Spikeopath
A mysterious stranger rides into town and sets about enacting vengeance on those guilty of war crimes...A Spaghetti Western/Supernatural hybrid, Django the Bastard oozes atmosphere in spite of its obvious bargain bin budget. Anthony Steffen co-writes the screenplay with director Sergio Garrone and he also takes the lead role of the enigmatic stranger moving about the townsfolk like some grubby phantom. There's a splendid Gothic tint to proceedings, with crosses featuring prominently as Garrone and cinematographer Gino Santini dally with shadows and murky lighting techniques to enhance the other worldly pulse beat that the narrative calls for. Characterisations are pretty thin on the ground, though, while the action is only adequately staged. But genre fans are well served by the Spag Western staples that bring about sadism, wry social commentary and that old devil, Mr. Dry Black Humour.Never dull because Garrone keeps it brisk, and Steffen plays it rightly restrained as Django, this Bastardo passes muster for genre fans without ever actually being essential viewing. 6.5/10
A. Squadrilli
Django il bastardo directed by Sergio Garrone is a good intersting take on the mutitude of Django movies I have seen. The best are still the original with Franco Nero & the one Terence Hill did. I really feel that the biggest weakness of Django il bastardo was Antonio De Teffè (AKA Anthony Steffen) as Django. He had a great coldness about him but it almost goes a bit too stiff at times. A rather traditional revenge plot that is always ok by me & with a bit of a supernatural tone to it.. Which is both creepy & makes for a good weird western. There are some great scenes in this movie.. The flashback scenes were well done in the sense that you as the viewer are not treated with the "in case you didn't get the hints we dropped.. This is what happened" that I see in other westerns from this era. I would have liked a less rigid Django but Antonio De Teffè did create a different character for Django that I did enjoy. Is he a ghost? Is he real? The crosses bearing the names of the victims, the soon-to-be victims faces reading the crosses with their names on them.. Great stuff. There are some really great scenes, good acting, and a twist on a character I have always enjoyed. I love the soundtrack, again with the usual chants of Django which never get old to me. Worth checking out for sure.
BillDP
I've read alot about "Django The Bastard" and comparisons between it and Eastwood's "High Plains Drifter". I think it's safe to say that "HPD" is not a remake of "DTB" but is is also safe to say that it at least served as the inspiration for Clint's 1972 film IMHO.I had high expectations for "Django The Bastard" and I was definitely NOT let down. It's an at times crude and low budget affair but it has enough action, tension and chills to make it a terrific little film that just may be one of the trendsetters in the Euro Gothic Western sub-genre. The atmosphere is thick in this creepy movie and Director Sergio Garrone goes all out showing us some unique camera angles which run the full spectrum from overhead shots to close-ups to fade-in's to handheld. Very effective as is the score which at certain times is eerie enough to raise a goosebump or two. Some remarkable scenes as mentioned in other reviews including a creepy opening that is almost completely silent except for the howling wind and the memorable scene in the graveyard.Really wonderful stuff from the little SW that could. The performances are fine and I think that anyone who is a fan of Eastwood's "High Plains Drifter" owes it to himself or herself to check this one out. It's available on DVD from VCI under it's U.S. title of "The Strangers Gundown". Easily one of my favorite Westerns.
von-13
"Wait a minute stranger, please...tell me who you are anyway"... a baddie asks Django, who replies, "A devil from hell"!! So yes...this movie certainly plays like a typical Italian horrorfilm.You know, one that takes place in an old remote castle where various people are destined to die horroble deaths. Technically this Sergio Garrone film is a much more skillful production than some of his "women in kz-lager" efforts of which he is so "famous"!!! The first 30-45 mins are visually very stimulating and this bears the film through. But after an hour or so, with lots'a style, thrills, atmosphere,moods etc, it just becomes too much(for me at least!!). Django appears everywhere never showing any facial expressions shooting down tons of baddies.Quite frankly, it borders on the tediously boring!!The ghostly happenings does set the film apart from most other entries in this fine genre and for this I praise and recommend it.
AD
