Mr-Fusion It's not my favorite of Larry Blamire's output (just doesn't reach the heights of the Lost Skeleton" movies), but "Dark and Stormy Night" deserves credit for its loving homage to old-timey dark house movies. Varied cast of characters converge on a mansion for a reading of the will, people start dropping dead, you get the picture. Ensuing hijinks and all that. Except Agatha Christie was never so deranged. And she never had a gorilla showing up outta nowhere. The movie gets to a point when new characters keep showing up, but it settles into a narrative rut. And with dialogue this crackling, it's kind of a shame the pacing doesn't match. But that's not the end of the world; the miniatures are delightfully cheap, the non-sequiturs are funny, and it's worth a look almost entirely for the breakneck repartee.6/10

lemon_magic Blamire's created an interesting niche for himself - a talented and professional filmmaker who successfully makes good movies that pretend to be bad movies. "Dark And Stormy Night" is another of his affectionate and genuinely funny tributes to a staple of the late night Saturday movie - this time instead of Science Fiction or Jungle Safari, he takes on the "Old Dark House" shtick with enjoyable results.It could be that the novelty of his approach is wearing off for me, because I thought this movie wasn't quite as sharp as the "Lost Skeleton" movies. The plot was just a bit over complicated, the sets were maybe a bit more enclosed and static, and the movie itself was maybe a bit too long. Or maybe the gruesome murders took away some of the light-as-air vibration of the "Skeleton" movies, no matter how humorously they were staged.(Characters barely got their hairstyles mussed in the Skeleton movies as I recall.) Still, there's a wealth of quirky performances (for instance, "Trufin Newbin" is back as the world's most boring pants-obsessed raconteur), some excellent Abbot-and-Costello style word play, some fine sight gags and some physical comedy bits that all arise naturally out of the situation and the environment. And there's not a raunchy, quasi-topical "Scary Movie" style sex-and-fecal matter joke in the whole thing - it's as if Blamire not only avoided this kind of humor, he wasn't even aware it exists. I'm not offended by modern raunchy movie humor, but I liked this naive feeling a lot.If the idea of seeing an Ed Wood tribute movie that's actually as intentionally funny as Ed's output was unintentionally funny...you should check Blamire out, and if you can't find the "Lost Skeleton" movies first, by all means see this one.

Coventry "Dark and Stormy Night" is my second encounter with the work of writer/director Larry Blamire; following "The Lost Skeleton of Cadavra". Both films establish the same fact, namely that Blamire is a devoted and fanatically enthusiast fan of old-fashioned cheap and cheesy B-movies. "The Lost Skeleton of Cadavra" was the ultimate tribute to nonsensical Sci-Fi movies from the 1950's and 60's, complete with all the clichéd story lines and campy alien monster designs you could ever imagine, whereas this "Dark and Stormy Night" is a parody of all those typical old dark house movies and Agatha Christie mysteries. In good old "And then there were none…" tradition, a whole bunch of seemingly unrelated individuals arrive at a creepy isolated estate during a … well, dark and stormy night! The estate belonged to the rich but recently deceased Sinas Cavinder and everyone there gathered for the reading of his will. Moments before a giant revelation, however, the lights go out and lots of turmoil can be heard. When the lights are back on, the attorney has been stabbed to death and the invitees have to figure out the secret of the testament, knowing one of the group is a murderer. The rest of the night is filled with assassination attempts, dark corridors and secret passages, random gorilla encounters and a competitive battle between two freelance journalists. Personally, I think it's truly praiseworthy how Larry Blamire exclusively wants to bring comedy through substantial jokes, stereotypical characterizations and subtle references towards old movies. There are numerous spoofs and parodies being made nowadays, but they always revert to crude and vulgar sex jokes. "Dark and Stormy Night" doesn't feature any infantile humor like that. You won't hear me claim that all gags and references are successful and laugh-out-loud hilarious (far from it…), but at least the nature of the jokes never becomes embarrassing. The acting performances are decent, especially Larry Blamire himself who portrays one of the invitees in a deliberately wooden and amateurish fashion. There are some nice decors and the man in the gorilla suit is a delightful detail, seeing so many of those old haunted house movies had a gorilla locked up in the basement.

DarthPaul85 I'm a big fan of The Lost Skeleton of Cadavra. This movie definitely falls short of that one, at least on the first viewing, but still has its charm.If you're unfamiliar with Larry Blamire's work, this film is a "tribute" to those classic 1940's murder mysteries. As with Skeleton, it's definitely a comedy, but not a full-blown parody film. The film is funny (arguably) because it's a bad 1940's movie, not because it's full of jokes. However, there are jokes there too.The film succeeds in nailing a few stereotypes from the era. Some of the characters are very fun to watch (the high class British guy, the jungle guy, and the cook are among my favorites). Blamire also throws in some great jokes and a couple spoofs on movie conventions.Unfortunately, this film doesn't work nearly as well as his other movies. First off, the genre isn't played with enough. Just because the murder mystery clichés are exposed doesn't mean they're funny. A prime example of this is the dialogue. Often the dialogue is clichéd, but not unbelievable. Unfortunately, it's done *just* serious enough to not be funny or clever. We're left feeling like there's nothing intentionally funny going on.Blamire is clearly walking a thin line here: he's trying to make the film believable for the time AND funny for being of that time. Sometimes it works, sometimes it falls flat.Another of the film's shortcomings is inconsistent characterization. Some of the characters are great, but a few are weak, annoying, or simply feel tacked-on (and not for the sake of being tacked-on).Ultimately, this film falls short of both Lost Skeleton and its sequel. There are definite laughs to be had, and I suspect a second viewing will provide some new laughs, but overall this film feels lost between dedication to the genre and making fun of it.