horror film, it gets a slow start, absent the dreams. It's more like a telenovela until the very end. You can certainly see the British influence in what is supposed to be a Spanish film.I have to say that Ines (Silvia Vivó) was a real tease. I kept hoping we would have something to cheer, but she died before we could. Her career was mostly TV, so we will never know what we missed.The film really doesn't get interesting until the end, when the zombie Templars appear. We are left wondering if there was a real evil or if it was a drug-induced fantasy. Certainly, there was no doubt who killed his sister. I can't imagine a more evil character then Adolfo Marsillach.No gore, no nudity. It was strictly a TV film.

ma-cortes This story is based on some writings by famous poet Gustavo Adolfo Becquer, as ¨Mount of Animas¨, ¨Miserere¨ and ¨Devil's cross¨. This is a Spanish film but the director is John Gilling, a master of Hammer production. Gilling was on holidays in Spain and Paul Naschy or Jacinto Molina asked him to make the movie. The film is starred by all the best Spanish cinema actors: Carmen Sevilla,Adolfo Marsillach, Eduardo Fajardo and Fernando Sancho, both of whom made many spaghetti Western . The plot is a mess of ghosts and skull crusaders, a rip-off of the zombies of Amando De Ossorio who, by that time realized many creepy films about the blind Templar Zombies, today deemed semi-classics. However, the movie is dreary and dull. Gilling's direction is boring , it's too far from Hammer film but for a Spanish film is OK. Many years later would come Alejandro Amenabar and his successful horror pictures.