classicsoncall Sad, very sad. I was a big time Abbott and Costello fan as a kid growing up in the Fifties, never missing an opportunity to catch one of their films on TV. The 'Monster' films were the best and they had others that entertained, but "Dance With Me, Henry" was a disappointing swan song. I never saw this one before today, so maybe my judgment would be a little different if I had some wistful memory of it from back in the day. Just about everything that made the comedy team click is missing here. There's no snappy dialog, none of the familiar routines, and the pair are completely out of character from their previous pairings. Lou is cast as a good guy, an adoptive Dad who's trying to raise a couple of kids while running an amusement park called Candyland. Bud on the other hand is an alcoholic and a gambler, so right out of the gate there's no basis for the type of comedy that the boys built their careers on. Occasional forays into slapstick get muddled by the story line involving gangsters and the murder of a district attorney, not exactly the kind of light hearted fare that A&C fans would have been used to. The picture is at it's best near the finale when a boat load of youngsters get involved in frustrating the bad guys at Candyland and saving the day for Lou and his young wards. The young boy Duffer I immediately recognized as Rusty Hamer from the Danny Thomas series 'Make Room For Daddy'. Checking the IMDb profile for Gigi Perreau, daughter Shelley in the story, I was surprised to see that she's still active with a film credit as recently as 2011. If you're an Abbott and Costello fan, I wouldn't try to steer you away from the movie because it's not terrible, it's just not very entertaining. Personally, I'll keep my fond memories of the boys from their earlier pictures where they delighted millions of fans all over the world.

Jay Raskin It seemed to me that this was essentially a children's film. While A and C made films that children could watch and enjoy, I think this and "Jack and the Beanstalk" were the only two films they made which were explicitly for children.The beginning ten minutes (good set-up of a potentially funny situation) and the last ten (imagine "Home-alone" with twenty kids) are fine, but the middle is quite flabby. There are no memorable routines and very few (about ten) funny lines.Actually, I do not know if the producers had it in mind, but the movie works well as a pilot for a T.V. series. One can imagine all sorts of great sitcom possibilities with Lou as a bachelor trying to raise two kids while owning and operating a "Kiddie land" amusement park. When this was made, Danny Thomas's "Make Room for Daddy" had been a hit show running for three years and "Bachelor Father" was about to begin its run, so a "raising kids" comedies were the type of thing a network might buy. I suppose if it had done well as a movie, it could have been developed into a television series. So, I believe that it was rather a smart career choice for A and C.Sherry Alberoni as Boopsi and Rusty Hamer are the two stand-out kid performers. Sherry is Shirley Temple cute trying to convince the cops that she witnessed a murder and Rusty Hamer is the nicest and sincerest boy actor of that period (Ron Howard did steal his crown a few years later).A and C fans will savor a few well done moments,(the visit of the nasty welfare worker at the beginning, for example) but on the whole only their fans will be able to sit through it.The last shot of the movie with Costello playing the pied-piper is delightful and cute. If the rest of the movie had been so, this movie would have revived A and C's careers and fortunes.

Nick Zegarac (movieman-200) "Dance With Me Henry" (1956) is the last time Bud Abbott and Lou Costello shared billing in the movies. In truth, however, their tenure as leading comics had been dissolved some years before. Almost from the moment they set foot on the Universal back lot and made their debut film, 'One Night in the Tropics' (1941), theirs was a partnership of strained convenience in which Abbott always considered himself the superior comedian, so much so, that profits from all of their endeavors (radio/film, and later, television) were divided along a 60/40 split in Abbott's favor. On this occasion the two find themselves in yet another rehash of their earlier films, as Lou Henry (Costello) attempts to adopt two adorable children to help him run his Kiddyland amusement park. The local welfare authority in the form of Ms. Mayberry (Mary Wickes) will have something to say about that, and so will Lou's best friend, Bud (Abbott), who would rather run up a gambling debt with the mob than share his prosperity with a couple of kids. Throughout, the farcical elements are much too strained to be humorous. One can almost hear from just off camera, Abbott hollering something to the effect of "hurry up, stupid, I want to get paid." Charles Barton – a frequent participant on these collaborations, directs again, but with a sense that it's all been done before.The transfer from MGM is surprisingly good – I say, surprisingly, because in general MGM/DVD isn't known for offering pristine transfers of classic movies. And although "Dance With Me Henry" is not pristine in terms of age related artifacts, its also not very far from it. The gray scale has been impeccably mastered with nice tonality, solid blacks and generally clean whites. Occasionally there's a hint of edge enhancement, but nothing that will terribly distract. There's also a hint of film grain, but this never becomes bothersome. The audio is mono but presented with great clarity and at an adequate listening level. There are NO extras.

JoeKarlosi **1/2 out of ****I think Abbott and Costello's last movie together is underrated. It's not among their finest, but they made less amusing movies together, and there still are some chuckles to be had here. At the time of production, Lou was reported as saying that the days of slapstick were over for them, and that both men were interested in actually doing more serious and emotional types of roles. But DANCE WITH ME, HENRY is obviously still a comedy even though it tries hard to inject some dramatic issues and sentiment along the way.Lou Henry (Costello) operates "Kiddyland", a little amusement park, where he allows his drinking and gambling pal Bud Flick (Abbott) to work so his friend can pay off a huge debt he owes to a group of gangsters. Meanwhile, Lou is trying to gain custody of two orphan kids, but Bud's constant turmoil with the criminals keeps getting in the way.Yes, it's obvious that the comedy team is older now, but they still have their moments in a few humorous scenes interacted together. I wouldn't say this A&C Swan Song is at all bad or unwatchable. The title of the film, which was named after a forgotten song that used to be popular and which has nothing to do with the story, doesn't help matters.