alexanderdavies-99382 "Death Warrant" is another early JCVD movie which helped him on the way to success. The violence is pretty grim but the martial arts has been slickly put together for the fight scenes. Van Damme is up against corruption at a high security prison, where the worst kinds of criminals are to be found and the prison guards abuse the responsibility they have. Going undercover as a newly convicted felon, Van Damme uncovers some sinister events and has to endure the company of some of the less civilised gentlemen. One inmate in particular is the king of the psychos and he wants JCVD! The story isn't much to write home about and is hard to keep up with. It's best to just enjoy Van Damme doing his thing.

Leofwine_draca The sudden prison craze of the late '80s (including flicks like Stallone's LOCK UP) is surely the source of inspiration for this entertaining slice of Van Damme action. You would be hard pressed to make this film look good in light of THE SHAWSHANK REDEMPTION, but let's face it, Tim Robbins never gets to go around and kick people in the face in that film, even if it is ten times better made. I was pleasantly surprised to find this in the budget section, which is where most of Van Damme's films seem to be hiding these days. Made the same year as A.W.O.L. but not quite as good, this is still fun stuff. Van Damme gets to go through all the old prison clichés - homosexual inmates, transvestites, getting locked up naked in a cockroach-filled hole - in a manner which is never fun, but wholly unpleasant.In fact, the film seems to simply switch from Van Damme getting beaten up in one bad situation to just put him in another, and another, and so on until the end. Most of the film is dark and dank looking, so this ultimately makes for one majorly depressing movie, well that is if it wasn't for the cool action sequences.The cast is of the typical B-movie variety, with Robert Guillaume enjoying his role as one of those 'old black sympathetic guys' who seem to fill up just about every prison movie of the '90s. The actor playing the evil Sandman, Patrick Kilpatrick is also memorably over the top, with a manic laugh and even stranger features. Other memorable faces fill out the cast, but Cynthia Gibb has a thankless role as the token love interest who gets about five minutes of screen time and is pretty much degraded. Armin Shimerman (Quark from DEEP SPACE NINE) is the only other familiar face, as a corrupt doctor who faces gang vengeance.Thankfully, the interesting and unlikely plot about unorthodox organ donation is pretty fun to watch, and there are lots of fights and punch-ups to keep things moving along. The movie is pretty average, well that is until the ending, then it becomes something else entirely.Never have I seen a reel of film that is so over the top, but done in such a straight-faced manner. This is the ultimate in unintentional humour, the final fight between Van Damme and the Sandman is sheer brilliance because of the absurdity of it. It starts off with Van Damme having a huge spanner hit him across the wrists and head, then the Sandman whacking him in the chest and stomach with the aforementioned hammer. This would have killed most people, but has no effect on Van Damme who is being pummelled one minute and then up and running the next.The next fight involves a circular saw which just happens to be laying around, and the Sandman gets his hair sliced off in one cool and startling effect sequence, which I've been wondering how they achieved. After this Van Damme gets thrown off a ledge and hits the ground some thirty feet below, only to groan and grunt a bit, then he gets up and keeps on fighting! The Sandman uses a broken light bulb (which in reality would be extremely fragile and hardly effective) to lacerate most of Van Damme's body. But our favourite Muscles from Brussels eventually kicks the Sandman into a burning room, but the Sandman runs out, puts out the fire and keeps on fighting! This is hilarious stuff.Let's just recap here: by this time, the Sandman is suffering from third degree burns over 70% of his body, and would probably be unconscious with the pain. He definitely wouldn't be coherent, and he couldn't stand up either. Van Damme, meanwhile, has had his skull fractured and his arms broken with the spanner, his stomach crushed and mutilated with the same spanner (kind of like how Houdini died), he's been thrown off a ledge and had the rest of his ribs and bones broken in the resulting fall, and also he's had most of his body sliced open and must have lost a couple of pints of blood. Still, he's one tough guy, and he has just enough strength to kick the Sandman's head onto a handy spike, then breaks his jaw and kills him.In another hilarious moment, all the prisoners stand back to let him pass (despite the fact he's an undercover cop), because he's earned some respect from the fight. This has to be one of the best fight sequences I've ever seen, just because it's so damn funny and an unexpected treat. That's right: watch this film for the ending alone.

SnoopyStyle RCMP Louis Burke (Jean-Claude Van Damme) is in L.A. and brings down madman Christian 'The Sandman' Naylor. Sixteen months later, he returns to investigate Harrison penitentiary where the assistant warden as well as some prisoners have been killed. He goes undercover as a convict with lawyer Amanda Beckett (Cynthia Gibb) posing as his wife. Sergeant DeGraf (Art LaFleur) runs the prison with an iron fist. Hawkins (Robert Guillaume) is the one-eyed elder statesman prisoner. Louis runs into gang trouble but the prison holds darker secrets.There are a lot of cheesy B-movie aspect to the prison. Most notable is the basement brothel. The production is second rate. The good part is that Van Damme gets to do some butt kicking. There's nothing wrong with that. If anything, it needs more Van Damme butt kicking. The investigation is lackluster. There isn't much tension. Van Damme fans may like this but nobody else will.

Scott LeBrun "Death Warrant" should do just fine when film fans need their action fix. It's a pretty entertaining Jean-Claude Van Damme vehicle with a solid pace, assorted brutality, and enjoyably heinous villains. Written by David S. Goyer, and directed by Deran Sarafian, it stars JCVD as Louis Burke, a Royal Canadian Mountie from Quebec (thus explaining his accent this time around) who is recruited to work undercover in the L.A. prison system. Posing as a prisoner, his job is to find out who has been offing various inmates. The real trouble begins when an old nemesis of his, a serial killer dubbed The Sandman (Patrick Kilpatrick) is transferred to the same prison as Louis. All in all, this movie is a good deal of fun; even if forgettable in the end, it's slickly made, with JCVD in fine form and kicking lots of ass as per usual. It benefits from a strong supporting cast beginning with Robert "Benson" Guillaume as Hawkins, a one-eyed veteran prisoner who provides Burke with valuable assistance. The bad guys are an entertaining bunch, from brutal head guard DeGraf (Art LaFleur) to the hilarious Sandman, a swaggering psycho often to be seen with a smile on his face. He also proves to be very hard to kill! Joshua Miller ("Near Dark") is a geeky genius computer hacker, Armin Shimerman ('Star Trek: Deep Space Nine') a nefarious prison doctor, Conrad Dunn (Psycho from "Stripes") the solicitous Konefke, and the extremely striking Abdul Salaam El Razzac plays enigmatic prisoner Priest. The pretty Cynthia Gibb is adequate as the major female presence and requisite love interest. The instantly recognizable Al Leong has one of his standard henchmen parts and Larry Hankin, himself no stranger to prison pictures having done "Escape from Alcatraz", appears unbilled as Myerson. Russell Carpenter does the frequently moody cinematography and plenty of atmosphere is guaranteed due to the prison setting; the opening sequence with Burke searching for The Sandman is likewise full of menace. The final quarter hour or so with Burke and The Sandman facing off is exciting and a total hoot as The Sandman keeps coming back for more. Fans of the star and the genre should be quite amused, overall, and at just under an hour and a half, the movie does not overstay its welcome. Seven out of 10.