davidgoldyn
I got this out of the 50 musicals set. It said it was in Technicolor but it the print was curiously in black and white. The Plot-a dancing master gets kidnapped to be a galley worker on a pirate boat. He ends up in Calfornia near Monterey which at that time was populated with Mexicans. At first they arrest him, but he charms the whole town. This was an entertaining little musical. Not perfect and not a classic but definitely worth a look for Charles Collins and Frank Morgan.It had a lead I have never heard of... Charles Collins who was quite a talented dancer-singer-actor . He kind of looks like Kevin Kline. Amazed the man didn't have a more illustrious career as he had all the makings of what constituted a star back then. Quite an interesting discovery. Frank Morgan (the wizard of oz) is quite funny as the bumbling mayor. The film was quite enjoyable.
jht176
The only things this turkey has going for it are the claim that it is in Technicolor and Rita Hayworth "stars" in it.My VHS copy is in color; however, nowhere in the credits do "Technicolor", "Technicolor Director" or "Technicolor Consultant" appear. I cannot see the Technicolor Corporation allowing any 1935 movie using its process to be released without there being ample credit given to Technicolor.If Rita Hayworth or rather Margarita Cansino appears in the film, she is totally unrecognizable. I am familiar with the Rita Cansino with the sleek black hair and low forehead who danced in the Spencer Tracy/Claire Trevor film Dante's Inferno; so, I was not looking for the flamboyant redhead of the characterized Hayworth -- except for the shorn platinum blonde of The Lady from Shanghai -- during her zenith on the silver screen.All pans aside, it does have Frank Morgan at his bumbling best; although, even at $5.00 with a poor copy of the American English language truncated version of von Sternberg's The Blue Angel, it was no real bargain.
radioriot
This movie bombed so bad at the theaters in 1936 that RKO didn't make another color musical for 16 years!!! And it still stinks today! And to make matters worse... the DVD copy they are selling is a Black and White, 16mm bootleg print, that they somehow got copyrighted.. or at least they claim to hold the copyright. This thing has bad film splices and grainy picture quality. Plus the DVD jacket confuses Frank Morgan who is in this picture and was the Wizard in "The Wizard of Oz" with Harry Morgan who is not in this movie but was in "Mash" on TV. Real film historians!!!! Yeah right! I would have liked to seen the color version though, just for the fun of early Techocolor. I should learn not to take free movies from "friends". Do yourself a favor... don't buy dollar DVD's and never take free movies from friends! Oh and BTW, saying it is "digitally remastered" just means they transfered the film onto a digital DVD. They love to play word games.
theowinthrop
While I note that the other comments are positive about this film I can't be. I purchased a video of it in 1988 or so, and it was the only time I saw any store carrying a video of it. It is the first technicolor musical, and it is a Rogers and Hart score (one good tune: "Are You My Love?"), and Morgan and Luis Alberni try to do the best with their parts, and Stefi Duna is a good dancer. Unfortunately, the screenplay is weak, and so is Charles Collins. How Collins got the role is a mystery, although I suspect he was not the first person to be approached for the role: Judging from his height and build it is possible that the role was meant to be offered to the similarly slender and tall Fred Astaire. Astaire (if he was approached) wisely declined because the script is so bad. The central character never becomes interesting enough to involve ourselves in his life. Collins probably got the role because he is a dancer (his opening scene is demonstrating a dance to a music box he turns on). But he was a stiff, and boring, and timid actor. Maybe an Astaire could have colored the role properly, but Collins couldn't. And the story requires coloring. The> shanghaid dancer is mistaken for a pirate in California. He is treated well by Morgan (the local bumbling alcalde), until a squad of soldiers come to the town. They take over (quite literally - they are a squad of soldiers turned brigands under Victor Valconi and Jack La Rue), and are only stopped when Collins suddenly cannot take their taunts anymore and leads the peasants against them. It is just too much of a leap of faith for a viewer to accept. And the film fails as a result.When recalling Rogers and Hart for their musicals, think PAL JOEY or THE BOYS FROM SYRACUSE (on stage). Or remember their early musical films (experimental ones) HALLELUJAH I'M A BUM! and LOVE ME TONIGHT. Don't remember them for THE DANCING PIRATE
AD
