CitizenCaine Easy Street is the ninth film Chaplin edited, wrote, directed, and produced for the Mutual Film Corporation. Chaplin attempts to combine slapstick with social commentary in this film. For the most part, he's successful, but the film just isn't as funny as other Mutual films. Chaplin finds salvation at a religious revival and becomes a policeman. Yet he's not so coincidentally dressed as a Keystone cop, and we know we're in for some fast-paced comedy. The streets are ruled by bully Eric Campbell, who once again serves as Chaplin's foil. Edna Purviance is the religious girl Chaplin saves from a drug fiend en route to cleaning up the neighborhood. There are many moments in the film that are equally comic as well as social commentary. The lack of respect for law and order, justifying stealing from sleeping shopkeepers, and the inevitable conclusion that order and respect trumps disorder and chaos. The highlights of the film involve Chaplin's attempts to subdue Eric Campbell, first with a gas lamppost and then with an end table through an open window. The film is generally recognized as Chaplin's most well known or best from his Mutual period, but I feel that other films like The Pawnbroker and One AM are more comically inventive and funny. This was one of Chaplin's first films to utilize social commentary. **1/2 of 4 stars.

John T. Ryan Mr. Chaplin,of course, had gotten his initiation into the Motion Picture Business with Mack Sennettat the Keystone Studio. The year was 1914 and Mack signed Charlie to a one year deal. Acting and physical comedy were all deeply embedded in the Chaplin personality as he had just about grown up on the stage. He had done a lot of different work, including the boy in the stage play, THE ADVENTURES OF SHERLOCK HOLMES.At the time of his discovery by Sennett (There was no American Idol Show then!)he had just finished a tour of the States in a show called, "A NIGHT IN THE English MUSIC HALL", which was called "THE MUMMING BIRDS" in Britain. He had a featured part in a sketch where he played an annoying Drunk.* Also in the show was a fellow Englishman by the name of Arthur Stanley Jefferson, a Red Headed lad who took the Stage Name of Stan Laurel.** After this first year in the Sennett Stable, the young Chaplin's stock had risen considerably. He had started out as mostly a supporting player and quickly moved up the ladder to featured comic. By the end of 1914,he was writing, directing and acting in front of the camera. Enter Essanay.The Essanay Film Manufacturing Corporation of Chicago was founded by partners George K.Spoor and G.M. Anderson(better known as Broncho Billy).*** The name is derived from the 'S' in Spoor and the 'A' in Anderson. Hence we get S and A, or the single name, "Essanay".Spoor and Anderson opened up their coffers in order to obtain the services of Charlie. He also got plenty of perks in the deal. He would essentially be his own boss, writing, directing, etc. hat was good for 1915, but what next? In 1917 the Chaplin show moved on. Now a fresh new deal was inked with 'The Little Tramp' late in '16. Mr. Charles Chaplin now had big buck$ in $alary, lot$ of ca$h for budgetary consideration and full artistic freedom. He could make his films as he wanted, taking whatever time needed, employing what methods he saw fit to use.All that resulted was a fabulous 12 two reel films, each one a gem. He had elevated the 2 reeler Comedy Short Subject to the level of most Feature Films. The films would be released as a production of Mutual's Lone Star comedies. Much like Jackie Gleason's HONEYMOONERS episodes of '50's Television fame, it is just about impossible to pick a favourite.EASY STREET has always been rated right up at the top of the bunch to this writer. In it the Little Tramp is seen as a "Derilict", living on 'Skid Row' and will do just about any thing. After meeting up with a lovely Mission Lady (Edna Purviance), Charlie is smitten and vows to make himself. As he leaves the Salvation Army-Type Rescue Mission, he even gives back the collection basket that he has stolen.The Tramp soon answers a 'Help Wanted' sign hanging on the local Police Station. Then for the remaining three quarters of this film we see a great variety of the finest mixtures of sight gags and true sentiment. He proves to be firm, yet charitable. His persona as a Police Officer is multi-faceted. He is not only the 'Man', or the 'Big Heat'.The sequence leading up to his tangling with the Bully of Easy Street (Eric Campbell) is a magnificently engineered gag upon gag, finally reaching a crescendo. And, just when victory seems to be at hand, the 'Problem' returns.The end of the film shows that Beat Cop Chaplin not only has been successful in 'cleaning-up' of Easy Street crime conditions, but also has done okay with the Mission Lady.Just as an after thought, in looking at this 1917 Comedy, we may very well have a glimpse into the heart and soul of The Little Trasmp. In his later years in the U.S.A., Mr. Chaplin came under suspicion for his Political Beliefs. This was the era of one Joe Stalin and the "Red Scare". Charles had gotten a reputation for his inquiry about radical or 'Un-American Idologies, not that he ever opened up his check book to Moscow or anything like that. Anyway as we all know, he was refused re-admission into the United States following a European trip in 1952.You see, Chaplin had never become a U.S. Citizen and had been classified as an "Undesirable Alien". He did not return until 20 years later when he received a Special Oscar at the 1972 Academy Awards.Examination of the Morale at the End of EASY STREET would seem to contradict the presence of any Communist sentiments. A very poetic Title Card tells of the need for both Social Compassion and a Law Abiding citizenry. It's there, honest! Just watch it! * Elements of his act a very much in evidence in many of his early films at Keystone, Essanay and Mutual.** Yes, that same guy who later gained immortality as 1/2 of the Film Comedy Team of Laurel & Hardy. Besides his own parts, Stan also understudied Charlie's Drunk Act.*** "Broncho Billy" was the first Western Hero on the screen. While Chaplin was at the Essanay Company, He appeared in a cameo shot in the G.M. Anderson, "Broncho Billy" film, HIS REGENERATION. Mr. Anderson reciprocated and was in a Chaplin CVomedy.

TheOtherFool The tramp needs money to get around, and first tries to steal it from the Mission. But then he decides to actually do something with his life, gives back the money and becomes a police officer. He takes on the big villain and makes everything right again in the neighbourhood.As stated before on this pages, this is an early try from Chaplin to make some social points on this one. The athmosphere is a lot darker than his other shorts, with the fighting a bit heavier (we see Campbell actually throwing a police officer against some other), and the appearance of what seems to be a drug addict.It sure isn't my favourite Chaplin short, though there are some funny moments. I'm a bit surprised it gets so much praise (and a high grade) on these pages. For real classics (in my very, very humble opinion) watch The Aventurer, Pay Day or The Tramp instead.6/10.

rbverhoef 'Easy Street' is a short comedy from Charlie Chaplin and in this one he doesn't play his popular tramp. Although he is not the tramp I find this short one of the best from Chaplin I have seen. It is as funny as the other shorts he has made but for some reason the story here keeps your attention a lot easier. I had a great time watching this.Chaplin is a police officer who must go to Easy Street where a man is causing some trouble. Chaplin arrests the man, sort of by accident, but because all the other police officers are scared of the man he manages to escape. He faces Chaplin once again, and the moments where Chaplin is followed are hilarious. There a lot of other very nice moments, and of course there is a girl. A terrific Chaplin short.