opieandy-1 The movie dragged without creating enough suspense. I don't mind slow- paced movies if there's a point. Hitchcock, for example, was genius at this. In this one, it felt like there has wasn't enough script or plot points, so they slowed it down. That's what happens when you ask a B-list cast to fill in the gaps. I like Roddy McDowell, but after all, he's just a poor man's Vincent Price. And Mary Steenburgen is very average. I did like the storyline enough to give it a 6. However, it had the potential to be much better.My scale: 1-5 decreasing degrees of "terrible", with 5 being "mediocre"6- OK. Generally held my interest OR had reasonable cast and/or cinematography, might watch it again 7 - Good. My default rating for a movie I liked enough to watch again, but didn't rise to the upper echelons 8- Very Good. Would watch again and recommend to others 9- Outstanding. Would watch over and over; top 10% of my ratings10 - A Classic (6 of 430 movies have received this)

BloodTheTelepathicDog DEAD OF WINTER is a fine 1980s thriller with a solid, small cast. The plot centers on a naive actress, played well by Mary Steenburgen, who accepts a job on a rather hush-hush production. She is told that she is to replace a troubled actress who walked off set, however, she never quite makes the set. Instead, she is taken to an isolated mansion where eccentric millionaire Jan Rubes claims to be the film's producer. Mary does everything Rubes and his assistant, Roddy McDowell, ask of her because she views this as her big break.But things aren't what they seem in the mansion. With a blizzard raging outside, Steenburegn is essentially trapped indoors with two men she hardly knows who may or may not be working on a movie. Mary makes a few shocking discoveries while she wastes time in the mansion, locating photographs of a dead woman that Rubes claims to be the actress she is to replace. Mary and the deceased actress bare a striking resemblance and as time rolls along, she feels that their machinations are devious and that her life is in danger.STORY: $$$ (The story doesn't really offer anything new. There are a few moments when you'll ask why Mary's character does the things that she does, but all in all the script isn't too bad. The screenplay builds enough terror and offers jolts in the right places. Also, from the beginning of the film, we know Mary Steenburgen's character is desperate so her going along with the game seems justifiable).ACTING: $$$$ (Mary Steenburgen essentially plays three roles in this film: the main character, the murdered actress and the murdered actress' sister. She does a fine job in all three roles and effectively turns off the naive aspiring actress role when she has to play the calculating sister of the dead thespian. Roddy McDowell is a treat as always in his role as Jan Rubes' sidekick and Rubes, confound to a wheelchair, is exceptional is his role of eccentric man of means. When he chases Mary up the stairs, walking for the first time in years, he'll give you the willies).NUDITY: None

LeaBlacks_Balls Mary Steenburgen plays Katie, a down on her luck actress who is told that she is being considered to take over a film role that was being played by someone else who greatly resembles her. The casting director (Roddy McDowell) tells her that the first actress had a breakdown and ran away from the set. She is taken to a snowbound country house in remote upstate New York to film an audition tape for the elderly, wheelchair bound producer (Jan Rubes.) After she arrives, things begin to look as if they are not what they seem. Katie soon realizes she is in incredible danger and attempts escape.With a premise straight out of a 40's suspense melodrama, I didn't expect much from this film. Like most bad thrillers, the most entertaining portions of the film occur in the last twenty minutes, after the damsel in distress finally pieces things together and has to fight for her life. But the majority of the movie is just tedious set-up and scenes of Katie acting like an idiot as she uncovers what her hosts are really up to.Is she so desperate for a job that she'd go to a remote house out in the country with a complete stranger, just to shoot an audition tape? If you see your drivers license burning in a fireplace, would you not automatically question your hosts? The movie is filled with situations where Katie is forced to do something stupid in order to move the story along. I've seen this so many times in so many of these kinds of movies, but at least sometimes it's exciting. Not here.Like I said, things pick up in the last act. When Katie's evil Doppelgänger shows up, things get interesting, mainly because we get to see Steenburgen play two different roles, one timid and afraid, the other heartless and evil. Unfortunately for the film, but not for me, their final confrontation is so absurdly shot and choreographed, the scene intended to be tense turns out to be hilarious camp straight out of a Joan Crawford or Bette Davis thriller from the twilight of their careers.To sum things up the movie isn't a complete disaster, it's just too derivative of films of the past, and doesn't add anything new to the 'woman in distress' thriller sub-genre. Steenburgen is pretty good, even if her character can be a complete idiot at times, and Roddy McDowell has some demented fun when the poop finally hits the fan during the climax.

jckruize Unconvincing potboiler takes a ridiculous premise and does nothing to enhance it. Steenburgen, a fine actress in numerous other films, can be forgiven for accepting this showy 'triple' role; suffice to say, she's not responsible for the resulting blandness. Roddy McDowall tries hard to enliven the supposedly creepy plot shenanigans, but his efforts are undermined by the fact that his compatriot, Jan Rubes, had just played Santa Claus in ONE MAGIC Christmas, far more convincingly in that than as a villainous mastermind here.Esteemed veteran Arthur Penn took over directing after first-timer (and co-screenwriter) Marc Shmuger was fired. His heart doesn't seem in it, however, and the lackadaisical effort wastes some fine sets and wintry Ontario locations. Note co-scripter Mark Malone's amateurish stumbling and bumbling as Steenburgen's brother.