criirsara2000 At the beginning, I didn't want to see this movie, even if I read it tried not to be just a sad movie about a couple and their poor kid suffering of cancer. The movie is sad, even if end in a fairly good way, but it's bearable. But it also shows that life in this circumstances should also be positive or least one has to make an effort to make the story positive.Said this, this movie moved me almost to tears, imagining the poor kid, even if the movie never shows his suffering.And it's a movie that shows normal people, with a normal life, facing a tragedy. It could also be a movie that shows again we never have to give up and loose hope, but well, that's a true statement.

Sindre Kaspersen French actress, screenwriter and director Valérie Donzelli's second feature film which she co-wrote with her co-star Jérémie Elkaïm, is inspired by their own personal experiences and is a French production which was shot on various locations in France. The film was produced by Edouard Weil, premiered at the opening night of the International Critic's Week at the 64th Cannes Film Festival in 2011 and was the French submission for the Academy Award for Best Foreign Language Film at the 84th Academy Awards in 2012. It tells the story about Romeo and Juliette who after meeting at a nightclub in Paris, France falls in love and starts a promising relationship. Juliette becomes pregnant, gives birth to their son who is named Adam and their prospects seems very good, but when Adam becomes ill and is taken to a doctor who discovers a tumor in his brain, their lives are transformed and they are faced with an unpredictable and uncontrollable situation.Acutely and engagingly directed by Valérie Donzelli, this well-paced, compassionately narrated and deeply humane tale which is set in Paris, France 2003, draws an inventive portrayal of a young Parisian couple who when confronted with a devastating predicament decides to remain strong and battle it out in their own remarkable way. While notable for it's naturalistic urban milieu depictions, the fine cinematography by cinematographer and actor Sébastien Buchmann, the quick-witted dialog and the brilliant score which emphasizes the films poignant atmosphere, this character-driven and dialog-driven comedy-drama depicts two intertwining in-depth studies of character and examines themes like interpersonal relations, parenting, cancer, love and human courage.This somewhat adventurous, charmingly romantic and at times musical-like independent film, is impelled and reinforced by the heartfelt and involving acting performances by second-time filmmaker Valérie Donzelli, French actor Jérémie Elkhaïm and the fine supporting acting performances by French actor Frédéric Pierrot and César Desseix in his first feature film role. An emotionally moving and life-affirming love-story which gained, among other awards, the award for Best Actor Jérémie Elkaïm, Best Actress Valérie Donzelli and Best Film at the Gijón International Film Festival in 2011.

chuck-526 This film tells a story, lets you feel what it would really be like to live through these events. There's no detectable "message" nor "moral of the story". BUT even though the film itself doesn't lean that way, I couldn't help mulling over some larger social issues (and a few scenes in the film, although unremarked, contributed).The cost of preserving a human life was wrecked personal finances, losing ownership of an apartment, a good marriage, a couple careers, and several of what should have been the best years of a couple lives. (The film doesn't dwell on these things, but it does report them. A credit card gets cut up. They create a nice meal in their imaginations. An offhand remark reports the loss of the apartment. And so forth.) Was it worth it? And why was the burden laid almost exclusively on one small nuclear family rather than on a larger community? The state apparently paid for all the medical care (better than in the U.S.). But no state help was available for avoiding personal bankruptcy or for saving apartment ownership. Was that the best deployment of resources?(Also, unconnected to the child's sickness, the film mentions that both parents had considerable trouble finding work. Some career aspirations on both sides were dashed. And there's even a suggestion the situation was so bad that Juliette took work in a different town several hours away.)

Paddy C This film is the story of a couple whose only son (Adam) is diagnosed with cancer, but it's by no means a weepie, as from very early in the film, we learn that Adam pulls through. So, what does this leave us with? Well, perhaps more interestingly, the movie becomes more about Roméo (Jérémie Elkaïm) and Juliette's (Valérie Donzelli) struggle to stay together. With knowledge of Adam's safety in the bank, we can concentrate on the two main protagonists, and whether they will be able to survive as a unit.The film is also scripted by the pair, and directed by Donzelli, and it must be said, they are a remarkable duo. Their on-screen characters are very likeably played, if a little saccharine sweet while they fall in love in the first twenty minutes. However, while some of the early musical interludes might jar a little, they don't feel entirely out of place with the scenario. Their relationship forms the beating heart of this movie though, and they play off each other beautifully, gradually winning the audience round, and permitting forgiveness for the conceit of their characters' names!Bringing a rather sudden end to the romantic beginnings, new baby Adam arrives on the scene, and all is not rosy in the garden from very early on. Parents beware, the quarter of an hour that gradually builds up to Adam's diagnosis is as genuinely affecting a movie sequence as I can remember from any recent movie outing (and I'm only an uncle!)And from there it becomes about coping, about managing, and about survival. As I said, the audience is blessed with the foreknowledge that the couple do not have, so we're in a privileged position, but as Roméo and Juliette soldier on, rising to every new challenge and facing up to every fresh heartbreaking piece of news, you are still right there with them. Their support networks too, play an important role in the movie, but really this is the story of Roméo and Juliette's struggle to survive.If cinema is about escapism, then 'Declaration of War' will certainly transport you, placing you right in the middle of this young couple's lives as they battle with something you wouldn't wish on your worst enemy.I can't recommend it highly enough for lovers of French film, or possibly even just for parents who need a reminder of how lucky they are. It's bordering on stereotypical, picture-postcard French in the opening twenty minutes as the two central characters tombent amoureuses... but kind of suits the mood and is perhaps intentional. Two excellent central performances make it very watchable, but an excellent narrative device elevates this story from a traditional weepie into entirely more interesting territory. A real contender for the Oscar next March.